NOTO Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15. PROVINCE DE NOTO TAKI NO URA(Noto Province, Waterfall Bay) It is a very beautiful re-print of the original. This is one in a series of 69 prints. As of this listing, I have 35 of them, all professionally framed in a brushed silver toned frame and matted in black They all came from the same Estate in Louisville, KY. All are in excellent condition and any one or all of them would add greatly to your Asian art collection. The last 5 pictures are from one of these that had a damaged back. I deconstructed it so you could see all the layers and materials involved. Part of a series depicting famous views from each of Japan’s provinces. Shows Waterfall Bay in Noto Province with a waterfall, Ganman Cave, and “Falcon Nest Rock”. The vertical format is a distinctive feature of the series. Published between 1853 and 1856. The print captures the beauty of the Japanese landscape during the Edo period. The text on the print includes the series title, province name (Noto), and the carver’s name. Born in Edo as Tokutaro Ando, Hiroshige Utagawa grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teacher was Rinsai. Though Hiroshige tried to join Toyokuni Utagawa’s studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Toyohiro Utagawa. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige Utagawa became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic. Hiroshige Utagawa’s woodblock prints continue to convey the beauty of Japan and provide insight into the everyday life of its citizens during the Edo period. The appeal of his tender, lyrical landscapes was not restricted to the Japanese audience. Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige’s prints from the famous series, 100 Famous Views of Edo in oil paint. Hiroshige (1797 – 1858). Mimasaka Province, Yamabushi Valley. Series: Famous Places in the 60-odd Provinces. Size (H x W): 14.5 x 10.75 (inches). Publisher: Koshimuraya Heisuke (Koshihei). Seals: Date and Aratame. Condition: Very good color and impression, light soiling and wear, embellished with mica.
NOTO Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15 VTG
Posted by adminMar 22
SADO Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15 VTG
Posted by adminMar 22
SADO Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15. PROVINCE DE SADO ENOSHIMA, LES MINES D’OR (ENTRANCE TO THE CAVE AT ENOSHIMA) It is a very beautiful re-print of the original. This is one in a series of 69 prints. As of this listing, I have 35 of them, all professionally framed in a brushed silver toned frame and matted in black They all came from the same Estate in Louisville, KY. All are in excellent condition and any one or all of them would add greatly to your Asian art collection. The last 5 pictures are from one of these that had a damaged back. I deconstructed it so you could see all the layers and materials involved. The artwork is a woodblock print titled “Sado Province, the Goldmines” by Hiroshige, part of the series “Famous Views of the Sixty-odd Provinces” (Rokujuyoshu Meisho Zue). Created between 1853 and 1856. Depicts the Sado gold mine in Sado Province, Japan. Features a vertical format, unusual for landscapes, allowing for perspective play. Part of a series of 70 prints, showcasing famous views from each of Japan’s provinces. Published by Koshimuraya Heisuke. Known for its use of bokashi (gradation printing). May have been inspired by travel guides or Hokusai’s sketches. Born in Edo as Tokutaro Ando, Hiroshige Utagawa grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teacher was Rinsai. Though Hiroshige tried to join Toyokuni Utagawa’s studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Toyohiro Utagawa. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige Utagawa became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic. Hiroshige Utagawa’s woodblock prints continue to convey the beauty of Japan and provide insight into the everyday life of its citizens during the Edo period. The appeal of his tender, lyrical landscapes was not restricted to the Japanese audience. Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige’s prints from the famous series, 100 Famous Views of Edo in oil paint. Hiroshige (1797 – 1858). Mimasaka Province, Yamabushi Valley. Series: Famous Places in the 60-odd Provinces. Size (H x W): 14.5 x 10.75 (inches). Publisher: Koshimuraya Heisuke (Koshihei). Seals: Date and Aratame. Condition: Very good color and impression, light soiling and wear, embellished with mica.
KAWASE HASUI Exceedingly Rare Original Japanese Woodblock Print
Posted by adminMar 21
Tsurugaoka Hachiman Shrine by Kawase Hasui. Original Showa era Japanese woodblock print. Fine color, condition and impression. This print has never been framed and retains original colors. 6.8 x 4.0 inches. Shoichiro Watanabe has verified this is an original rare Hasui woodblock print.
MUTSU Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15 VTG
Posted by adminMar 21
MUTSU Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15. PAYSAGES DE MATSUSHIMA, VUE DE PUIS LE MONT TOMIYAMA (Sight Map from Mount Tomi) It is a very beautiful re-print of the original. This is one in a series of 69 prints. As of this listing, I have 35 of them, all professionally framed in a brushed silver toned frame and matted in black They all came from the same Estate in Louisville, KY. All are in excellent condition and any one or all of them would add greatly to your Asian art collection. The last 5 pictures are from one of these that had a damaged back. I deconstructed it so you could see all the layers and materials involved. The image is a woodblock print titled “Goshiki Beach, Awaji Province” from the series Famous Views of the Sixty-odd Provinces by Utagawa Hiroshige, dating back to 1855. Depicts fishermen hauling nets at Goshiki Beach in Awaji Province, known for its abundant fish. Part of a collection of 70 prints showcasing famous locations across Japan’s provinces. Features a vertical format, emphasizing depth and perspective, characteristic of Hiroshige’s later works. Utilizes bokashi (color gradation) to create depth and atmosphere, enhancing the visual impact. Reflects the growing interest in travel and pilgrimage during the Edo period. Born in Edo as Tokutaro Ando, Hiroshige Utagawa grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teacher was Rinsai. Though Hiroshige tried to join Toyokuni Utagawa’s studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Toyohiro Utagawa. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige Utagawa became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic. Hiroshige Utagawa’s woodblock prints continue to convey the beauty of Japan and provide insight into the everyday life of its citizens during the Edo period. The appeal of his tender, lyrical landscapes was not restricted to the Japanese audience. Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige’s prints from the famous series, 100 Famous Views of Edo in oil paint. Hiroshige (1797 – 1858). Mimasaka Province, Yamabushi Valley. Series: Famous Places in the 60-odd Provinces. Size (H x W): 14.5 x 10.75 (inches). Publisher: Koshimuraya Heisuke (Koshihei). Seals: Date and Aratame. Condition: Very good color and impression, light soiling and wear, embellished with mica.
Toshi Yoshida Woodblock Stone Lanterns
Posted by adminMar 21
This design was originally published in 1941 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 6 3/4 x 9 1/2 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.
JAPANESE WOODBLOCK PRINT ORIGINAL AUTHENTIC ANTIQUE KUNIYOSHI 1847 The 47 Ronin
Posted by adminMar 20
SIZE: OBAN approximately 14 X 9 inches. SERIES: THE 47 RONIN or STORIES OF THE TRUE LOYALTY OF THE FAITHFUL SAMURAI. SEE THE LAST IMAGE FOR MORE INFORMATION ABOUT THIS WORK.
Japanese Woodblock Print Shiro Kasamatsu Night in Summer Shin Hanga Woodcut
Posted by adminMar 20
Thank you for visiting! Our Items are All 100% Authentic. A manual might be in only Japanese. Please feel free to ask us. We would accept Return ONLY if the item were defective. Please contact me first before sending your item. International Buyers – Please Note.
Woodblock Print Unboxing 16
Posted by adminMar 20
Unboxing 17 Japanese Prints From Auction
Posted by adminMar 19
Japanese Woodblock Print Tattooed Samurai Warrior
Posted by adminMar 19
ARTIST: YOSHITOSHI (1839 – 1892). SERIES: BIOGRAPHIES OF MODERN MEN. NISHIKI-E (INK ON PAPER). SIZE: 9.5 INCHES X 6.5 INCHES. (24 CM X 16.5 CM). AGE: 108 YEARS OLD. UKIYO-E PICTURES OF THE FLOATING WORLD. GENRE: MUSHA-E (PICTURES OF SAMURAI) WARRIORS. MATERIAL: WASHI HANDMADE PAPER. COMMENTS: HANDMADE WOODBLOCK PRINT OR WOODCUT DONE BY HAND THE OLD WAY (Not a poster, not a lithograph and not done with any other modern printing technique).