Limited Edition, Japanese Woodblock Print. Teahouse – Yotsuya Araki Yokocho. By Tsuchiya Koitsu 1870 – 1949. The print is dated Showa 10(1935). This print published by Doi. Printed between 1963 and 1981. DOI EIICHI (Doi Hangaten) publisher, HARADA carver. (Seki was famous as a master of woodblock printing). OBan Tate-e Large size : about 16 x 11.25 inches include margins. Please read before ordering. We are off on Saturday, Sunday (Japan time) and National holidays in Japan. So we’ll be late for the answering questions. Thank you for your understanding. International Buyers Please Note.
Japanese Tomikichiro Tokuriki Woodblock Print Tenjin Festival from Japan Rare. Thank you for visiting! This is a woodblock print of “Tenjin Festival” by the famous printmaker Tokuriki Tomiki. It is a beautiful piece depicting a famous Osaka site, and is a valuable piece of art that allows you to feel the atmosphere of Naniwa. It has a retro Showa-era atmosphere, but is also a masterpiece that will look great in modern interiors. Although there is some dirt due to aging, it is in good condition overall. It is already framed, so you can display it as is. 40cm long x 30cm wide. Please pay within 5 days. We do not mark merchandise values below value or mark items as “gifts” – Japan, US and International government regulations prohibit such behavior. About Importer’s Obligation. Thank you for your understanding.
Absolutely beautiful woodblock print in excellent condition. Mounted on paper with cut out. Measures 14.5″ x 10.5″. Print itself measures 8 13/20″ x 6 4/20″. The image is a Ukiyo-e woodblock print by Adachi Ginko, created in 1885. It depicts a samurai archer on a rooftop, possibly during the Boshin War or another conflict of the Meiji era. Style: Ukiyo-e (Japanese woodblock print). Subject: Samurai archer on a rooftop. Technique: Woodblock print with multiple colors. Themes: Warfare, samurai culture, historical events. Alternative Title: Attack on.
ARTIST: TSUKIOKA KOGYO (1869 – 1927). (the adopted son and student of the greatest UKIYO-E master of the Meiji era: YOSHITOSHI, hence the name). He also studied with Ogata Gekko. The influence of both artists is seen in his work. AGE: APPROX 100 years old. MEDIUM: WOODBLOCK PRINT (INK ON PAPER) NISHIKI-E. SIZE: 14 inches by 10 inches (38 cm X 25 cm). GENRE: THEATER PRINTS OR PICTURES. SERIES: A GREAT COLLECTION OF NOH THEATER IMAGES. SUBJECT: ACTORS, COSTUMES, NOH THEATER. CONDITION: very good, minor imperfections (see detailed pictures). DESCRIPTION: deluxe printing techniques, metallic pigments, and woodgrain on the background were used in the making of many of the prints in this series. COMMENTS: BEAUTIFUL COLORS, GREAT IMPRESSION, ELEGANT, AND SUBLIME. PERFECT FOR DISPLAYING FRAMED.
There are about 3 places written. Volume 2 of 3. We do not mark merchandise values below value or mark items as “gifts” – Japan, US and International government regulations prohibit such behavior. About Importer’s Obligation. Thank you for your understanding.
Japanese Woodblock Print Snow-Covered Mountain Unknown Artist Framed Art Vintage Description and Item Information Up for sale is this vintage, framed woodblock print by an unknown artist. Please excuse any glare in the photos. This landscape print depicts a snow-covered mountain at dawn. The print is matted and framed under glass in a wooden frame. The sight area within the mat borders measures approximately 15 1/4 inches by 21 inches. The exterior frame measurements are about 21 7/8 inches by 27 inches. Unpacked, this item weighs 5 pounds 8.8 ounces. This piece of art would make a fine addition to a collection of vintage woodblock prints by Japanese artists. Identification I believe the title of the print translates to Dawn Light. ” The exact artist is not known; the pencil-written name looks to be “Kazuo” or “Kaziro” and another word that begins with the letter “I. This piece of art is believed to be vintage, and the exact age is not known. Condition The framed print looks great overall, as shown. I have not examined the artwork outside of the frame, since it was already framed when I acquired it. It has no visible stains, holes, or rips. The paper has minor rippling, which is normal for a print of this type. The frame looks good, with light wear; there is a very small chip to the bottom edge of one of the corners. The back side is as shown. In my opinion, this piece is ready to hang and enjoy. Terms of Sale 1. Payments must be received within three days of the end of the listing, unless prior arrangements have been made. And international government regulations prohibit such behavior. Other Information Individual computers may display colors differently.
Item come from an Estate Sale. Make me an offer! We sell mostly unique antique and vintage items. Except some minor evidence of use, aging or imperfect items, to help with the description as every detail may not be caught. Please use the photos to help judge unsure in any way please ask. The standards are typically not included unless otherwise specified.
Bookstore situated in Tokyo, Japan. Feel free to have a look at our store! For items condition please see photos and comment. Please understand that we occurred a simple check so there might be little oversight. We try to photograph and describe the condition as accurately as possible. Although, the condition of the item may be felt worse than our description due to individual subjectivity. Displayed price is applicable for any number of prints on our store. And it may take longer than the number of days written above. We do not mark merchandise values below value or mark items as gifts. Japan, US and International government regulations prohibit such behavior.
This book Selected Bibliography of Masterpieces of Chinese “Ancient” Writings. We do not mark merchandise values below value or mark items as “gifts” – Japan, US and International government regulations prohibit such behavior. About Importer’s Obligation. Thank you for your understanding.
SURUGA Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15. PROVINCE DE SURUGA LA PINEDE DE MIHO (Miho Pine Grove, Suruga Province). It is a very beautiful re-print of the original. This is one in a series of 69 prints. As of this listing, I have 35 of them, all professionally framed in a brushed silver toned frame and matted in black They all came from the same Estate in Louisville, KY. All are in excellent condition and any one or all of them would add greatly to your Asian art collection. The last 5 pictures are from one of these that had a damaged back. I deconstructed it so you could see all the layers and materials involved. Terrific, classic Hiroshige depiction of the Miho pine grove and the beautiful view over Suruga Bay. Mount Fuji rises in the distance, wrapped in mist and capped with a light covering of snow. Boats sail along the river towards Shimizu. Lovely Hiroshige landscape view. Born in Edo as Tokutaro Ando, Hiroshige Utagawa grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teacher was Rinsai. Though Hiroshige tried to join Toyokuni Utagawa’s studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Toyohiro Utagawa. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige Utagawa became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic. Hiroshige Utagawa’s woodblock prints continue to convey the beauty of Japan and provide insight into the everyday life of its citizens during the Edo period. The appeal of his tender, lyrical landscapes was not restricted to the Japanese audience. Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige’s prints from the famous series, 100 Famous Views of Edo in oil paint. Hiroshige (1797 – 1858). Mimasaka Province, Yamabushi Valley. Series: Famous Places in the 60-odd Provinces. Size (H x W): 14.5 x 10.75 (inches). Publisher: Koshimuraya Heisuke (Koshihei). Seals: Date and Aratame. Condition: Very good color and impression, light soiling and wear, embellished with mica.
