SIZE: 11X 15.5 INCHES (28 cm X 40cm) approximately. AGE: approximately 75 years old. GENRE: UKIYO-E (Pictures of the Floating World). MEDIUM: NISHIKI-E (INK ON PAPER). PUBLISHER: TAKAMIZAWA with TAKAMIZAWA seal on back. HANDMADE WOODBLOCK PRINT OR WOODCUT DONE THE OLD WAY (not a lithograph, not a poster and not done with offset or any other modern printing technique). SERIES: The Fifty-Three Stations of the Tokaido. CONDITION:GREAT COLORS, IMPRESSION AND CONDITION. INFORMATION ABOUT THE SERIES.. The Fifty-Three Stations of the Tokaido is a series of woodblock prints by Utagawa Hiroshige that depicts the 53 post towns and notable places along the Tokaido, a highway that connected Edo (modern-day Tokyo) to Kyoto. Created between 1832 and 1833. Depicts the Tokaido’s post stations and natural wonders, as well as the travel boom in 19th century Japan. Blends sweeping landscapes, close-up studies of post-station activities, and emotive caricatures. Influenced many 19th century European artists, and inspired dreams of travel in ordinary people. Established the landscape print, or fukei-ga, as a major theme of ukiyo-e. Some prints feature local products, such as hashirii mochi, a thin rice cake filled with bean paste.
Lush wisteria blossoms drop languidly into this view of a half-moon bridge and passersby. The scene is Infused with a peaceful air achieved through the subtle palette and the quiet reflection in the pond. This woodblock print was made in 1941 by Toshi Yoshida, one of the most famous Japanese woodblock print artists of the 20th century. It iis guaranteed to be a lifetime edition, pencil signed and titled by the artist himself, in the lower margin. Title: Half Moon Bridge Signature: Toshi Yoshida (in pencil) Seal: Yoshida. The image measures approximately 6 3/4 by 9 1/2 inches, plus margins. It’s nicely framed with a thick, white mat and a solid wood, stained brown frame, with matte glass. Wood frame measures: 11″ x 14.5″ x 1. Condition: Very good color, impression, and state, with no condition issues to note. The frame shows minor wear, but is sound.
ARTIST: TSUKIOKA KOGYO (1869 – 1927). (the adopted son and student of the greatest UKIYO-E master of the Meiji era: YOSHITOSHI, hence the name). He also studied with Ogata Gekko. The influence of both artists is seen in his work. AGE: APPROX 100 years old. MEDIUM: WOODBLOCK PRINT (INK ON PAPER) NISHIKI-E. SIZE: 14 inches by 10 inches (38 cm X 25 cm). GENRE: THEATER PRINTS OR PICTURES. SERIES: A GREAT COLLECTION OF NOH THEATER IMAGES. SUBJECT: ACTORS, COSTUMES, NOH THEATER. CONDITION: very good, minor imperfections (see detailed pictures). DESCRIPTION: deluxe printing techniques, metallic pigments, and woodgrain on the background were used in the making of many of the prints in this series. COMMENTS: BEAUTIFUL COLORS, GREAT IMPRESSION, ELEGANT, AND SUBLIME. PERFECT FOR DISPLAYING FRAMED.
Experience the charm of Kyoto through Tomikichiro Tokuriki’s “The FIFTEEN VIEWS OF Kyoto, ” a cherished series of woodblock prints. Each print showcases the timeless beauty of Japan’s cultural heartland, with rich, multi-colored illustrations that capture the essence of the city’s landscapes and landmarks. Created in 1955, these prints are genuine antique originals, offering a glimpse into mid-20th-century Japanese artistry and craftsmanship. Collectors and enthusiasts of Asian antiquities will appreciate the significance of this set. Crafted by the renowned maker Tomikichiro Tokuriki, these prints are a testament to his skill and dedication to the traditional art form of woodblock prints. They serve not only as decorative pieces but also as historical documents, representing a bygone era of Japanese culture and heritage.
ARTIST: Yamamoto Sekkei (SEKKA YAMAMOTO). AGE: APPROX 100 years old. MEDIUM: WOODBLOCK PRINT (INK ON PAPER) NISHIKI-E. SIZE: 16 inches by 10.5 inches (41 cm X 27 cm). GENRE: JAPANESE PATTERN DESIGNS. CONDITION: (see detailed pictures) Some have stains, foxing. DESCRIPTION: deluxe printing techniques, metallic pigments, splashed gofun, etc. Were used in the making of many of the prints in this series. COMMENTS: BEAUTIFUL COLORS, GREAT IMPRESSION.
D’IZUMO Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15. It is a very beautiful re-pri. T of the original. This is one in a series of 69 prints. As of this listing, I have 35 of them, all professionally framed and matted. This one has a little damage to the black. Paper backing (see pics). They all came from the same Estate in Louisville, KY. All are in excellent condition and any one or all of them would add greatly to your Asian art collection. The great shrine at Izumo, Izumo, taisha hotohoto no zu from Rokujuyoshu meisho zue, Famous Views in the Sixty-odd Provinces. The set published by Koshimuraya Heisuke, 1853-6 (this being 1854). Shows a group of three young women bringing offerings to the Shinto shrine. A large cryptomeria tree in the foreground and other figures, trees and a torii in the misty background. The main deity of the shrine is Okuninushi no Okami, patron of good relationships and marriage (which probably accounts for the women’s visit). A beautiful design when well printed. Born in Edo as Tokutaro Ando, Hiroshige Utagawa grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teacher was Rinsai. Though Hiroshige tried to join Toyokuni Utagawa’s studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Toyohiro Utagawa. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige Utagawa became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic. Hiroshige Utagawa’s woodblock prints continue to convey the beauty of Japan and provide insight into the everyday life of its citizens during the Edo period. The appeal of his tender, lyrical landscapes was not restricted to the Japanese audience. Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige’s prints from the famous series, 100 Famous Views of Edo in oil paint. Hiroshige (1797 – 1858). Mimasaka Province, Yamabushi Valley. Series: Famous Places in the 60-odd Provinces. Size (H x W): 14.5 x 10.75 (inches). Publisher: Koshimuraya Heisuke (Koshihei). Seals: Date and Aratame. Condition: Very good color and impression, light soiling and wear, embellished with mica.
ARTIST: HOKUSAI (1760 – 1849). MEDIUM: AUTHENTIC WOODBLOCK PRINT/ WOODCUT NISHIKI-E (INK ON PAPER). AGE: 70 YEARS OLD. SIZE: approximately 8 X 10 inches (21 cm X 25 cm). SERIES: 1000 VIEWS OF THE SEA / OCEAN.
This antique framed print of a Cat and Goldfish Bowl is a stunning piece of Japanese artistry. The intricate details and beautiful use of textile make this a truly unique item. The piece is perfect for collectors of old Asian decor. It would make a great addition to any room or space, adding a touch of elegance and history. Unsure whether this is silkscreen or woodblock on textile. Wear commensurate with age, with lots of dings and scratches on the frame. Paper on back of frame is ripped.
ARTIST: TSUKIOKA KOGYO (1869 – 1927). (the adopted son and student of the greatest UKIYO-E master of the Meiji era: YOSHITOSHI, hence the name). He also studied with Ogata Gekko. The influence of both artists is seen in his work. AGE: APPROX 100 years old. MEDIUM: WOODBLOCK PRINT (INK ON PAPER) NISHIKI-E. SIZE: 14 inches by 10 inches (38 cm X 25 cm). GENRE: THEATER PRINTS OR PICTURES. SERIES: A GREAT COLLECTION OF NOH THEATER IMAGES. SUBJECT: ACTORS, COSTUMES, NOH THEATER. CONDITION: very good, minor imperfections (see detailed pictures). DESCRIPTION: deluxe printing techniques, metallic pigments, and woodgrain on the background were used in the making of many of the prints in this series. COMMENTS: BEAUTIFUL COLORS, GREAT IMPRESSION, ELEGANT, AND SUBLIME. PERFECT FOR DISPLAYING FRAMED.
The Great Wave off Kanagawa. Hand carved and printed Japanese woodblock print by skilful artisans. Published by Watanabe in Heisei period. OBan Yoko-e Large size : about 11 x 16 inches include margins. Watanabe’s seal is on the bottom right. Please read before ordering. We are off on Saturday, Sunday (Japan time) and National holidays in Japan. So we’ll be late for the answering questions. Thank you for your understanding. International Buyers Please Note.
