This is one of a series of Kawarazaki Shodo’s Japanese Hana Koyomi. It was printed by UNSO-DO in the 1970s. The title is CHRYSANTHEMUM, or KIKU in Japanese. The rank is [V], but there is no major damage. S:: Same quality as new. A: Excellent condition with no noticeable damage. B: Sense of use, but not bothersome. C: Normal, with scratches, stains, and other signs of use. D: Used item, may have scratches, stains, or other damage. E: Used item with use and damage. W: Items that are junk and badly damaged. V: Items belonging to vintage or antique and may be damaged in some way. There are some stains. All are shown in the images. Please be sure to check the details in the image. Size of Mounting Paper. Height: about 48.5cm. Width: about 35 cm. Environmentally friendly and hygienic recycled materials may be used. Thank you for your understanding. You may think it is a little expensive. It is not included in the product price. VAT is different from duty. If there is a double bill. What you need to know about Japanese sellers? As if they are the ones who are having their inventory. This is very unfortunate and very hig high price. But we are different. We keep our inventory well and properly. Stocked in our own warehouse, and we are waiting for your order. We can answer questions by holding the actual product in our hands. Where there are many of the most demanding (and nervous) buyers in the world. We have the ability to meet the expectations of the U. And other countries around the world. However, it is impossible to deliver next day. It will take a little time, but we will deliver from Japan with Japanese quality.
Kawarazaki Shodo Japanese Woodblock Print CHRYSANTHEMUM Flower plants KIKU
Author: adminAug 21
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Filed under: kawarazaki | Tagged as: chrysanthemum, flower, japanese, kawarazaki, kiku, plants, print, shodo, woodblock
1920 Honzo Zufu Kyobokurui Plants Picture Japanese Original Woodblock Print Book
Author: adminOct 7
Japanese Original Woodblock Print Title: Honzo Zufu Kyobokurui Artist: Iwasaki Kan’en Size(mm): Described in the photos. Pages: 58 Age: 1920 Taisho period. Country of origin : Japan. There are flaws by aging. Arrive in about 6 – 16 days. No-certificate items is not guaranteed. We don’t declare the low value or mark as “gifts”. US and International government regulations prohibit such behavior. The item “1920 Honzo Zufu Kyobokurui Plants Picture Japanese Original Woodblock Print Book” is in sale since Sunday, December 20, 2020. This item is in the category “Antiques\Asian Antiques\Japan\Prints”. The seller is “matsu-kaze.japan” and is located in Japan. This item can be shipped worldwide.
- Featured Refinements: Japanese Woodblock Print
- Region of Origin: Japan
- Type: Paintings, Scrolls & Prints
- Age: 1900-1940
- Primary Material: Washi
- Original/Reproduction: Antique Original
Ca 1890 Ukiyo-e Art Western Flowers Tanigami Konan Woodblock Prints Plants Flora
Author: adminJul 26
23 Original Japanese woodblock prints. Century Ukiyo-e art piece, a book with 23 hand colored woodblock prints depicting western flora. Various plants such as eggplant, pumpkin and rose are depicted here. Prints are made on a two leaf sheet which is then folded. Beautiful, well preserved piece of Japanese art, with vivid colors. 24-46 (23 folded sheets). Size: 25,5 x 18 cm. Binding: Original cardboard binding. Condition: Spots and stains on some of the pages. For condition and details see the scans. From Wikipedia, the free encyclopedia. The ukiyo-e[a] genre of art flourished in Japan from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term ukiyo-e IPA: u. E translates as “pictures of the floating world”. Edo (modern Tokyo) became the seat of government for the military dictatorship in the early 17th century. The merchant class at the bottom of the social order found themselves the greatest beneficiaries of the city’s rapid economic growth. Many indulged in the entertainments of kabuki theatre, courtesans, and geisha of the pleasure districts. The term ukiyo (“floating world”) came to describe this hedonistic lifestyle. Printed or painted ukiyo-e images of this environment emerged in the late 17th century and were popular with the merchant class, who had become wealthy enough to afford to decorate their homes with them. The earliest success was in the 1670s with Moronobu’s paintings and monochromatic prints of beautiful women. Colour prints came graduallyat first added by hand for special commissions. By the 1740s, artists such as Masanobu used multiple woodblocks to print areas of colour. From the 1760s the success of Harunobu’s “brocade prints” led to full-colour production becoming standard, each print made with numerous blocks. The peak period in terms of quantity and quality was marked by portraits of beauties and actors by masters such as Kiyonaga, Utamaro, and Sharaku in the late 18th century. This peak was followed in the 19th century by a pair of masters best remembered for their landscapes: the bold formalist Hokusai, whose Great Wave off Kanagawa is one of the best-known works of Japanese art; and the serene, atmospheric Hiroshige, most noted for the series The Fifty-three Stations of the Tkaid. Following the deaths of these two masters, and against the technological and social modernization that followed the Meiji Restoration of 1868, ukiyo-e production went into steep decline. Some ukiyo-e artists specialized in making paintings, but most works were prints. Artists rarely carved their own woodblocks for printing; rather, production was divided between the artist, who designed the prints; the carver, who cut the woodblocks; the printer, who inked and pressed the woodblocks onto hand-made paper; and the publisher, who financed, promoted, and distributed the works. As printing was done by hand, printers were able to achieve effects impractical with machines, such as the blending or gradation of colours on the printing block. Ukiyo-e was central to forming the West’s perception of Japanese art in the late 19th centuryespecially the landscapes of Hokusai and Hiroshige. From the 1870s Japonism became a prominent trend and had a strong influence on the early Impressionists such as Degas, Manet, and Monet, as well as Post-Impressionists such as van Gogh and Art Nouveau artists such as Toulouse-Lautrec. The 20th century saw a revival in Japanese printmaking: the shin-hanga (“new prints”) genre capitalized on Western interest in prints of traditional Japanese scenes, and the ssaku-hanga (“creative prints”) movement promoted individualist works designed, carved, and printed by a single artist. Prints since the late 20th century have continued in an individualist vein, often made with techniques imported from the West such as screen printing, etching, mezzotint, and mixed media. The item “Ca 1890 Ukiyo-e Art Western Flowers Tanigami Konan Woodblock Prints Plants Flora” is in sale since Wednesday, August 24, 2016. This item is in the category “Books\Antiquarian & Collectible”. The seller is “sigedon” and is located in 11000. This item can be shipped worldwide.
- Subject: Illustrated
- Topic: Ecology, Environment
- Original/Facsimile: Original
- Binding: Softcover, Wraps
- Special Attributes: Illustrated
- Author: Tanigami Konan
- Region: Asia
- Language: Japanese
- Country/Region of Manufacture: Japan