Yoshitoshi restored Ukiyoe woodblock print One Hundred Phases of the Moon y-4

Yoshitoshi restored Ukiyoe woodblock print One Hundred Phases of the Moon y-4

Yoshitoshi restored Ukiyoe woodblock print One Hundred Phases of the Moon y-4

Yoshitoshi restored Ukiyoe woodblock print One Hundred Phases of the Moon y-4

Yoshitoshi restored Ukiyoe woodblock print One Hundred Phases of the Moon y-4

Yoshitoshi restored Ukiyoe woodblock print One Hundred Phases of the Moon y-4

Yoshitoshi restored Ukiyoe woodblock print One Hundred Phases of the Moon y-4

This product will be produced by Takahashi Koubo(studio), introduced below. Yoshitoshi Tsukioka March 17, 1839 (April 30, 1839) – June 9, 1892 (Meiji 25) was an ukiyo-e artist active from the end of the Edo period to the middle of the Meiji era. Kyosai KAWANABE, Yoshiiku OCHIAI, and Yoshifuji UTAGAWA all studied under Kuniyoshi UTAGAWA and were in a relationship of brothers and apprentices, and Yoshiiku OCHIAI in particular was a worthy rival who even competed. In addition, many ukiyo-e artists, Japanese-style painters, and other painters are named after Yoshitoshi’s pupils or in his painting line, and are called ukiyo-e artists again. Monn by mount Inaba. Oda Nobunaga was attempting to capture Inabayama (Mount Inaba) Castle in Mino Province, but found himself unable to force a surrender and was struggling to attack effectively. To break the deadlock, Kinoshita Tokichiro (later to become Toyotomi Hideyoshi) is said to have led a small team of men up the mountain in order to launch a surprise attack from the far side of the castle. The man shown dragging the enormous gourd is Matajuro, the younger brother of Hachisuka Koroku, one of Hideyoshi’s subordinates (‘Ehon Taikoki’ [A Picture Book of the Biography of Toyotomi Hideyoshi], page 8, volume 1). The gourd was to be raised up as a sign upon successful infiltration of the castle grounds. Yoshitoshi: One Hundred Phases of the Moon, Tokyodo Shuppan, 1995. Commentary on “One Hundred Phases of the Moon”: Mr. Kenji Hinohara – Chief Curator of Ota Memorial Museum of Art. This print is brand new. With a history of more than 150 years, Takahashi Koubo(studio). Which has a workshop in Tokyo, will be a masterpiece that has been completely reproduced in the same way as at the time. What is Takahashi Koubo? Takahashi Studio is a woodblock printing studio established between 1855 and 1860. I would like you to watch the video, but it has a long history, and after the end of the war, it was invited by General MacArthur, showed the technology to Emperor Hirohito, and cooperated with the exhibition at the British Museum. The rank is [N], but there is no major damage. S:: Same quality as new. A: Excellent condition with no noticeable damage. B: Sense of use, but not bothersome. C: Normal, with scratches, stains, and other signs of use. D: Used item, may have scratches, stains, or other damage. E: Used item with use and damage. W: Items that are junk and badly damaged. V: Items belonging to vintage or antique and may be damaged in some way. The size will be around. Environmentally friendly and hygienic recycled materials may be used. Thank you for your understanding. We will pack it with hard paper and vinyl. It is not included in the product price. We keep our inventory well and properly. Stocked in our own warehouse, and we are waiting for your order. We can answer questions by holding the actual product in our hands. Where there are many of the most demanding (and nervous) buyers in the world. We have the ability to meet the expectations of the U. And other countries around the world. However, it is impossible to deliver next day. It will take a little time, but we will deliver from Japan with Japanese quality.
Yoshitoshi Tsukioka Japanese Woodblock print Hundred aspects moon

Yoshitoshi Tsukioka Japanese Woodblock print Hundred aspects moon

A Yoshitoshi Tsukioka Woodblock print from the series 100 aspect of the moon. Moon of Kintoki’s mountain. This is a recarved relatively recent edition from Japan, that print the same way as in ancient times. I bought it few years ago in Japan. Very light paper, Oban size.
Kuniyoshi Edo Period Original Ukiyoe wood block print Ogura One Hundred Poems

Kuniyoshi Edo Period Original Ukiyoe wood block print Ogura One Hundred Poems

Kuniyoshi Edo Period Original Ukiyoe wood block print Ogura One Hundred Poems

Kuniyoshi Edo Period Original Ukiyoe wood block print Ogura One Hundred Poems

Kuniyoshi Edo Period Original Ukiyoe wood block print Ogura One Hundred Poems

Kuniyoshi Edo Period Original Ukiyoe wood block print Ogura One Hundred Poems

Kuniyoshi Edo Period Original Ukiyoe wood block print Ogura One Hundred Poems

Kuniyoshi Edo Period Original Ukiyoe wood block print Ogura One Hundred Poems

Series:A Comp arison of Ogura One Hundred Poems. 34.5cm (width) X 23.9cm (length). It is in very good condition. It is not included in the product price.
Antique Japan Woodblock print Keika Hasegawa One Hundred Chrysanthemum

Antique Japan Woodblock print Keika Hasegawa One Hundred Chrysanthemum

Antique Japan Woodblock print Keika Hasegawa One Hundred Chrysanthemum

Antique Japan Woodblock print Keika Hasegawa One Hundred Chrysanthemum

Antique Japan Woodblock print Keika Hasegawa One Hundred Chrysanthemum

Antique Japan Woodblock print Keika Hasegawa One Hundred Chrysanthemum

Antique Japan Woodblock print Keika Hasegawa One Hundred Chrysanthemum

Antique Japan Woodblock Keika Hasegawa. The term “national flower” refers to a country’s symbol in the form of a flower, and various flowers. Have been designated as such in countries around the world. In Japan, the national flowers are the “sakura” (cherry blossoms) and the “kiku” (chrysanthemum). In the case of the “kiku, ” it has been used as the imperial crest since the Kamakura period. Signifying not only the nation but also the imperial family’s emblematic importance. Regarding the chrysanthemum, there are now thousands of varieties, and in this context. We will introduce a Meiji-era artwork titled “Keika Hyakugiku, ” which depicts various chrysanthemum. Publication: Meiji 26 (1893). Size: 20cm(7.8″)×32cm(12.6″) approximately. I have heard that it is a woodblock print from the Meiji period, but the details are unclear. We sell several types of Keika Hyakugiku series. Please take a look. I have recently taken over my father’s antique shop, which was closed. Please feel free to reach out to us for further inquiries. Tracking Numbers for all orders. International Buyers – Please Note. Thank you for your understanding.
Old Japanese woodblock print by Kunichika Hundred roles of Baiko

Old Japanese woodblock print by Kunichika Hundred roles of Baiko

Old Japanese woodblock print by Kunichika Hundred roles of Baiko

Old Japanese woodblock print by Kunichika Hundred roles of Baiko

Old Japanese woodblock print by Kunichika Hundred roles of Baiko

Old Japanese woodblock print by Kunichika Hundred roles of Baiko

Old Japanese woodblock print by Kunichika Hundred roles of Baiko

Old Japanese woodblock print by Kunichika Hundred roles of Baiko

Old Japanese woodblock print by Kunichika Hundred roles of Baiko

Old Japanese woodblock print by Kunichika Hundred roles of Baiko

Old Japanese woodblock print by Kunichika Hundred roles of Baiko

Old Japanese woodblock print by Kunichika Hundred roles of Baiko

Old Japanese woodblock print by Kunichika Hundred roles of Baiko

Old Japanese woodblock print by Kunichika Hundred roles of Baiko

Old Japanese woodblock print by Kunichika – Hundred roles of Baiko. And label of ownership on the back. The theatre was a lifetime passion of Kunichika’s. In 1893, Kunichika was commissioned by a publisher and a printer (Fukuda Kumajiro and Gusokuya Kahei) to create the series “One Hundred Roles of Baiko, ” chronicling the various characters played by the famous actor Onoe Kikugoro V, whose stage name was Baiko. Baiko was the son of an actor and theater owner. During this time in Japan, Kabuki had become a popular art form and Actors like Baiko were big celebrities. He was the foremost actor of domestic dramas or sewamono and also one of the pioneers of zangirimono, or “cropped-hair plays, ” These were called because of the fashionable Western-style haircuts the actors wore. Kunichika the artist, and Baiko were friends, often hanging out together backstage drinking tea and chatting. This series is in a vertical format called “oban”. If we start from the top left (please refer to the image below), we see the description of the role Baiko’s playing and the play name. Next to that is a small image of a supporting actor in the play, to the right of that in the black rectangle is the series title 100 roles of baiko. The main area of the print is our star Baiko in a 1/2 length portrait. On the left border we see the number of the print, address of the printer and publisher along with the publication date and at the bottom left the publishers seal. On the right side we see the The carver’s name and Kunichika’s signature. All the prints in the series follow a similar convention, so they are easy to recognize. This series, also uses special printing techniques like blind embossing, metallic inks, and mica powder.
Japanese Woodblock Print One Hundred Famous Views of Edo by Utagawa Hiroshige

Japanese Woodblock Print One Hundred Famous Views of Edo by Utagawa Hiroshige

Japanese Woodblock Print One Hundred Famous Views of Edo by Utagawa Hiroshige

Japanese Woodblock Print One Hundred Famous Views of Edo by Utagawa Hiroshige

Japanese Woodblock Print One Hundred Famous Views of Edo by Utagawa Hiroshige

Japanese Woodblock Print One Hundred Famous Views of Edo by Utagawa Hiroshige

Japanese Woodblock Print One Hundred Famous Views of Edo by Utagawa Hiroshige

Japanese Woodblock Print One Hundred Famous Views of Edo by Utagawa Hiroshige

Japanese Woodblock Print One Hundred Famous Views of Edo by Utagawa Hiroshige

Japanese Woodblock Print One Hundred Famous Views of Edo by Utagawa Hiroshige

Artist: Utagawa Hiroshige (1797 – 1858). Series: One Hundred Famous Views of Edo (1856-58). Number: 39 Distant View of Kinryuzan Temple and Azuma Bridge. Number of Prints: 120/120 inc. Title page and a replacement print by Hiroshige II. Date: 1857 (Ansei 4), 8th month. Size (H x W): 14″ x 9.25″ print only. Censor’s seals: aratame, Snake 8. No blockcutter’s mark. Reference: For a similar print, see the collection of Art Institution Chicago Accession Number 1938.536 and 1965.1062; MFA Boston Accession Number 11.35836. This item is in the category “Antiques\Asian Antiques\Japan\Prints”. The seller is “gallery-t” and is located in this country: US. This item can be shipped worldwide.
  • Primary Material: Paper
  • Color: Multi-Color
  • Original/Reproduction: Antique Original
  • Region of Origin: Japan
  • Age: 1850-1899
  • Maker: Hiroshige
Japanese Woodblock Print Yoshitoshi Tsukioka One Hundred Aspect Of The Moon

Japanese Woodblock Print Yoshitoshi Tsukioka One Hundred Aspect Of The Moon

Japanese Woodblock Print Yoshitoshi Tsukioka One Hundred Aspect Of The Moon

TITLE; ONE HUNDRED ASPECTS OF THE MOON. SIZE;13.625″X 9.75″. REPAIRED RIGHT TOP CORNER MARGIN, FADED, CREASED, SOILING. This item is in the category “Antiques\Asian Antiques\Japan\Prints”. The seller is “newyorkbird” and is located in this country: US.
  • Type: Paintings, Scrolls & Prints
  • Region of Origin: Japan
  • Featured Refinements: Japanese Woodblock Print
Ukiyoe Japanese Woodblock Print Hokusai One Hundred Views Of Mount Fuji

Ukiyoe Japanese Woodblock Print Hokusai One Hundred Views Of Mount Fuji

Ukiyoe Japanese Woodblock Print Hokusai One Hundred Views Of Mount Fuji

Ukiyoe Japanese Woodblock Print Hokusai One Hundred Views Of Mount Fuji

Ukiyoe Japanese Woodblock Print Hokusai One Hundred Views Of Mount Fuji

Authentic Japanese Woodblock Print, Katsushika Hokusai Manga, Ukiyoe. Bookplate from Katsushika Hokusai’s One Hundred Views of Mount Fuji vol. II, Fugaku Hyakkei nihen. Title: Fuji in a dream. Dimensions: 26.67 x 21.59 cm. Publisher: Nagoya: Eirakuya Toshiro. Lightly stuck to mounting board (see picture 2,3) which could be removed by a paper conservator if wanted. There are two fold mark around the centre that can only be seen when the light hits from the side (picture 5). Colour of the first image is the truest to life. Please judge pictures carefully. This item is in the category “Antiques\Asian/Oriental Antiques\Japanese\Prints”. The seller is “gabgr3658″ and is located in this country: GB. This item can be shipped worldwide.
  • Product: Print
  • Region of Origin: Japanese
Japanese Woodblock Print Yoshitoshi Tsukioka One Hundred Aspect Of Moon

Japanese Woodblock Print Yoshitoshi Tsukioka One Hundred Aspect Of Moon

Japanese Woodblock Print Yoshitoshi Tsukioka One Hundred Aspect Of Moon

Japanese Woodblock Print Yoshitoshi Tsukioka One Hundred Aspect Of Moon

Japanese Woodblock Print Yoshitoshi Tsukioka One Hundred Aspect Of Moon

Japanese Woodblock Print Yoshitoshi Tsukioka One Hundred Aspect Of Moon

Japanese Woodblock Print Yoshitoshi Tsukioka One Hundred Aspect Of Moon

TITLE; ONE HUNDRED ASPECTS OF THE MOON. HOW HOPELESS IT IS. SIZE;14.5″X 9.75″. CONDITION: VERY GOOD IMPRESSION AND CONDITION. This item is in the category “Antiques\Asian Antiques\Japan\Prints”. The seller is “newyorkbird” and is located in this country: US. This item can be shipped worldwide.
  • Type: Paintings, Scrolls & Prints
  • Region of Origin: Japan
  • Featured Refinements: Japanese Woodblock Print
Japanese Woodblock Print Yoshitoshi Tsukioka One Hundred Aspect Of Moon

Japanese Woodblock Print Yoshitoshi Tsukioka One Hundred Aspect Of Moon

Japanese Woodblock Print Yoshitoshi Tsukioka One Hundred Aspect Of Moon

Japanese Woodblock Print Yoshitoshi Tsukioka One Hundred Aspect Of Moon

Japanese Woodblock Print Yoshitoshi Tsukioka One Hundred Aspect Of Moon

Japanese Woodblock Print Yoshitoshi Tsukioka One Hundred Aspect Of Moon

TITLE; ONE HUNDRED ASPECTS OF THE MOON. (INAMURA PROMONTORY MOON AT DAYBREAK). SIZE;14.5″X 9.75″. CONDITION:GOOD IMPRESSION AND CONDITION. This item is in the category “Antiques\Asian Antiques\Japan\Prints”. The seller is “newyorkbird” and is located in this country: US. This item can be shipped worldwide.
  • Type: Paintings, Scrolls & Prints
  • Region of Origin: Japan
  • Featured Refinements: Japanese Woodblock Print