Archive for October 19th, 2017

Orig TOYOKUNI III KUNISADA JAPANESE Woodblock Diptych Print SAMURAI Sword

Orig TOYOKUNI III KUNISADA JAPANESE Woodblock Diptych Print SAMURAI Sword

Orig TOYOKUNI III KUNISADA JAPANESE Woodblock Diptych Print SAMURAI Sword

Orig TOYOKUNI III KUNISADA JAPANESE Woodblock Diptych Print SAMURAI Sword

Orig TOYOKUNI III KUNISADA JAPANESE Woodblock Diptych Print SAMURAI Sword

Actors Kawarazaki Gonjûrô I as Yahei Hyôe Munekiyo (R). Sawamura Tanosuke III as Tokiwa Gozen (L). By Utagawa Toyokuni III (Kunisada). ; 1786 12 January 1865 was the most popular, prolific and financially successful designer of. In his own time, his reputation far exceeded that of his contemporaries. At the end of the Edo period. (16031867), Hiroshige, Kuniyoshi and Kunisada were the three best representatives of the Japanese color woodcut in Edo capital city of Japan, now Tokyo. However, among European and American collectors of Japanese prints, beginning in the late 19th and early 20th century, all three of these artists were actually regarded as rather inferior to the greats of classical ukiyo-e, and therefore as having contributed considerably to the downfall of their art. For this reason, some referred to their works as “decadent”. Beginning in the 1930s and 1970s, respectively, the works of Hiroshige and Kuniyoshi were submitted to a re-evaluation, and these two are now counted among the masters of their art. Thus, from Kunisada alone was withheld, for a long time, the acknowledgment which is due to him. With a few exceptions, such as actor portraits yakusha-e. And portraits of beautiful women bijin-ga. , at the beginning of his career, and some series of large-size actor head-portraits near the end, it was thought that he had produced only inferior works. It was not until the early 1990s, with the appearance of Jan van Doesburg’s overview of the artistic development of Kunisada, and Sebastian Izzard’s extensive study of his work, that this picture began to change, with Kunisada more clearly revealed as one of the “giants” of the Japanese print that he was. About this print : Taira no Munekiyo saved fugitive Tokiwa Gozen and her children (Minamoto no Yoshitsune and Ano Zensei). Print Size : OBAN Large size. About 13.9 x 19.5. Check out my other items. On the faster side during off peak traveling seasons and slower and more unpredictable during high traveling seasons. We are off on Saturday, Sunday (Japan time) and National holidays in Japan. So we’ll be late for the answering questions. Thank you for your understanding. International Buyers Please Note. These charges are the buyers responsibility. The item “Orig TOYOKUNI III KUNISADA JAPANESE Woodblock Diptych Print SAMURAI Sword” is in sale since Friday, February 17, 2017. This item is in the category “Antiques\Asian Antiques\Japan\Prints”. The seller is “edokura” and is located in Chiba. This item can be shipped worldwide.
  • Color: Multi-Color
  • Type: Woodblock Print
  • Primary Material: Washi Paper
  • Age: 1850-1899
  • Region of Origin: Japan
  • Original/Reproduction: Original
  • Signed: Toyokuni Rou Hitsu ,
  • Publisher:
En0666sjSw Japanese woodblock print Sekino Junichiro Maiko Beauty 29/128

Before purchasing our item, please read and understand our business policy and business approach below. We collect and sell valuable items which we confidently recommend at fair prices. One exception to it would be when customers take items without written statements of guarantee to publically qualified appraisal authorities and when they are clarified as forgeries by them (not based on customers’ own opinions or by third parties they choose). Thank you very much for your kind understanding. The young Junichiro grew up in Aomori City together with Munakata Shiko. Munakata, who should late become the “Japanese Picasso”, might have been the one who had inflamed the enthusiasm of the young Sekino for drawing and painting. From an early age on Sekino studied printmaking and oil painting. In 1936 he even won a prize at Bunten for an etching. Bunten was part of the official government controlled art scene with juries who decided on the admission of artworks. Being accepted to these official exhibitions, was quite some success. And winning a prize was an even more remarkable achievement by the young artist. In 1939 Sekino moved to Tokyo. He met and studied under Onchi Koshiro, the great mentor of the sosaku hanga art movement. During his art training Sekino had learned both, the Japanese woodblock method and Western techniques like etching. Although he had attended art training, Sekino was basically self-taught. His great paragons were the old Japanese and European masters – Sharaku, Hiroshige and Toulouse Lautrec, Rembrandt and especially Albrecht Dürer. Material = Paper(glass in frame) Condition= Normal. Size = 73 x 57.5 cm <28.5 x 22.4inch> Art Work = 50 x 38.5 cm <19.5 x 15.0inch> Weight = 4170 g (packing material is not included). Please do not hesitate to ask us for the best price and any other questions. It arrives in 5-7 days. Please let us know your TELEPHONE NUMBER that we write on the postal document and invoice. Please understand that the item has stains and wrinkles, but it is vintage. Since it is an old item, please look at the pictures closely and judge. The actual size, color or appearance may vary because of the lighting effects. Chosen carefully, we would guarantee these are handwriting (not printed) and the original. The item “En0666sjSw Japanese woodblock print Sekino Junichiro Maiko Beauty 29/128″ is in sale since Thursday, September 14, 2017. This item is in the category “Antiques\Asian Antiques\Japan\Prints”. The seller is “en-corporation” and is located in HONSHU. This item can be shipped worldwide.
  • Featured Refinements: Japanese Woodblock Print
Japanese Woodblock Print By Yoshitoshi 1885 Authentic Antique Original

Japanese Woodblock Print By Yoshitoshi 1885 Authentic Antique Original

Japanese Woodblock Print By Yoshitoshi 1885 Authentic Antique Original

Japanese Woodblock Print By Yoshitoshi 1885 Authentic Antique Original

Japanese Woodblock Print By Yoshitoshi 1885 Authentic Antique Original

Japanese Woodblock Print By Yoshitoshi 1885 Authentic Antique Original

Japanese Woodblock Print By Yoshitoshi 1885 Authentic Antique Original

Japanese Woodblock Print By Yoshitoshi 1885 Authentic Antique Original

Japanese Woodblock Print By Yoshitoshi 1885 Authentic Antique Original

SERIES: ONE HUNDRED ASPECTS OF THE MOON DATE: 1888 MEDIUM: JAPANESE WOODBLOCK PRINT ARTIST: YOSHITOSHI SIZE: 14 BY 9 INCHES APPROXIMATELY (OBAN) PLATE #: 64 (one of the best in the series) GENRE: MEIJI, MYTH, LEGEND THEMES: WARRIORS, LEADER, MOON, NIGHT, FLUTE PLAYER, ATTEMPTED MURDER. COMMENTS: THIS IS ANOTHER TAKE FROM THIS FAMOUS JAPANESE STORY BY YOSHITOSHI. GOOD OPPORTUNITY TO COLLECT THE ONE HUNDRED ASPECTS OF THE MOON VERSION. The item “JAPANESE WOODBLOCK PRINT BY YOSHITOSHI 1885 AUTHENTIC ANTIQUE ORIGINAL” is in sale since Sunday, October 01, 2017. This item is in the category “Antiques\Asian Antiques\Japan\Prints”. The seller is “yoshitoshi13″ and is located in Chicago, Illinois. This item can be shipped worldwide.
  • Original/Reproduction: Antique Original
  • Featured Refinements: Japanese Woodblock Print
  • Color: Multi-Color
  • Maker: TAISO YOSHITOSHI
  • Primary Material: Paper
  • Age: 1850-1899
  • Region of Origin: Japan