This design was originally published in 1953 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 9 1/2 x 14 1/2 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.
This Japanese woodblock print titled “Pine Tree of the Friendly Garden” by Toshi Yoshida is a limited edition piece that will add a touch of elegance to any room. The print is an original, signed by the artist himself, and framed in medium size. Signed on bottom right with pencil as seen in the pictures. Bottom frame has come off. So it may need some glued on or you can change the frame if you want. Anyway other than that, the print looks really good and colorful. The subject of the print is a pine tree, which is beautifully portrayed using woodcut printing technique. The print is produced on high-quality paper and measures 16 inches in length and 31 inches in height. This piece is perfect for collectors of Japanese art prints and those who appreciate the beauty of nature.
For sale is a lovely double oban sized Japanese woodblock print by Toshi Yoshida, titled Hummingbirds and Fuschia. Image size is 11 1/2″ by 19 1/2″, framed size is 20×28. It is pencil signed by the artist. This print created in 1971 by Yoshida at the Mendocino Art Center. Good condition in a nice frame. Not examined out of the frame.
NOTE: Some vintage prints may have age-related characteristics Elevate Your Space with Museum-Quality Fine Art PrintsChoose between framed or unframed prints, crafted with meticulous care. Framing Options:Bespoke Frame: Handcrafted by master artisans using FSC-certified oak, walnut, and ash wood, and archival Hahnemühle rag paper. Classic Frame: Guild-recognized craftsmanship, durable solid wood, timeless design. Paper Quality:Bespoke Frames: 310 GSM Hahnemühle German Etching paper for vibrant, textured prints. Classic Frames: 220 GSM premium matte paper. Unframed Prints: 250 GSM museum-quality archival matte paper. Unframed Giclée Prints: 310 GSM Hahnemühle German Etching paper for gallery-quality reproductions. Important Notes:Colors may vary slightly due to screen calibration. Some vintage prints may retain age-related characteristics. Packaging: Flat/tubes for unframed, protective wrapping for framed. Transform your home with art that inspires. Please note: Sizes in inches. Some of our vintage prints (including William Morris, Vintage Bauhaus, and Japanese Shin-Hanga) may feature age-related characteristics such as small marks or slight discolorations. These are not print defects but are inherent to the high-resolution museum scans we use of the original artworks. We have chosen not to retouch these minor imperfections, as our customers appreciate the authentic look they bring. NOTE: Some vintage prints may have age-related characteristics. Elevate Your Space with Museum-Quality Fine Art Prints. Choose between framed or unframed prints, crafted with meticulous care. Framing Options: Bespoke Frame: Handcrafted by master artisans using FSC-certified oak, walnut, and ash wood, and archival Hahnemühle rag paper. Paper Quality: Bespoke Frames: 310 GSM Hahnemühle German Etching paper for vibrant, textured prints. Important Notes: Colors may vary slightly due to screen calibration. Sorry, our items are NOT available for pick-up. No additional information at this time. You might also like. Bauhaus – Vintage Mid-century Modern Abstract Art Print available framed or unf. Paul Klee – Bauhaus Vintage Mid-century Modern Abstract Art Print available fra.
If you are considering purchasing this piece, please read a few sentences below. Those Japanese sellers do not own this piece. That act is a crime. It is also a problem in Japan. A series of three paintings depicting perhaps the most Japanese landscapes in Toshi’s oeuvre. Pine, bamboo, and plum trees, with a Japanese house at the center, make for a wonderful and spectacular work. This is an original block print by. Title:The Friendly Garden-Triptych. The rank is [B], but there is no major damage. Frames and mats are not evaluated. S:: Same quality as new. A: Excellent condition with no noticeable damage. B: Sense of use, but not bothersome. C: Normal, with scratches, stains, and other signs of use. D: Used item, may have scratches, stains, or other damage. E: Used item with use and damage. W: Items that are junk and badly damaged. V: Items belonging to vintage or antique and may be damaged in some way. All three pieces are signed by the artist. There is foxing throughout. There is darker foxing and spotting about the rightmost plum. Regarding the bamboo in the center, there is a dot stain at the top. Please check the details in the pictures. This is a good quality wooden frame with a calm, almost black color. There is no reduction for removing the frame. All are shown in the images. Please be sure to check the details in the image. 94 × 62.5 cm. 37 x 24.6 inc. Environmentally friendly and hygienic recycled materials may be used. Thank you for your understanding. You may think it is a little expensive. It is not included in the product price. VAT is different from duty. If there is a double bill. What you need to know about Japanese sellers? As if they are the ones who are having their inventory. This is very unfortunate and very hig high price. But we are different. We keep our inventory well and properly. Stocked in our own warehouse, and we are waiting for your order. We can answer questions by holding the actual product in our hands. Where there are many of the most demanding (and nervous) buyers in the world. We have the ability to meet the expectations of the U. And other countries around the world. However, it is impossible to deliver next day. It will take a little time, but we will deliver from Japan with Japanese quality.
ARTIST: TOSHI YOSHIDA (1911 – 1995). SIZE: The print image measures 9 5/8 X 14 5/8 inches. CONDITION: The print is in excellent, never framed condition. COMMENT: This is a later printing authorized by the artist’s family. It has a stamped signature and the artist’s seal. The printer Komatsu Heihachi is stamped on the verso.
This design was originally published in 1951 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 9 3/8 x 14 1/2 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.
This design was originally published in 1951 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 9 1/2 x 14 1/2 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.
This design was originally published in 1987 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 7 1/2 x 10 1/4 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.
This design was originally published in 1955 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 15 x 9 3/4 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.
