Ukiyoe Fukuda Hatsujiro Meiji Woodblock print 1896 Kimono Hagoita (battledore). Antique Ukiyoe by Fukuda Hatsujiro. Size 14 inch x 19.44 inch (35.6cm x 24cm) each. We do not mark merchandise values below value or mark items as? Japan, US and International government regulations prohibit such behavior. About Importer’s Obligation. Thank you for your understanding.
Ukiyoe Fukuda Hatsujiro Meiji Woodblock print 1896 Kimono Hagoita (battledore)
Posted by adminDec 19
Japanese Woodblock Print Reproduction By Shotei Rain in Vintage Frame
Posted by adminDec 19
Japanese Woodblock Print Reproduction: By Shotei “Rain” in Vintage Frame.
Tomikichiro Tokuriki Japanese Woodblock Print Soba Vendor Noodle Wagon 1950
Posted by adminDec 19
VINTAGE TOKURIKI TOMIKICHIRO “SOBA VENDOR” JAPANESE WOODBLOCK PRINT. The title of this print is. The image depicts a soba noodle vendor’s wagon in the evening. The vendor can be seen in silhouette beneath a willow tree playing a “charumera, ” a small brass horn typically used by noodle vendors to attract customers. A warm glow comes from a red paper lantern and an illuminated sign on the wagon. Soba is the Japanese name for buckwheat. This Tomikichiro print is large oban sized, measuring about 14 7/8″ tall and 9 5/8″ wide, including the slightly trimmed margins. The actual image is approximately 14 1/8″ x 9 1/4″. It is mounted on board but very skillfully done. The print is unframed. The artist signature appears in the print at the top right corner. It has remnants of the Matsukyu seal in the lower right margin, a company founded after the war by Tomikichiro, mainly for the promotion of his own prints. There are also remnants of a signature or title in the bottom right margin, but it has been trimmed and is therefore unreadable. Print is one of his most popular images. He represented the 12th generation of a Kyoto artisan family designated as the official Kyoto print artists for the famous Honganji Temple. He graduated from Kyoto City School of Fine Arts and Kyoto City Specialist School of Painting in 1924. After World War II, he established the Matsukyu Publishing Company to produce and distribute his own prints and other Shin Hanga and Sosaku Hanga pieces. He was an influential figure in Japan’s contemporary print movement and his prints are in the permanent collections of the Museum of Fine Arts in Boston and the Museum of Modern Art in New York. Condition of this Tokuriki Tomikichiro woodblock print is EXCELLENT. The colors are very nice and the image is undamaged. As I mentioned previously, the print is mounted on board and has slightly trimmed margins. The mounting job was very well done with no wrinkling or loose spots (perfectly flat). Overall, this collectible print looks fantastic and displays well. Please take a close look at the many photos I’ve provided and judge condition for yourself. While you’re here, please check out my other listings by clicking on the link below. See my other listings. For more great items! Bottom Portion of Image. Top Portion of Image. Closeup of Noodle Cart. Markings in Margins – Remnants of Matsukyu Seal. Markings in Bottom Margin Trimmed. I will insure this item at my own expense. Txzj pxzj2495 txzj-11 txzj39 txzj115.
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Filed under: tomikichiro | Tagged as: japanese, noodle, print, soba, tokuriki, tomikichiro, vendor, wagon, woodblock
Original ca. 1860 Hiroshige II Japanese Diptych Woodblock Enoshima Beach Framed
Posted by adminDec 18
Antique Hiroshige II Japanese Woodblock Edo Enoshima Sagami Bay circa 1860 Frame. Original Antique Hiroshige II Japanese Woodblock Enoshima Beach Sagami Bay circa 1860, Framed and matted, Woodblock Print Framed Edo Era, ukiyo-e. This is a lovely antique original print by Utagawa Hiroshige II of a man seated in on an ox, with a peasant and the beach and Sagani bay with waves in the background. 1 Enoshima Seen from the Beach – Beach of Sagami Bay. 2 Elegantly dressed man sitting on black ox, watching running woman in kimono barefoot with pattern of shells; on beach with rough surf; Enoshima Island on achtergrond. 3 Prince Genji riding an oxen being led by an abalone diver along the sea shore with Endoshima Island in the distance. Hiroshige II (Utagawa Hiroshige, 1826 – 17 September 1869) was a Japanese designer of ukiyo-e art. He inherited the name Hiroshige II following the death in 1858 of his master Hiroshige, whose daughter he married. In 1865 he moved from Edo to Yokohama after dissolving his marriage and began using the name Kisai Rissho. His work so resembles that of his master that scholars have often confused them. Condition: Very good condition. Colors are fresh, mild fading and rubbing commensurate with age and use. There is a small water? Stain at the top joining area between the tow sheets. Framed under acrylic with black and gold wood frame. Please note that the acrylic is very reflective and the photos show some shadows due to this. Measurements: Frame: 23 1/4 x 28 1/2 x 1 Work: 14 x 19 1/2. Weight: 6 lbs 13 oz. Unless described as being new, the items for sale are vintage or used and it may show evidence of wear. The description refers to the overall condition and details. We try to describe the items to the best of our ability. All listings are described as to the best of my knowledge, through careful research and price and description comparison. With tracking and careful, sturdy packing, we try to recycle when possible. We welcome all reasonable offers! We appreciate your business! Please check out my other items. Thank you for looking and good luck!
Japanese Woodblock Print Samurai 1867
Posted by adminDec 18
ARTIST: YOSHIIKU UTAGAWA (born 1833). DATE: 1867 (157 YEARS OLD). MEDIUM: NISHIKI-E (INK ON PAPER). 9.75 X 7 INCHES (25 CM X 17 CM). GENRE: UKIYO-E, MUSHA-E (PICTURES OF WARRIORS). SERIES: HEROES OF THE TAIHEIKI. SUBJECT: SAMURAI, SAMURAI ARMOR AND ATTIRE, SWORDS, WEAPONS BATTLE, WAR. CONDITION: Some prints have binding holes, tears, stains, and some wrinkles. Great impression and beautiful colors.
Japanese Woodblock Prints By Andreas Marks Book Flip Through
Posted by adminDec 17
Japanese Woodblock Print Samurai
Posted by adminDec 17
ARTIST: YOSHIIKU UTAGAWA (born 1833). DATE: 1867 (157 YEARS OLD). MEDIUM: NISHIKI-E (INK ON PAPER). 9.75 X 7 INCHES (25 CM X 17 CM). GENRE: UKIYO-E, MUSHA-E (PICTURES OF WARRIORS). SUBJECT: SAMURAI, SAMURAI ARMOR AND ATTIRE, SWORDS, WEAPONS BATTLE, WAR. CONDITION: Some prints have binding holes, tears, stains, and some wrinkles. Great impression and beautiful colors.
Japanese Woodblock Print Samurai 1867
Posted by adminDec 16
ARTIST: YOSHIIKU UTAGAWA (born 1833). DATE: 1867 (157 YEARS OLD). MEDIUM: NISHIKI-E (INK ON PAPER). 9.75 X 7 INCHES (25 CM X 17 CM). GENRE: UKIYO-E, MUSHA-E (PICTURES OF WARRIORS). SERIES: HEROES OF THE TAIHEIKI. SUBJECT: SAMURAI, SAMURAI ARMOR AND ATTIRE, SWORDS, WEAPONS BATTLE, WAR. CONDITION: Some prints have binding holes, tears, stains, and some wrinkles. Great impression and beautiful colors.
K. Nishijima Signed & Framed 443/500 Japanese Woodblock Print Sunset and Houses
Posted by adminDec 16
443/500 Frame is a gold color. The frame is about 20.5″ x 16.25″.
Original Bertha Lum 1908 Woodblock Junks on Inland Sea (faded) Vtg California
Posted by adminDec 16
An original early Bertha Lum woodblock, lovely though faded. The image is Junks on the Inland Sea from 1908, just a few years after she began to learn the woodblock technique in Japan. This very rare print was created in soft colors to begin with, now faded to a ghostlike beauty. Junks on the Inland Sea. STYLE: Japonisme, Arts and Crafts. PERIOD: Arts and Crafts. MATERIALS AND TECHNIQUES: Ink on paper, float-mounted and framed under glass. SIGNATURE: “Bertha Lum” lower center. Print is faded, slightly wrinkled, otherwise good. DIMENSIONS: 6 3/8″ by 11 3/8″ framed to 10″ by 15 3/4″. Bertha Boynton Lum (1869 – 1954) was an American artist known for helping popularize the Japanese and Chinese woodblock print outside of Asia. In May 1869, Lum was born as Bertha Boynton Bull in Tipton, Iowa. Lum’s father was Joseph W. Both of Lum’s parents were amateur artists. Lum had a sister and two brothers, Clara, Carlton, and Emerson. In 1890 she lived in Duluth and listed her occupation as artist. She enrolled in the design department of the Art Institute of Chicago in 1895. A few years later she studied stained glass with Anne Weston and attended the Frank Holme School of Illustration. From November 1901 to March 1902, she studied figure drawing at the Art Institute of Chicago and was influenced by the Japanese techniques of Arthur Wesley Dow in his book Composition, which was published in 1899. Lum married Burt F. Lum, a corporate lawyer from Minneapolis, Minnesota, in 1903. They spent their seven-week honeymoon in Japan, where she searched for a print maker who could teach her the traditional ukiyo-e method. Toward the end of her stay in Japan, she found a shop that reproduced old prints. On January 23, 1907, she went to Japan for a 14-week stay. Lum worked with Bonkutsu for two months. After she learned how to cut blocks, Bonkutsu introduced her to the printer Nishimura Kamakichi, with whom she worked for another four weeks. For three years in the U. Lum cut blocks and colored and printed her work herself. The Society of Arts and Crafts in Boston named Lum a master craftsman in 1908. After returning to Japan in 1911 for six months, she began to hire cutters and printers who worked in her winter home in Tokyo. In 1912 Lum was the only female artist to exhibit at the Tokyo International Exhibition. She was awarded a silver medal at the 1915 Panama-Pacific International Exposition for her color woodcuts. Between 1915 and 1919 she made two more trips to Japan and made an extensive number of prints. She also exhibited at the Los Angeles County Museum of Art in 1920 and at the Art Institute of Chicago and the Chicago Society of Etchers, as well as the New York Public Library. Her first illustrated book, Gods, Goblins, and Ghosts, based on her travels in Japan, was published in 1922. The same year, she moved to China and began learning Chinese woodcut methods. She made her last known print in 1935; her print of the god Daïkoku was published in The Peking Chronicle in December 1937. In 1936 she published Gangplanks to the East, a collection of Asian folk tales and stories of her travels. She had her last exhibition in 1941. Her works are held at the Library of Congress, the Fine Arts Museums of San Francisco, the Smithsonian Museum of American Art, and in private collections. Lum was a member of the Asiatic Society of Japan, California Society of Etchers (now California Society of Printmakers), and PrintMakers Society of California. Lum lived in California (San Francisco and Hollywood) from 1917 until 1922 when she moved to Peking, China. For the next thirty years she divided her time between California, China, and Japan. She divorced Burt Lum in the 1920s. Her younger daughter Eleanor “Peter” Lum married the diplomat Sir Colin Tradescant Crowe and became an author. In 1936 her elder daughter Catherine married Antonio Riva, an Italian pilot during World War I who was executed in 1951 in Beijing for an alleged plot to assassinate Mao Zedong. Lum had been staying with Catherine at the time of Riva’s arrest and was herself placed under house arrest. In 1953 Lum left China and moved with Catherine to Genoa, Italy. She died in Genoa, Italy in February 1954. P e n c i l p o i n t e r >. Usually available; please inquire. Please contact me with any questions.