Paul Jacoulet Japanese Woodblock print -Jeu Princier Mongol- Mongolia 1956

Paul Jacoulet Japanese Woodblock print -Jeu Princier Mongol- Mongolia 1956

Paul Jacoulet Japanese Woodblock print -Jeu Princier Mongol- Mongolia 1956

Paul Jacoulet Japanese Woodblock print -Jeu Princier Mongol- Mongolia 1956

Paul Jacoulet Japanese Woodblock print -Jeu Princier Mongol- Mongolia 1956

Paul Jacoulet Japanese Woodblock print -Jeu Princier Mongol- Mongolia 1956

Paul Jacoulet Japanese Woodblock print -Jeu Princier Mongol- Mongolia 1956

Paul Jacoulet Japanese Woodblock print -Jeu Princier Mongol- Mongolia 1956

Paul Jacoulet Japanese Woodblock print -Jeu Princier Mongol- Mongolia 1956

Paul Jacoulet Japanese Woodblock print -Jeu Princier Mongol (The sport of princes)- Mongolia – 1956. ONLY 60 IMPRESSIONS WHERE MADE!! From Richard Miles book: This print is technically the most complicated of all Jacoulet’s, in term of colors used, overprintings, and multiple Gauffrage. Bronze, silver, gold and pearl-powder matallics. Amazing quality print, very good impression, strong and vibrant colors. Jacoulet’s in this print takes his art to his top level, he use all the techniques he mastered before in one print. Amazing use of Gauffrage and pearl-powder metallics. SIGNATURE or SEAL: Hand Signature in pencil, Peony stams. DATE or CIRCA: 1956 PAPER SIZE: 18.4 x 14.4 inches, 46X36cm IMPRESSION/COLOR/CONDITION: Good/Good/Good CONDITION DETAILS: Good condition, nice bleeding through on back, it was attached to a matt see photos, no repairs, no holes. Jacoulet was born in Paris in 1902 and lived in Japan for most of his life. During World War II, he moved to Karuizawa, where he survived in the countryside by growing vegetables and raising poultry. During the occupation, at the request of General Douglas MacArthur, he was recruited by Commandant Charles McDowell to work at the Tokyo Army College. MacArthur would join Greta Garbo, Pope Pius XII and Queen Elizabeth II, as a prominent collector of Jacoulet’s work. Jacoulet is considered one of the few western artists to have mastered the art of woodblock printing sufficiently to be recognized in Japan. His works are almost all of people, either portraits or full body images capturing some background details. He has had a number of exhibits in the years since his death including two at the Pacific Asia Museum in Pasadena (1983 and 1990), the Yokohama Art Museum (1996 and 2003), the Riccar Museum in Tokyo (1982), and the Isla Center for the Arts on Guam (1992 and 2006). He also achieved some recognition in his lifetime including an exhibit sponsored by the US Fifth Air Force (in 1946 according to Time Magazine). Two complete catalogues of his woodblock prints exist (one in English and one in Japanese with some English) as well as exhibition books and posters from all his exhibits. Many prints are very rare because all Jacoulets pre-World War II work that had not already been taken out of the country by collectors was destroyed by fire. Jacoulet was a true renaissance man French but born and raised in Japan, expert in Kabuki, proficient on traditional Japanese musical instruments, a good calligrapher, conversant in several languages, and a recognized butterfly collector. Growing up in Tokyo he was the next door neighbor of Ukiyoe authority Yone Noguchi; he was taught English by Noguchi’s American wife, Leonie Gilmour, and befriended their son, the young Isamu Noguchi. Jacoulets father was an ambassador so Paul was widely traveled and was doted upon by his mother. She supported his artistic endeavors all her life. She believed that if French Polynesia was good for Paul Gauguin, then Jacoulet must go there too. She sent him away many winters from Japan to various islands in Micronesia, Indonesia, and the Philippines. Although his most valued works are from this part of the world, he also has a substantial number of prints with subjects from China, Korea, all areas of Japan, and Mongolia. Just one print depicts an American. Jacoulet’s works are also interesting to anthropologists. First because his subject matter was indigenous people in their traditional dress. In 1939 traditional people were the norm in his travels. Today his work is often used as a basis for reconstructing, for example, what Ainu traditional dress looked like by the Ainu themselves in their quest to reconnect with their cultural roots. Second, some of the subjects who posed for Jacoulet are still alive and they are currently being interviewed by a professor in Guam (Donald Rubinstein) to learn more about his artistic process. ALL OUR PRINTS ARE ORIGINAL JAPANESE WOODBLOCK PRINTS. Your satisfaction guarenteed, if you are not pleased with the item please send it back. WE WILL NOT CHARGE ADDITIONAL PAYMENTS FOR MULTIPLE AUCTIONS, YOU CAN. The item “Paul Jacoulet Japanese Woodblock print -Jeu Princier Mongol- Mongolia 1956″ is in sale since Friday, September 22, 2017. This item is in the category “Antiques\Asian Antiques\Japan\Prints”. The seller is “moses_collectibles” and is located in Petah-Tikwa, default. This item can be shipped worldwide.
  • Type: Paintings, Scrolls & Prints
  • Age: Post-1940
  • Region of Origin: Japan
  • Original/Reproduction: Original
  • Featured Refinements: Japanese Woodblock Print
Vtg French/Japanese Small Woodblock Print White Orchids by Paul Jacoulet (Lon)

Vtg French/Japanese Small Woodblock Print White Orchids by Paul Jacoulet (Lon)

Vtg French/Japanese Small Woodblock Print White Orchids by Paul Jacoulet (Lon)

Vtg French/Japanese Small Woodblock Print White Orchids by Paul Jacoulet (Lon)

Vtg French/Japanese Small Woodblock Print White Orchids by Paul Jacoulet (Lon)

Vtg French/Japanese Small Woodblock Print White Orchids by Paul Jacoulet (Lon)

Vtg French/Japanese Small Woodblock Print White Orchids by Paul Jacoulet (Lon)

Vtg French/Japanese Small Woodblock Print White Orchids by Paul Jacoulet (Lon)

Vtg French/Japanese Small Woodblock Print White Orchids by Paul Jacoulet (Lon)

I appreciate your courtesy! The condition is described above – for more details please check the photos. Print (by sight) 5.5 inches x 3.75 inches. Frame 9 inches x 7.25 inches. More about the artist. Aul Jacoulet is best known for his striking portraits of the natives of Asia and the South Seas. He designed over 160 woodblock prints and oversaw their production in his workshop. Following in the collaborative tradition of ukiyo-e printmaking, Jacoulet recruited talented carvers and printers who could duplicate the delicate lines of his drawings and watercolors. The exquisite quality of Jacoulet’s prints was due in great part to his exacting standards, and his use of costly materials like mica, crushed pearl and powdered metals. Born in Paris in 1896, Jacoulet was raised in Tokyo from an early age. His father Frederic Jacoulet was a university professor hired by the Japanese government to teach French to young aristocrats. Around 1931, Jacoulet began to work with Shizuya Fujikake learning the craft of woodblock printmaking. In 1933, he established the Jacoulet Institute of Prints, and by the next year, he began publishing his own designs. With the exception of Jacoulet’s 1934 Rainbow Series published by the Kato Institute, all of his prints were self-published. Unlike many other shin hanga publishers, he gave credit to his carvers and printers by including their names in the margins of his prints. He was also known for having extremely standards for both carving and printing and would discard any prints whose impression was not excellent. In a 1946 article in. Magazine, Jacoulet claimed to use the earlier imperfect impressions of his prints to paper the floor of his chicken house. Jacoulet remained in Japan through World War II and continued to produce prints up until the time of his death in 1960. More pictures are available!!! It is important to know when purchasing items that. Please keep this in mind. As your ratings have immediate discount or listing-standing consequences for me. Thank you for understanding!!! Charge you my costs. For all packing materials used. And everything has to be. To give you an idea, a. If it is not a free one from the Post Office, costs between. And I usually use at least 3 or 4 feet or more for breakable items. Per box (book box size) will be between. The item “Vtg French/Japanese Small Woodblock Print White Orchids by Paul Jacoulet (Lon)” is in sale since Tuesday, December 12, 2017. This item is in the category “Antiques\Asian Antiques\Japan\Prints”. The seller is “andresharnischbrokerageinc” and is located in Honolulu, Hawaii. This item can be shipped worldwide.
  • Color: Multi-Color
  • Age: 1900-1940
  • Region of Origin: Japan
  • Primary Material: Paper
  • Maker: Paul Jacoulet
  • Original/Reproduction: Antique Original
Paul Jacoulet Tempete du Coeur Japanese Woodblock print Ukiyoe

Paul Jacoulet Tempete du Coeur Japanese Woodblock print Ukiyoe

Paul Jacoulet Tempete du Coeur Japanese Woodblock print Ukiyoe

Paul Jacoulet Tempete du Coeur Japanese Woodblock print Ukiyoe

Printers: Honda, Uchikawa, Ogawa. Condition: slightly toned on back, small damage to back + front from tape (easily repaired). 18 1/4” x 14 1/2′. All of our Japanese woodblock prints are Ukiyo-e/Original pieces of artwork guaranteed. And are not reproductions. The item “Paul Jacoulet Tempete du Coeur Japanese Woodblock print Ukiyoe” is in sale since Thursday, December 14, 2017. This item is in the category “Antiques\Asian Antiques\Japan\Prints”. The seller is “betsubetsu” and is located in Fairport, New York. This item can be shipped worldwide.
Paul Jacoulet BASILIO First Edition 120/150 Japanese Woodblock

Paul Jacoulet BASILIO First Edition 120/150 Japanese Woodblock

Paul Jacoulet BASILIO First Edition 120/150 Japanese Woodblock

Paul Jacoulet BASILIO First Edition 120/150 Japanese Woodblock

Paul Jacoulet BASILIO First Edition 120/150 Japanese Woodblock

BASILIO, JEUNE GARCON DE SAIPAN TENANT. Edition: 120/150 First Edition Seal is in Japanese. 18” x 13 1/4′. Slight damage on back from tape top + bottom. This is an authentic Jacoulet woodblock. The item “Paul Jacoulet BASILIO First Edition 120/150 Japanese Woodblock” is in sale since Wednesday, September 06, 2017. This item is in the category “Art\Art Prints”. The seller is “betsubetsu” and is located in Fairport, New York. This item can be shipped worldwide.
  • Originality: Limited Edition Print
  • Date of Creation: 1900-1949
  • Listed By: Dealer or Reseller
  • Subject: Figures & Portraits
  • Original/Reproduction: Original Print
  • Style: Art Deco
  • Size: Medium (up to 36in.)
  • Artist: PAUL
  • Print Surface: Paper
  • Features: Signed
  • Medium: Woodcut & Block
  • Quantity Type: Single-Piece Work
Paul Binnie Moring Tears Japanese Woodblock Print

Paul Binnie Moring Tears Japanese Woodblock Print

A Collection of Eastern Brocade Beauties: Morning Tears. 17 3/4 x 12 1/4 sheet size. Pencil signed and numbered, edition of 100. The item “Paul Binnie Moring Tears Japanese Woodblock Print” is in sale since Thursday, August 17, 2017. This item is in the category “Antiques\Asian Antiques\Japan\Prints”. The seller is “johnnybass10″ and is located in Scranton, Pennsylvania. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, Sweden, South Korea, Indonesia, Taiwan, South africa, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Russian federation, Israel, Mexico, New Zealand, Singapore, Switzerland, Norway, Saudi arabia, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Brazil, Chile, Colombia, Costa rica, Panama, Trinidad and tobago, Guatemala, Honduras, Jamaica.
Paul Binnie Moring Tears Japanese Woodblock Print

Paul Binnie Moring Tears Japanese Woodblock Print

A Collection of Eastern Brocade Beauties: Morning Tears. 17 3/4 x 12 1/4 sheet size. Pencil signed and numbered, edition of 100. The item “Paul Binnie Moring Tears Japanese Woodblock Print” is in sale since Sunday, July 16, 2017. This item is in the category “Antiques\Asian Antiques\Japan\Prints”. The seller is “johnnybass10″ and is located in Scranton, Pennsylvania. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, Sweden, South Korea, Indonesia, Taiwan, South africa, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Russian federation, Israel, Mexico, New Zealand, Singapore, Switzerland, Norway, Saudi arabia, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Brazil, Chile, Colombia, Costa rica, Panama, Trinidad and tobago, Guatemala, Honduras, Jamaica.
Paul Jacoulet Japanese Woodblock print -Retour de La Jungle- Celebes 1948

Paul Jacoulet Japanese Woodblock print -Retour de La Jungle- Celebes 1948

Paul Jacoulet Japanese Woodblock print -Retour de La Jungle- Celebes 1948

Paul Jacoulet Japanese Woodblock print -Retour de La Jungle- Celebes 1948

Paul Jacoulet Japanese Woodblock print -Retour de La Jungle- Celebes 1948

Paul Jacoulet Japanese Woodblock print -Retour de La Jungle- Celebes 1948

Paul Jacoulet Japanese Woodblock print -Retour de La Jungle- Celebes 1948

Paul Jacoulet Japanese Woodblock print -Retour de La Jungle- Celebes – 1948. From Richard Miles book: Elaborate Gofun overprinting on the vivid yellow head coverting on lower figure. Lip colors are mixed with. A very fine coral powder to give an almot illuminated quality. The three figure compositions of Jacoulet where the most favorite with most critics. Complecated design, many plates where used to achive the multi-colored print. SIGNATURE or SEAL: Hand Signature in pencil lower right corner. DATE or CIRCA: 1948 PAPER SIZE: 18.4 x 14.4 inches, 46X36cm IMPRESSION/COLOR/CONDITION: Good/Good/Good CONDITION DETAILS: Fair to Good condition, it was folded in the middle, some ink mark from printing time on top area and at the back, nice bleeding through on back, it was attached to a matt as you can see on the last photo, no repairs, no holes. Jacoulet was born in Paris in 1902 and lived in Japan for most of his life. During World War II. He moved to Karuizawa. Where he survived in the countryside by growing vegetables and raising poultry. During the occupation, at the request of General Douglas MacArthur. He was recruited by Commandant Charles McDowell. To work at the Tokyo Army College. MacArthur would join Greta Garbo. And Queen Elizabeth II. As a prominent collector of Jacoulet’s work. Jacoulet is considered one of the few western artists to have mastered the art of woodblock printing sufficiently to be recognized in Japan. His works are almost all of people, either portraits or full body images capturing some background details. He has had a number of exhibits in the years since his death including two at the Pacific Asia Museum in Pasadena (1983 and 1990), the Yokohama Art Museum (1996 and 2003), the Riccar Museum in Tokyo (1982), and the Isla Center for the Arts on Guam (1992 and 2006). He also achieved some recognition in his lifetime including an exhibit sponsored by the US Fifth Air Force (in 1946 according to Time Magazine). Two complete catalogues of his woodblock prints exist (one in English and one in Japanese with some English) as well as exhibition books and posters from all his exhibits. Many prints are very rare because all Jacoulets pre-World War II work that had not already been taken out of the country by collectors was destroyed by fire. Jacoulet was a true renaissance man French but born and raised in Japan, expert in Kabuki. Proficient on traditional Japanese musical instruments, a good calligrapher, conversant in several languages, and a recognized butterfly collector. Growing up in Tokyo he was the next door neighbor of Ukiyoe. He was taught English by Noguchi’s American wife, Leonie Gilmour. And befriended their son, the young Isamu Noguchi. Jacoulets father was an ambassador so Paul was widely traveled and was doted upon by his mother. She supported his artistic endeavors all her life. She believed that if French Polynesia. Was good for Paul Gauguin. Then Jacoulet must go there too. She sent him away many winters from Japan to various islands in Micronesia, Indonesia, and the Philippines. Although his most valued works are from this part of the world, he also has a substantial number of prints with subjects from China, Korea, all areas of Japan, and Mongolia. Just one print depicts an American. Jacoulet’s works are also interesting to anthropologists. First because his subject matter was indigenous people in their traditional dress. In 1939 traditional people were the norm in his travels. Today his work is often used as a basis for reconstructing, for example, what Ainu. Traditional dress looked like by the Ainu themselves in their quest to reconnect with their cultural roots. Second, some of the subjects who posed for Jacoulet are still alive and they are currently being interviewed by a professor in Guam (Donald Rubinstein) to learn more about his artistic process. ALL OUR PRINTS ARE ORIGINAL JAPANESE WOODBLOCK PRINTS. Your satisfaction guarenteed, if you are not pleased with the item please send it back. WE WILL NOT CHARGE ADDITIONAL PAYMENTS FOR MULTIPLE AUCTIONS, YOU CAN. The item “Paul Jacoulet Japanese Woodblock print -Retour de La Jungle- Celebes 1948″ is in sale since Tuesday, December 04, 2012. This item is in the category “Antiques\Asian Antiques\Japan\Prints”. The seller is “moses_collectibles” and is located in Petah-Tikwa, default. This item can be shipped worldwide.
  • Type: Paintings, Scrolls & Prints
  • Age: Post-1940
  • Region of Origin: Japan
  • Original/Reproduction: Original
1940 Paul Jacoulet Flowers South Seas /350 Japanese Woodblock Print RARE! L@@K

1940 Paul Jacoulet Flowers South Seas /350 Japanese Woodblock Print RARE! L@@K

1940 Paul Jacoulet Flowers South Seas /350 Japanese Woodblock Print RARE! L@@K

1940 Paul Jacoulet Flowers South Seas /350 Japanese Woodblock Print RARE! L@@K

South Seas by Paul Jacoulet. Size: 14 -1/2 x 18 1/2 (Full margins). This print is so rare that fewer than half of the impressions are thought to have survived, and most in faded condition. Despite his considerable efforts in botanical and entomological studies, Jacoulet never had interest in scenes that didn’t contain human subjects. Nevertheless, this print, and the study of Cactus achieved real popularity, which Jacoulet cut off by sealing the blocks with steel bands and never reprinting. Please view our other listings of Japanese Woodblock Prints! The item “1940 Paul Jacoulet Flowers South Seas /350 Japanese Woodblock Print RARE! L@@K” is in sale since Monday, June 12, 2017. This item is in the category “Art\Art Prints”. The seller is “sho88gun” and is located in Sacramento, California. This item can be shipped worldwide.
  • Original/Reproduction: Original Print
  • Listed By: Dealer or Reseller
  • Signed: Signed
  • Edition Type: Limited Edition
  • Print Type: Woodcut & Block
  • Subject: Botanical
  • Style: Asian
  • Size: Medium (up to 36in.)
  • Date of Creation: 1900-1949
  • Size Type/Largest Dimension: Medium (Up to 30in.)