Hiroshige Utagawa Woodblock Print Famous Places Eastern Capital Shibaura 9×13. Title: Ukiyo-e Woodblock Print by Hiroshige – Shibaura Shiohin no Zu (Reproduction). Type: Woodblock Print. Model: Shibaura Shiohin no Zu. Primary Material: Paper. Size: 9.1 inches (height) x 13.6 inches (width). Age: Showa period (Reproduction). Condition: Item has been stored for a long time; may show signs of aging such as stains or dirt. Please refer to images for condition. C:Primary Material: Paper. C:Age: Showa period. C:Original/Reproduction: Reproduction. C:Color: Multi-color. C:Maker: Hiroshige. C:Region of Origin: Japan. Please refer to the photos. Fright companies are closed on Weekends. International Buyers – Please Note. Thank you for your understanding.
Thank you for visiting. A large horizontal oban woodblock print reprint of’Japanese River Trout (Ayu), series Fish Scenes’ by the first-generation Utagawa Hiroshige. Produced by the Oedo Woodblock Printing Company, carved by Endo, and printed by Itakura. A classic ukiyo-e nishiki-e surimono. 27cm (L) x 41cm (W). Born in 1797 and passed away in 1858, was a prominent Japanese ukiyo-e artist. Hailing from a family of Edo firefighters, Hiroshige inherited the family business before dedicating himself to the art of woodblock printing. His landscape prints, renowned for their delicate beauty and atmospheric perspective, have had a profound impact on Western artists including Van Gogh and Monet. The names are written in the Japanese order, with the family name first. These charges are the responsibility of the purchaser.
Ushima Shrine in Hondo District. Framed Dimensions 20.25″ x 14.25″. Visible Art Dimensions 13.5″ x 8.5″. Condition: In overall very good condition with no notable damages. Stored in frame and well preserved. Please see pictures showing item details and condition..
Antique Hiroshige II Japanese Woodblock Edo Enoshima Sagami Bay circa 1860 Frame. Original Antique Hiroshige II Japanese Woodblock Enoshima Beach Sagami Bay circa 1860, Framed and matted, Woodblock Print Framed Edo Era, ukiyo-e. This is a lovely antique original print by Utagawa Hiroshige II of a man seated in on an ox, with a peasant and the beach and Sagani bay with waves in the background. 1 Enoshima Seen from the Beach – Beach of Sagami Bay. 2 Elegantly dressed man sitting on black ox, watching running woman in kimono barefoot with pattern of shells; on beach with rough surf; Enoshima Island on achtergrond. 3 Prince Genji riding an oxen being led by an abalone diver along the sea shore with Endoshima Island in the distance. Hiroshige II (Utagawa Hiroshige, 1826 – 17 September 1869) was a Japanese designer of ukiyo-e art. He inherited the name Hiroshige II following the death in 1858 of his master Hiroshige, whose daughter he married. In 1865 he moved from Edo to Yokohama after dissolving his marriage and began using the name Kisai Rissho. His work so resembles that of his master that scholars have often confused them. Condition: Very good condition. Colors are fresh, mild fading and rubbing commensurate with age and use. There is a small water? Stain at the top joining area between the tow sheets. Framed under acrylic with black and gold wood frame. Measurements: Frame: 23 1/4 x 28 1/2 x 1 Work: 14 x 19 1/2. Weight: 6 lbs 13 oz. Unless described as being new, the items for sale are vintage or used and it may show evidence of wear. The description refers to the overall condition and details. We try to describe the items to the best of our ability. All listings are described as to the best of my knowledge, through careful research and price and description comparison. With tracking and careful, sturdy packing, we try to recycle when possible. We welcome all reasonable offers! We appreciate your business! Please check out my other items. Thank you for looking and good luck!
Hiroshige Evening Glow at Koganei Bridge wood block 15″ x 10″o. Found the back board to be broken and a wrinkle across the print when removing it from the old frame. Taped boards back to stabilize. Needs a remounting, or frame it and go. It looked ok before I removed it from its glass and frame. See all pics for condition. Last pics are magnifications.
Hiroshige Japanese Woodblock Print Sudden Shower at Ohashi Bridge Nice! 14 1/2″h x 9 3/4″w (sheet), left margin adhered to backing sheet. Likely a later edition. Get images that make Supersized seem small. Showcase your items with Auctiva’s. Track Page Views With.
Work:Fifty-three Stations of the Tokaido Highway, Hara. Period: Around Tempo 11-13 c. Condition: Good, some insect holes and chips repaired, wrinkles, some damages. 39 x 27 cm. If you are aware of any vendors offering a more competitive pricing than ours, kindly bring it to our attention. We are committed to providing you with the best possible price and will adjust our rates accordingly to ensure your satisfaction. Upon receiving your order, we take the utmost care in inspecting your valuable items at our facility to ensure they meet our high standards of quality. Upon receiving your order, we will conduct a thorough inspection of the item to ensure it meets our high-quality standards. We are here to assist you and address any concerns you might have.
WOODBLOCK PRINT ON PAPER. THIS IS A WONDERFUL WORK ON A LIGHTWEIGHT PAPER. THE COLORS ARE VIVID AND THE LINES ARE CRISP. PLEASE ENLARGE THE IMAGE TO GET A BETTER IDEA. YOU CAN FEEL THE BLOCK IMPRESSION WHEN YOU GENTLY FEEL THE EDGES OF THE IMAGE. PAPER SIZE: 7 1/2 X 10 3/8 INCHES. THE REVERSE HAS BEEN REINF0RCED WITH A. CONSERVATION GRADE RICE TAPE. Memorial portrait of Hiroshige by. The Fifty-three Stations of the Tokaido. The Sixty-nine Stations of the Kiso Kaido. One Hundred Famous Views of Edo. 1797 – 12 October 1858, was a Japanese. Artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series. And for his vertical-format landscape series. The subjects of his work were atypical of the. Genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan’s. Thirty-six Views of Mount Fuji. Was a strong influence on Hiroshige’s choice of subject, though Hiroshige’s approach was more poetic and ambient than Hokusai’s bolder, more formal prints. Subtle use of color was essential in Hiroshige’s prints, often printed with multiple impressions in the same area and with extensive use of. (color gradation), both of which were rather labor-intensive techniques. For scholars and collectors, Hiroshige’s death marked the beginning of a rapid decline in the. Genre, especially in the face of the westernization that followed the. Hiroshige’s work came to have a marked influence on western European painting towards the close of the 19th century as a part of the trend in. Western European artists, such as. Collected and closely studied Hiroshige’s compositions. Of some Hiroshige prints.
