Omocha-e toy prints for children to cut out and play. Collecting toy prints became quite popular in Japan recently. The original colors and the “unique tastes” are very different from the ones on the later Omocha-e. Framed behind glass in a humble frame, well preserved. Has not been removed from the frame. Frame measurements; 17″ x 21″.
Size; Please see photos. Situation; there are some scratches and dirt. We do not mark merchandise values below value or mark items as “gifts” – US and International government regulations prohibit such behavior.
Date : 4th year of Ansei. Detail: Binding hole / Slight soiling / Edge crease / Repair of small insect hole on the margin. Odori katagata gaitame jutsu is a series of kabuki plays depicting scenes from the past up to the time of its production. It is characterized by its vertical composition of a horizontal stage, and depicts many tall performances such as staircases and midair rides. For performances that do not feature many tall staging, the composition is as if looking down from above, as if the viewer is looking down from the audience seats. One can see the author’s determination to convey the charm of the kabuki stage itself. Toyokuni III was a student of Toyokuni, who first took the name Kunisada, and in 1882 took the name Toyokuni II. In fact, Toyokuni II had already been succeeded by Toyoshige, but Toyokuni III took the name of Toyokuni II at that time, perhaps with the intention of making himself more suitable. Today, Toyokuni is referred to as Toyokuni III for the sake of distinction. Toyokuni had a long period of painting, and it is thought that he produced more than 10,000 works. He was especially known for his depictions of people, including portraits of actors and beautiful women, and the number of his works and his vigor suggest that he dominated the Edo Ukiyoe world.
Japanese Woodblock Print IKEDA SHOEN Ukiyo-e Meiji, Taisho Shinsaku #157. This is an original Japanese woodblock print on paper. The print will come straight sandwiched between two cartons. Picture frame is not included. With regards to the item condition, please refer to the photos carefully. Actual color may look slightly different from the image depending on the lighting. Accessories in the background for photography are not included unless noted. Thank you for visiting our store! Based in Japan, we are officially licensed as an antique dealer and operate our store while complying with regulations. We provide 100% authentic products inspected by professional appraisers for luxury brands. Also, we are personal shoppers. Please feel free to ask us if you are looking for a specific product from Japan. We would be happy to assist you. International Buyers – Please Note. We do not mark merchandise values below value or mark items as gifts. US and International government regulations prohibit such behavior. If you are looking for brand new or nervous with used item, please refrain from purchasing. All return requests must be made within 30 days of the receipt of the item. Thank you for your understanding and cooperation.
Japanese Woodblock Print KASAMATSU SHIRO Shin-hanga Meiji Shinsaku #1149. This is an original Japanese woodblock print on paper. The print will come straight sandwiched between two cartons. Picture frame is not included. With regards to the item condition, please refer to the photos carefully. Actual color may look slightly different from the image depending on the lighting. Accessories in the background for photography are not included unless noted. Thank you for visiting our store! Based in Japan, we are officially licensed as an antique dealer and operate our store while complying with regulations. We provide 100% authentic products inspected by professional appraisers for luxury brands. Also, we are personal shoppers. Please feel free to ask us if you are looking for a specific product from Japan. We would be happy to assist you. International Buyers – Please Note. We do not mark merchandise values below value or mark items as gifts. US and International government regulations prohibit such behavior. If you are looking for brand new or nervous with used item, please refrain from purchasing. All return requests must be made within 30 days of the receipt of the item. Thank you for your understanding and cooperation.
Japanese Woodblock Print KAWARAZAKI SHODO Nihonga Meiji Shinsaku #799. This is an original Japanese woodblock print on paper. The print will come straight sandwiched between two cartons. Picture frame is not included. With regards to the item condition, please refer to the photos carefully. Actual color may look slightly different from the image depending on the lighting. Accessories in the background for photography are not included unless noted. Thank you for visiting our store! Based in Japan, we are officially licensed as an antique dealer and operate our store while complying with regulations. We provide 100% authentic products inspected by professional appraisers for luxury brands. Also, we are personal shoppers. Please feel free to ask us if you are looking for a specific product from Japan. We would be happy to assist you. International Buyers – Please Note. We do not mark merchandise values below value or mark items as gifts. US and International government regulations prohibit such behavior. If you are looking for brand new or nervous with used item, please refrain from purchasing. All return requests must be made within 30 days of the receipt of the item. Thank you for your understanding and cooperation.
Title Yoshishi Meishiden Muramatsu Santayu. Condition: Stains and rubs. Size: 24 x 36 cm. His aliases include Hanacho-rou, Ichiiyinsai, and Toyoharu-rou. After studying under Shunobu Toyohara and creating the original illustrations for hagoita oshie, he was introduced to Kunisada (Toyokuni III). He produced many yakusha oshibu-e (large head paintings of actors) and demonstrated his ability. In his later years, he produced many portraits of actors in the traditional style, often depicting a half of an actor standing alone on a series of three panels. The portrayal of facial features is characteristic of the Hagoita style.
Date : 3rd year of Ansei. Detail: Binding hole / Slight soiling / Repair of a few foxing marks. The “Kodaraiya Gouketsu Tan” is an illustrated novel published from the 10th year of the Tempo Period. The character “Kodaraiya” was a fictional bandit and ninja who appeared in a late-Edo Period yomihon (a book read in the late Edo Period), and his activities as a magician who wields an echidna became the subject of many works as well as stories. Later, Tsunade, who wielded slugs, and his arch-enemy, Daijamaru, who wielded snakes at will, also appeared, and the story unfolded as a three-way struggle. Odori katagata gaitama jutaku is a series of kabuki plays depicting scenes from the past up to the time of their production. It is characterized by a vertical composition of a horizontal stage, and depicts many tall performances, such as staircases and midair rides. For performances that do not feature many tall staging, the composition is as if looking down from above, as if the viewer is looking down from the audience seats. One can see the author’s determination to convey the charm of the kabuki stage itself. Toyokuni III was a student of Toyokuni, who first took the name Kunisada, and in 1882 took the name Toyokuni II. In fact, Toyokuni II had already been succeeded by Toyoshige, but Toyokuni III took the name of Toyokuni II at that time, perhaps with the intention of making himself more suitable. Today, Toyokuni is treated as Toyokuni III for the sake of distinction. Toyokuni had a long period of painting, and it is thought that he produced more than 10,000 works. He was especially known for his depictions of people, including portraits of actors and beautiful women, and the number of his works and his vigor suggest that he dominated the Edo Ukiyoe world.
Title Sincerely yours truly, Yoshifumi Meiden HAYANO Kanpei. Date: 1866 (Keio 2). Condition: Holes, stains, rubbing. Size 25.5 x 37.5 cm. His aliases include Hanachouro, Ichiiyinsai, and Toyoshunro. After studying under Shunobu Toyohara and creating the original illustrations for hagoita oshie, he was introduced to Kunisada (Toyokuni III). He produced many yakusha oshibu-e (large head paintings of actors) and demonstrated his ability. In his later years, he produced many portraits of actors in the traditional style, often depicting a half of an actor standing alone on a series of three panels. The portrayal of facial features is characteristic of the Hagoita style.
