Japanese Woodblock Print “Fuji at Sea (Hokusai’s Reverse Wave)”. From the series 100 Views of Mt. By Katsushika Hokusai (1760 – 1849). High quality Vintage reproduction Japanese Color Woodblock Print. Fuji Seen in Ocean (Kaijo no Fuji) from One Hundred Views of Mount Fuji, 1834. This is the rare version of Great Wave, Mt Fuji seen in Ocean. Vintage handmade reproduction actual woodcut print. SIZE IN INCHES: 9 x 12 inches Chuban-size. Please read before ordering. We are off on Saturday, Sunday (Japan time) and National holidays in Japan. So we’ll be late for the answering questions. Thank you for your understanding. International Buyers Please Note.
ARTIST: HOKUSAI (1760 – 1849). MEDIUM: AUTHENTIC WOODBLOCK PRINT/ WOODCUT NISHIKI-E (INK ON PAPER). AGE: 70 YEARS OLD. SIZE: approximately 9 X 12 inches (23 cm X 30 cm). SUBJECTS: Mount Fuji village after a heavy snow. SERIES: 100 VIEWS OF MT. COMMENTS: THE ONLY MULTI-COLOR VERSION OF THIS IMAGE (the original was monochrome).
Vintage Ukiyo-e Katsushika Hokusai The Thirty-six Views of Mount Fuji 46 Print Set. Supervised by National Museum. This is a genuine hand-printed woodblock print. Ukiyoe by Hokusai Katsushika. Hokusai was the only Japanese selected when “LIFE” magazine in the United States created a special feature “100 people in the world who have made the greatest achievements in the last 1000 years”. His novel work surprised impressionist painters such as Van Gogh, Monet, and Degas, and had a great influence on the “Japonismu” that swept the West in the 19th century. It has all the works. Paper size: 34 cm x 25 cm (13,38 in x 9.84 in). Please Enjoy viewing 36 beautiful Mt, Fuji by Hokusai. Used items are one-of-a-kind items, so please find your favorite item.
Yoshimoto Masao, woodblock print Fuji at Lake Ashinoko, Dusk. Woodblock print produced by Kyoto Printmaking Institute in the 1950s. Paper: Echizen raw-fabric Housho-shi paper. Paper size: 290 x 415 mm (11 x 16 in). Please refer to the photos. Fright companies are closed on Weekends. International Buyers – Please Note. Thank you for your understanding.
Doi Hangaten E Seal in triple offset box. We believe this print is prewar or early 1950′s Based on estate of original owner. Print is 9 1/2″ x 14 1/4″. Please note that we are not experts and may lack the vocabulary to fully describe an item.
This lovely woodblock print is housed in its original frame. The frame measures 14″ x 9″ and the print is 9 1/4″ x 4 1/4″. It is in excellent condition and is very old. I believe the photographs give an accurate read.
19th Century Hiroshige Ando Tokaido Road #14 Morning Fuji Japan Woodblock Print. 7.5in x 5in visible art. 13.5in x 11in Frame. Normal signs of wear and tear on the frame. Please study pictures carefully before purchasing. Feel free to ask us any questions. Thank you for visiting our store!
Ukiyo-e Woodblock print Woman and Mt. Fuji Beautiful woman by Tekisui Ishii Antique. It is thought to be from the Meiji Taisho era to the Showa era before the war. This is a vintage handrail woodblock print. Height 14.2cm x Width 9.5cm. A disciple of Kiyokata Kaburaki. In 1901, Kiyokata moved to Kobiki-cho, Kyobashi, where he studied under Kiyokata during the Kobiki-cho period, becoming his next pupil after Ryokusui Hayashi. It is known that he exhibited his work at the 10th Karasukai Exhibition in November 1904. In May 1906, he exhibited “Kanjo Hakkonka” at the 5th Bijutsu Kensei Exhibition, “Kuzunoha” at the 14th Karasukai Exhibition in October of the same year, and “Koharuzu” at the Japan Art Association. Afterwards, he exhibited “Ayaito” at the 9th Tatsumi Gakai Exhibition in June 1909. Also, from 1912, Tekisui was in charge of illustrations for the Yomiuri Shimbun. In addition to participating in the Karasu-kai, Tekisui also drew illustrations for “Shufu no Tomo” when it was first published, including works such as “Autumn Leaves of Uzuki” and “Tanba Yosaku,” which were based on Chikamatsu Mono due to the influence of the Karasu-kai. At local exhibitions organized by Kiyokata’s disciples, he exhibited “First Tone” at the second exhibition in May 1916, followed by “Twilight” at the 8th exhibition in March 1923, and “Twilight” in 1926. He exhibited “Yanagibashi” at the 11th exhibition in May 1930, and “Nobe” at the 15th exhibition in June 1930. We do not mark merchandise values below value or mark items as “gifts” – Japan, US and International government regulations prohibit such behavior. About Importer’s Obligation. Thank you for your understanding.
