Archive for December, 2024
Japanese Woodblock Prints By Andreas Marks Book Flip Through
Author: adminDec 17
Japanese Woodblock Print Samurai
Author: adminDec 17
ARTIST: YOSHIIKU UTAGAWA (born 1833). DATE: 1867 (157 YEARS OLD). MEDIUM: NISHIKI-E (INK ON PAPER). 9.75 X 7 INCHES (25 CM X 17 CM). GENRE: UKIYO-E, MUSHA-E (PICTURES OF WARRIORS). SUBJECT: SAMURAI, SAMURAI ARMOR AND ATTIRE, SWORDS, WEAPONS BATTLE, WAR. CONDITION: Some prints have binding holes, tears, stains, and some wrinkles. Great impression and beautiful colors.
Japanese Woodblock Print Samurai 1867
Author: adminDec 16
ARTIST: YOSHIIKU UTAGAWA (born 1833). DATE: 1867 (157 YEARS OLD). MEDIUM: NISHIKI-E (INK ON PAPER). 9.75 X 7 INCHES (25 CM X 17 CM). GENRE: UKIYO-E, MUSHA-E (PICTURES OF WARRIORS). SERIES: HEROES OF THE TAIHEIKI. SUBJECT: SAMURAI, SAMURAI ARMOR AND ATTIRE, SWORDS, WEAPONS BATTLE, WAR. CONDITION: Some prints have binding holes, tears, stains, and some wrinkles. Great impression and beautiful colors.
K. Nishijima Signed & Framed 443/500 Japanese Woodblock Print Sunset and Houses
Author: adminDec 16
443/500 Frame is a gold color. The frame is about 20.5″ x 16.25″.
Original Bertha Lum 1908 Woodblock Junks on Inland Sea (faded) Vtg California
Author: adminDec 16
An original early Bertha Lum woodblock, lovely though faded. The image is Junks on the Inland Sea from 1908, just a few years after she began to learn the woodblock technique in Japan. This very rare print was created in soft colors to begin with, now faded to a ghostlike beauty. Junks on the Inland Sea. STYLE: Japonisme, Arts and Crafts. PERIOD: Arts and Crafts. MATERIALS AND TECHNIQUES: Ink on paper, float-mounted and framed under glass. SIGNATURE: “Bertha Lum” lower center. Print is faded, slightly wrinkled, otherwise good. DIMENSIONS: 6 3/8″ by 11 3/8″ framed to 10″ by 15 3/4″. Bertha Boynton Lum (1869 – 1954) was an American artist known for helping popularize the Japanese and Chinese woodblock print outside of Asia. In May 1869, Lum was born as Bertha Boynton Bull in Tipton, Iowa. Lum’s father was Joseph W. Both of Lum’s parents were amateur artists. Lum had a sister and two brothers, Clara, Carlton, and Emerson. In 1890 she lived in Duluth and listed her occupation as artist. She enrolled in the design department of the Art Institute of Chicago in 1895. A few years later she studied stained glass with Anne Weston and attended the Frank Holme School of Illustration. From November 1901 to March 1902, she studied figure drawing at the Art Institute of Chicago and was influenced by the Japanese techniques of Arthur Wesley Dow in his book Composition, which was published in 1899. Lum married Burt F. Lum, a corporate lawyer from Minneapolis, Minnesota, in 1903. They spent their seven-week honeymoon in Japan, where she searched for a print maker who could teach her the traditional ukiyo-e method. Toward the end of her stay in Japan, she found a shop that reproduced old prints. On January 23, 1907, she went to Japan for a 14-week stay. Lum worked with Bonkutsu for two months. After she learned how to cut blocks, Bonkutsu introduced her to the printer Nishimura Kamakichi, with whom she worked for another four weeks. For three years in the U. Lum cut blocks and colored and printed her work herself. The Society of Arts and Crafts in Boston named Lum a master craftsman in 1908. After returning to Japan in 1911 for six months, she began to hire cutters and printers who worked in her winter home in Tokyo. In 1912 Lum was the only female artist to exhibit at the Tokyo International Exhibition. She was awarded a silver medal at the 1915 Panama-Pacific International Exposition for her color woodcuts. Between 1915 and 1919 she made two more trips to Japan and made an extensive number of prints. She also exhibited at the Los Angeles County Museum of Art in 1920 and at the Art Institute of Chicago and the Chicago Society of Etchers, as well as the New York Public Library. Her first illustrated book, Gods, Goblins, and Ghosts, based on her travels in Japan, was published in 1922. The same year, she moved to China and began learning Chinese woodcut methods. She made her last known print in 1935; her print of the god Daïkoku was published in The Peking Chronicle in December 1937. In 1936 she published Gangplanks to the East, a collection of Asian folk tales and stories of her travels. She had her last exhibition in 1941. Her works are held at the Library of Congress, the Fine Arts Museums of San Francisco, the Smithsonian Museum of American Art, and in private collections. Lum was a member of the Asiatic Society of Japan, California Society of Etchers (now California Society of Printmakers), and PrintMakers Society of California. Lum lived in California (San Francisco and Hollywood) from 1917 until 1922 when she moved to Peking, China. For the next thirty years she divided her time between California, China, and Japan. She divorced Burt Lum in the 1920s. Her younger daughter Eleanor “Peter” Lum married the diplomat Sir Colin Tradescant Crowe and became an author. In 1936 her elder daughter Catherine married Antonio Riva, an Italian pilot during World War I who was executed in 1951 in Beijing for an alleged plot to assassinate Mao Zedong. Lum had been staying with Catherine at the time of Riva’s arrest and was herself placed under house arrest. In 1953 Lum left China and moved with Catherine to Genoa, Italy. She died in Genoa, Italy in February 1954. P e n c i l p o i n t e r >. Usually available; please inquire. Please contact me with any questions.
Antique Japanese Woodblock Utagawa Kuniyoshi from Five Festivals Muramatsu
Author: adminDec 15
Canvas covered mat with a window approximately 9.5″x14″. See photos for best description and condition. (artist 11/15/1797 – 03/05/1861). A bijin on a small wooden platform during the Tanabata Festival – from the series The Five Festivals (Go sekku -). Signed: Ichiyusai Kuniyoshi ga. Publisher: Maruya Seijiro (Marks 299 – seal 27-010). Censor’s seal: Muramatsu. Text by: Ryukatei Tanekazu.
VINTAGE Old Utagawa Hiroshige (1797-1858) Japanese Woodblock Print
Author: adminDec 15
This is a beautiful vintage Japanese woodblock print by Utagawa Hiroshige. The artwork features a stunning multi-color design on paper, with intricate details and a unique composition. The artist, Utagawa Hiroshige, was known for his masterful woodblock prints that captured the essence of Japanese beauty. This particular print is perfect for collectors of antique Asian art and those who appreciate the rich history of Japanese artistry. It is a must-have for any art collection and is sure to be a conversation starter. THE PRINT ITSELF MEASURES 7 1/2 BY 5 1/4 AND THE ENTIRE PIECE MEASURES ABOUT 10 3/4 BY 7 5/8. IT APPEARS TO BE ENCASED IN SOME WAY AND ADHERED THE WOOD. BLACK PAINT ON THE BACK OF THE WOOD AND GOLD PAINTED EDGES. PART OF THE 53 STATIONS OF TOKEIDO SERIES.
Utagawa Hiroshige Ueno Higashieizan Handrail Woodblock Print Ys6967241
Author: adminDec 15
This stunning woodblock print by Utagawa Hiroshige depicts a road through Ueno Higashieizan, Japan. The attention to detail and mastery of the Japanese culture are evident in the intricate design and use of traditional techniques. The print is perfect for collectors of Japanese art and those who appreciate the beauty of woodblock prints. It would make a great addition to any collection or a unique decorative piece for any home or office.
Japanese Woodblock Prints
Author: adminDec 14
Antique UTAGAWA KUNIYOSHI Japanese Woodblock Tametomo Women Picking Fruit c1850
Author: adminDec 14
Antique UTAGAWA KUNIYOSHI Japanese Woodblock Tametomo Women Picking Fruit c1850. Original Antique UTAGAWA KUNIYOSHI Japanese Woodblock Part of triptych. Tametomo in his island kingdom, seated on a rock, watching native women picking fruit and diving for awabi (abalone). This is a lovely and very rare antique original print by Utagawa Kuniyoshi women picking fruit by the sea. It is right sheet from triptych and comes with a stamped and hand written Certificate from Sekai. Please note that the last photo is for reference only, source: Kuniyoshi Project, 2024. Utagawa Kuniyoshi (1798- 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He was a member of the Utagawa school. The range of Kuniyoshi’s subjects included many genres: landscapes, women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of legendary samurai heroes. His artwork incorporated aspects of Western representation in landscape painting and caricature. Condition: Very good condition. Colors are fresh, mild fading and rubbing commensurate with age and use. Lightly taped to matting (easily removable). Framed under glass with black lacquer frame. Last photo for reference only. 4 1/4 x 9 5/8 inches. Overall: 17 x 12. Unless described as being new, the items for sale are vintage or used and it may show evidence of wear. The description refers to the overall condition and details. We try to describe the items to the best of our ability. All listings are described as to the best of my knowledge, through careful research and price and description comparison. With tracking and careful, sturdy packing, we try to recycle when possible. We welcome all reasonable offers! We appreciate your business! Please check out my other items. Thank you for looking and good luck!