Japanese Woodblock Print Snow-Covered Mountain Unknown Artist Framed Art Vintage Description and Item Information Up for sale is this vintage, framed woodblock print by an unknown artist. Please excuse any glare in the photos. This landscape print depicts a snow-covered mountain at dawn. The print is matted and framed under glass in a wooden frame. The sight area within the mat borders measures approximately 15 1/4 inches by 21 inches. The exterior frame measurements are about 21 7/8 inches by 27 inches. Unpacked, this item weighs 5 pounds 8.8 ounces. This piece of art would make a fine addition to a collection of vintage woodblock prints by Japanese artists. Identification I believe the title of the print translates to Dawn Light. ” The exact artist is not known; the pencil-written name looks to be “Kazuo” or “Kaziro” and another word that begins with the letter “I. This piece of art is believed to be vintage, and the exact age is not known. Condition The framed print looks great overall, as shown. I have not examined the artwork outside of the frame, since it was already framed when I acquired it. It has no visible stains, holes, or rips. The paper has minor rippling, which is normal for a print of this type. The frame looks good, with light wear; there is a very small chip to the bottom edge of one of the corners. The back side is as shown. In my opinion, this piece is ready to hang and enjoy. Terms of Sale 1. Payments must be received within three days of the end of the listing, unless prior arrangements have been made. And international government regulations prohibit such behavior. Other Information Individual computers may display colors differently.
Item come from an Estate Sale. Make me an offer! We sell mostly unique antique and vintage items. Except some minor evidence of use, aging or imperfect items, to help with the description as every detail may not be caught. Please use the photos to help judge unsure in any way please ask. The standards are typically not included unless otherwise specified.
SURUGA Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15. PROVINCE DE SURUGA LA PINEDE DE MIHO (Miho Pine Grove, Suruga Province). It is a very beautiful re-print of the original. This is one in a series of 69 prints. As of this listing, I have 35 of them, all professionally framed in a brushed silver toned frame and matted in black They all came from the same Estate in Louisville, KY. All are in excellent condition and any one or all of them would add greatly to your Asian art collection. The last 5 pictures are from one of these that had a damaged back. I deconstructed it so you could see all the layers and materials involved. Terrific, classic Hiroshige depiction of the Miho pine grove and the beautiful view over Suruga Bay. Mount Fuji rises in the distance, wrapped in mist and capped with a light covering of snow. Boats sail along the river towards Shimizu. Lovely Hiroshige landscape view. Born in Edo as Tokutaro Ando, Hiroshige Utagawa grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teacher was Rinsai. Though Hiroshige tried to join Toyokuni Utagawa’s studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Toyohiro Utagawa. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige Utagawa became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic. Hiroshige Utagawa’s woodblock prints continue to convey the beauty of Japan and provide insight into the everyday life of its citizens during the Edo period. The appeal of his tender, lyrical landscapes was not restricted to the Japanese audience. Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige’s prints from the famous series, 100 Famous Views of Edo in oil paint. Hiroshige (1797 – 1858). Mimasaka Province, Yamabushi Valley. Series: Famous Places in the 60-odd Provinces. Size (H x W): 14.5 x 10.75 (inches). Publisher: Koshimuraya Heisuke (Koshihei). Seals: Date and Aratame. Condition: Very good color and impression, light soiling and wear, embellished with mica.
BISHU Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15. PROVINCE DE BISHU GOKEI (GOKEI GORGE). It is a very beautiful re-print of the original. This is one in a series of 69 prints. As of this listing, I have 35 of them, all professionally framed in a brushed silver toned frame and matted in black They all came from the same Estate in Louisville, KY. All are in excellent condition and any one or all of them would add greatly to your Asian art collection. The last 5 pictures are from one of these that had a damaged back. I deconstructed it so you could see all the layers and materials involved. The image is a woodblock print titled “Bitchu Province, Gokei” from the series “Famous Views of the Sixty-odd Provinces” by Utagawa Hiroshige. It was created around 1856. Depicts the Gokei Gorge in Bitchu Province, Japan. Features a vertical composition emphasizing the height and depth of the landscape. Showcases a cascading waterfall between rocky cliffs. Part of a series capturing famous locations throughout Japan. The text on the print reads “Bitchu Gokei” and “Famous Views of the Sixty-odd Provinces”. Born in Edo as Tokutaro Ando, Hiroshige Utagawa grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teacher was Rinsai. Though Hiroshige tried to join Toyokuni Utagawa’s studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Toyohiro Utagawa. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige Utagawa became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic. Hiroshige Utagawa’s woodblock prints continue to convey the beauty of Japan and provide insight into the everyday life of its citizens during the Edo period. The appeal of his tender, lyrical landscapes was not restricted to the Japanese audience. Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige’s prints from the famous series, 100 Famous Views of Edo in oil paint. Hiroshige (1797 – 1858). Mimasaka Province, Yamabushi Valley. Series: Famous Places in the 60-odd Provinces. Size (H x W): 14.5 x 10.75 (inches). Publisher: Koshimuraya Heisuke (Koshihei). Seals: Date and Aratame. Condition: Very good color and impression, light soiling and wear, embellished with mica.
This is an original woodblock print titled “Shojiji Spring” by Japanese artist Masao Ido, created in the 1990s. The artwork is framed, with the frame measuring approximately 57 cm x 44 cm (22.4 inches x 17.3 inches), and the print itself measuring about 38 cm x 26 cm (15 inches x 10.2 inches). The piece is in good condition with minimal signs of aging; no significant scratches or stains are present. No additional accessories are included. International Buyers – Please Note.
NOTO Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15. PROVINCE DE NOTO TAKI NO URA(Noto Province, Waterfall Bay) It is a very beautiful re-print of the original. This is one in a series of 69 prints. As of this listing, I have 35 of them, all professionally framed in a brushed silver toned frame and matted in black They all came from the same Estate in Louisville, KY. All are in excellent condition and any one or all of them would add greatly to your Asian art collection. The last 5 pictures are from one of these that had a damaged back. I deconstructed it so you could see all the layers and materials involved. Part of a series depicting famous views from each of Japan’s provinces. Shows Waterfall Bay in Noto Province with a waterfall, Ganman Cave, and “Falcon Nest Rock”. The vertical format is a distinctive feature of the series. Published between 1853 and 1856. The print captures the beauty of the Japanese landscape during the Edo period. The text on the print includes the series title, province name (Noto), and the carver’s name. Born in Edo as Tokutaro Ando, Hiroshige Utagawa grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teacher was Rinsai. Though Hiroshige tried to join Toyokuni Utagawa’s studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Toyohiro Utagawa. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige Utagawa became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic. Hiroshige Utagawa’s woodblock prints continue to convey the beauty of Japan and provide insight into the everyday life of its citizens during the Edo period. The appeal of his tender, lyrical landscapes was not restricted to the Japanese audience. Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige’s prints from the famous series, 100 Famous Views of Edo in oil paint. Hiroshige (1797 – 1858). Mimasaka Province, Yamabushi Valley. Series: Famous Places in the 60-odd Provinces. Size (H x W): 14.5 x 10.75 (inches). Publisher: Koshimuraya Heisuke (Koshihei). Seals: Date and Aratame. Condition: Very good color and impression, light soiling and wear, embellished with mica.
SADO Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15. PROVINCE DE SADO ENOSHIMA, LES MINES D’OR (ENTRANCE TO THE CAVE AT ENOSHIMA) It is a very beautiful re-print of the original. This is one in a series of 69 prints. As of this listing, I have 35 of them, all professionally framed in a brushed silver toned frame and matted in black They all came from the same Estate in Louisville, KY. All are in excellent condition and any one or all of them would add greatly to your Asian art collection. The last 5 pictures are from one of these that had a damaged back. I deconstructed it so you could see all the layers and materials involved. The artwork is a woodblock print titled “Sado Province, the Goldmines” by Hiroshige, part of the series “Famous Views of the Sixty-odd Provinces” (Rokujuyoshu Meisho Zue). Created between 1853 and 1856. Depicts the Sado gold mine in Sado Province, Japan. Features a vertical format, unusual for landscapes, allowing for perspective play. Part of a series of 70 prints, showcasing famous views from each of Japan’s provinces. Published by Koshimuraya Heisuke. Known for its use of bokashi (gradation printing). May have been inspired by travel guides or Hokusai’s sketches. Born in Edo as Tokutaro Ando, Hiroshige Utagawa grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teacher was Rinsai. Though Hiroshige tried to join Toyokuni Utagawa’s studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Toyohiro Utagawa. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige Utagawa became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic. Hiroshige Utagawa’s woodblock prints continue to convey the beauty of Japan and provide insight into the everyday life of its citizens during the Edo period. The appeal of his tender, lyrical landscapes was not restricted to the Japanese audience. Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige’s prints from the famous series, 100 Famous Views of Edo in oil paint. Hiroshige (1797 – 1858). Mimasaka Province, Yamabushi Valley. Series: Famous Places in the 60-odd Provinces. Size (H x W): 14.5 x 10.75 (inches). Publisher: Koshimuraya Heisuke (Koshihei). Seals: Date and Aratame. Condition: Very good color and impression, light soiling and wear, embellished with mica.
MUTSU Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15. PAYSAGES DE MATSUSHIMA, VUE DE PUIS LE MONT TOMIYAMA (Sight Map from Mount Tomi) It is a very beautiful re-print of the original. This is one in a series of 69 prints. As of this listing, I have 35 of them, all professionally framed in a brushed silver toned frame and matted in black They all came from the same Estate in Louisville, KY. All are in excellent condition and any one or all of them would add greatly to your Asian art collection. The last 5 pictures are from one of these that had a damaged back. I deconstructed it so you could see all the layers and materials involved. The image is a woodblock print titled “Goshiki Beach, Awaji Province” from the series Famous Views of the Sixty-odd Provinces by Utagawa Hiroshige, dating back to 1855. Depicts fishermen hauling nets at Goshiki Beach in Awaji Province, known for its abundant fish. Part of a collection of 70 prints showcasing famous locations across Japan’s provinces. Features a vertical format, emphasizing depth and perspective, characteristic of Hiroshige’s later works. Utilizes bokashi (color gradation) to create depth and atmosphere, enhancing the visual impact. Reflects the growing interest in travel and pilgrimage during the Edo period. Born in Edo as Tokutaro Ando, Hiroshige Utagawa grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teacher was Rinsai. Though Hiroshige tried to join Toyokuni Utagawa’s studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Toyohiro Utagawa. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige Utagawa became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic. Hiroshige Utagawa’s woodblock prints continue to convey the beauty of Japan and provide insight into the everyday life of its citizens during the Edo period. The appeal of his tender, lyrical landscapes was not restricted to the Japanese audience. Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige’s prints from the famous series, 100 Famous Views of Edo in oil paint. Hiroshige (1797 – 1858). Mimasaka Province, Yamabushi Valley. Series: Famous Places in the 60-odd Provinces. Size (H x W): 14.5 x 10.75 (inches). Publisher: Koshimuraya Heisuke (Koshihei). Seals: Date and Aratame. Condition: Very good color and impression, light soiling and wear, embellished with mica.
BUZEN Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15. PROVINCE DE BUZEN, LES SOUTERRAINS DU RAKAN-JI (The Passage Under the Rakan Monastery, Buzen Province) It is a very beautiful re-print of the original. This is one in a series of 69 prints. As of this listing, I have 35 of them, all professionally framed in a brushed silver toned frame and matted in black They all came from the same Estate in Louisville, KY. All are in excellent condition and any one or all of them would add greatly to your Asian art collection. The last 5 pictures are from one of these that had a damaged back. I deconstructed it so you could see all the layers and materials involved. Monastery, Buzen Province” by Utagawa Hiroshige, part of the series “Famous Views of the Sixty-odd Provinces. Key information about the print. Series: “Famous Views of the Sixty-odd Provinces” (Rokujuyoshu Meisho Zue). Date: Published between 1853 and 1856. This specific print is from 1854. Subject: Depicts the Rakan Monastery in Buzen Province (present-day Fukuoka and Oita Prefectures). It focuses on the caves at the cliff base, with pilgrims visible in the openings. Style: Vertical format, characteristic of the series, allowing for foreground and background contrasts. Technique: Woodblock print (ukiyo-e) with bokashi shading to add depth. Location: Rakan Temple is a Zen Buddhist site dating back to the 13th century. Inspiration: Hiroshige likely drew inspiration from travel guides and possibly Hokusai’s sketches, rather than visiting every location himself. Born in Edo as Tokutaro Ando, Hiroshige Utagawa grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teacher was Rinsai. Though Hiroshige tried to join Toyokuni Utagawa’s studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Toyohiro Utagawa. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige Utagawa became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic. Hiroshige Utagawa’s woodblock prints continue to convey the beauty of Japan and provide insight into the everyday life of its citizens during the Edo period. The appeal of his tender, lyrical landscapes was not restricted to the Japanese audience. Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige’s prints from the famous series, 100 Famous Views of Edo in oil paint. Hiroshige (1797 – 1858). Mimasaka Province, Yamabushi Valley. Series: Famous Places in the 60-odd Provinces. Size (H x W): 14.5 x 10.75 (inches). Publisher: Koshimuraya Heisuke (Koshihei). Seals: Date and Aratame. Condition: Very good color and impression, light soiling and wear, embellished with mica.
MIKAWA Province Utagawa Hiroshige Japanese Woodblock Framed Art Print 18×15. PROVINCE DE MIKAWA LE MONT HORAI-JI (Horai Temple, Mikawa Province) It is a very beautiful re-print of the original. This is one in a series of 69 prints. As of this listing, I have 35 of them, all professionally framed in a brushed silver toned frame and matted in black They all came from the same Estate in Louisville, KY. All are in excellent condition and any one or all of them would add greatly to your Asian art collection. The last 5 pictures are from one of these that had a damaged back. I deconstructed it so you could see all the layers and materials involved. The image is a woodblock print titled “Horai Temple, Mikawa Province” by Utagawa Hiroshige, part of the series “Famous Views of the Sixty-odd Provinces”. It was published around 1853. Key information about the print. Series: “Famous Views of the Sixty-odd Provinces, ” featuring scenes from each of Japan’s provinces. Subject: Depicts Horai Temple nestled in the steep mountains of Mikawa Province (present-day Aichi Prefecture). Style: Ukiyo-e, characterized by its depiction of everyday life and landscapes. Technique: Woodblock print (nishiki-e), using ink and colors on paper. Hiroshige was known for his perspective and color gradation (bokashi). Temple: Horai Temple was a Shingon Buddhist temple and a popular pilgrimage site during the Edo period. Location: The former Mikawa Province is now the eastern half of Aichi Prefecture. Born in Edo as Tokutaro Ando, Hiroshige Utagawa grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teacher was Rinsai. Though Hiroshige tried to join Toyokuni Utagawa’s studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Toyohiro Utagawa. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige Utagawa became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic. Hiroshige Utagawa’s woodblock prints continue to convey the beauty of Japan and provide insight into the everyday life of its citizens during the Edo period. The appeal of his tender, lyrical landscapes was not restricted to the Japanese audience. Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige’s prints from the famous series, 100 Famous Views of Edo in oil paint. Hiroshige (1797 – 1858). Mimasaka Province, Yamabushi Valley. Series: Famous Places in the 60-odd Provinces. Size (H x W): 14.5 x 10.75 (inches). Publisher: Koshimuraya Heisuke (Koshihei). Seals: Date and Aratame. Condition: Very good color and impression, light soiling and wear, embellished with mica.
