Archive for September 23rd, 2023

Lovely Hashiguchi GOYO Japanese commemorative woodblock BEAUTY AFTER HER BATH

Lovely Hashiguchi GOYO Japanese commemorative woodblock BEAUTY AFTER HER BATH

Very elegant and lovely print from rare commemorative limited edition. Unfortunately, he died very young, at only 41 years old. First edition prints of Goyo’s works are very expensive. The original blocks for his works were destroyed in the great earthquake of 1923. Fortunately, in the mid 20th century his heirs gave two of Japan’s finest woodblock printers, Tanseisha and Yuyudo, permission to publish very small limited commemorative editions of his masterworks. The prints from these editions were skillfully printed from meticulously recarved blocks and are of the highest quality. This beautiful print is from the Tanseisha C ommemorative Limited Edition. Instead of following in the footsteps of the earlier ukiyo-e artists who most often chose their models from the famous courtesans of their time, Goyo preferred of paint the geishas, waitress and maids of his era. Stunning portrait of a nude after her bath. Her delicate skin is beautifully framed by a shimmering silver mica background. This lovely print would be a wonderful choice for the collector and the interior decorator. It would be striking displayed on your home or office wall. Goyo’s masterworks are in the collections of many of the world’s great museums. Among them are the Metropolitan Museum of Art, New York; the Museum of Fine Arts, Boston; and the Art Institute of Chicago, Chicago. TITLE: Beauty after her Bath. MEDIUM: Authentic polychrome woodblock print. Ink and color on handmade paper. 17 7/8″ x 11 7/8″; (45.4 cm x 30,2 cm). 19″ x 13 ¼”; (48,3 cm x 33,7 cm). CONDITION: Rare limited edition commemorative print. Emulates Goyo’s original masterpiece. Marvelous color and beautiful detail. Shimmering silver mica background. Nice baren rubbings on verso. Compare to image on page 46 of the book The Female Image: 20. Century Prints of Japanese Beauties. Please take a moment to examine the scans. The Uki Arts Gallery.
Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

Ukiyo-e Collection / Kuniyoshi Utagawa Souma no Furudairi / woodblock print

This product is a reprint of Ukiyo-e? What is the difference between reprinted ukiyo-e and ukiyo-e produced in Japan’s Edo period? It makes no difference. The only difference is the era in which they were made. The woodblocks are re-carved and hand-printed one by one on traditional Japanese paper. The greatest attraction of ukiyo-e is the unique soft texture of Japanese paper and woodblock prints, and the vivid colors that people of the time must have enjoyed. Dimensions : 14.57inch × 29.72inch. Paper : washi(Japanese tradition paper : Echizen-gami Hosho-sho). Princess Takiyasha is a legendary figure who is said to be the orphaned child of Taira no Masakado. She received witchcraft from the toad spirit and gathered the youkai in Soma’s old palace to plot her rebellion. This sorrowful story of Princess Takiyasha has become the subject of various literature and performing arts. The skeleton drawn by Kuniyoshi is drawn over three pieces, so it is very powerful and is a very popular pattern overseas. Utagawa Kuniyoshi was an ukiyo-e artist active at the end of the Edo period. Due to his unique painting style, he has been called a “fantasy painter”, and in recent years he has gained popularity among a wide range of generations. In the list of ukiyo-e artists at that time, Kuniyoshi, who painted samurai paintings, was listed as Hiroshige, who painted famous places. His rebellious and satirical works gained overwhelming support from the people of the time, and many disciples gathered to form the largest faction of ukiyo-e artists. The genealogy extends to Japanese painters in the Showa era.