Stunning romantic series of prints with very fine detail and vibrant colors. Quite a rare work of art. Age: Antique (circa 1900), Meiji period. Original woodblock print, woodcut. 19 x 13 cm. Shunga is a type of Japanese erotic art typically executed as a kind of ukiyo-e, often in woodblock print format. While rare, there are also extant erotic painted handscrolls which predate ukiyo-e. Translated literally, the Japanese word shunga means picture of spring; “spring” is a common euphemism for sex. The Japanese term Ukiyo-e translates as picture of the floating world. Bijin-ga is a portrait of a beautiful woman. Please note that antique and vintage artworks may have traces of time, so please review all photos.
Size: 23.7 x 36.8 cm. Utagawa Kunisada, a prominent ukiyo-e artist from the late Edo period, was a disciple of Utagawa Toyokuni I. Among Toyokuni’s students, Kunisada excelled particularly in actor portraits and bijin-ga (pictures of beautiful women), becoming the most popular artist of the late Edo period. Kunisada became Toyokuni’s apprentice in his mid-teens, and it is said that Toyokuni was greatly impressed by Kunisada’s early talent. Absorbing Toyokuni’s techniques steadily, Kunisada debuted as an ukiyo-e artist in his twenties. Initially, he used the name Ichiyusai, but later adopted the name Gototei, derived from his family’s business, a ferry service at Kameido in present-day Koto Ward, Tokyo. This period marked the beginning of Kunisada’s rise to fame. Kunisada’s style is characterized by his keen observational skills, capturing the elegance and lively expressions of people. His bijin-ga often depicted women with elongated faces and thick, short necks, a common feature of the time. Kunisada’s numerous bijin-ga are noted for their ability to convey the breath and scent of the subjects, making them feel vividly real. This painting of a cowherd woman is truly a masterpiece of Kunisada’s beauty paintings and depicts her in a lively manner. If you have any questions, please feel free to ask us anything. We will respond with sincerity. Please comment before purchasing.
This product will be produced by Takahashi Koubo(studio), introduced below. Yoshitoshi Tsukioka March 17, 1839 (April 30, 1839) – June 9, 1892 (Meiji 25) was an ukiyo-e artist active from the end of the Edo period to the middle of the Meiji era. Kyosai KAWANABE, Yoshiiku OCHIAI, and Yoshifuji UTAGAWA all studied under Kuniyoshi UTAGAWA and were in a relationship of brothers and apprentices, and Yoshiiku OCHIAI in particular was a worthy rival who even competed. In addition, many ukiyo-e artists, Japanese-style painters, and other painters are named after Yoshitoshi’s pupils or in his painting line, and are called ukiyo-e artists again. Monn by mount Inaba. Oda Nobunaga was attempting to capture Inabayama (Mount Inaba) Castle in Mino Province, but found himself unable to force a surrender and was struggling to attack effectively. To break the deadlock, Kinoshita Tokichiro (later to become Toyotomi Hideyoshi) is said to have led a small team of men up the mountain in order to launch a surprise attack from the far side of the castle. The man shown dragging the enormous gourd is Matajuro, the younger brother of Hachisuka Koroku, one of Hideyoshi’s subordinates (‘Ehon Taikoki’ [A Picture Book of the Biography of Toyotomi Hideyoshi], page 8, volume 1). The gourd was to be raised up as a sign upon successful infiltration of the castle grounds. Yoshitoshi: One Hundred Phases of the Moon, Tokyodo Shuppan, 1995. Commentary on “One Hundred Phases of the Moon”: Mr. Kenji Hinohara – Chief Curator of Ota Memorial Museum of Art. This print is brand new. With a history of more than 150 years, Takahashi Koubo(studio). Which has a workshop in Tokyo, will be a masterpiece that has been completely reproduced in the same way as at the time. What is Takahashi Koubo? Takahashi Studio is a woodblock printing studio established between 1855 and 1860. I would like you to watch the video, but it has a long history, and after the end of the war, it was invited by General MacArthur, showed the technology to Emperor Hirohito, and cooperated with the exhibition at the British Museum. The rank is [N], but there is no major damage. S:: Same quality as new. A: Excellent condition with no noticeable damage. B: Sense of use, but not bothersome. C: Normal, with scratches, stains, and other signs of use. D: Used item, may have scratches, stains, or other damage. E: Used item with use and damage. W: Items that are junk and badly damaged. V: Items belonging to vintage or antique and may be damaged in some way. The size will be around. Environmentally friendly and hygienic recycled materials may be used. Thank you for your understanding. We will pack it with hard paper and vinyl. It is not included in the product price. We keep our inventory well and properly. Stocked in our own warehouse, and we are waiting for your order. We can answer questions by holding the actual product in our hands. Where there are many of the most demanding (and nervous) buyers in the world. We have the ability to meet the expectations of the U. And other countries around the world. However, it is impossible to deliver next day. It will take a little time, but we will deliver from Japan with Japanese quality.
Vintage Ukiyo-e Katsushika Hokusai The Thirty-six Views of Mount Fuji 46 Print Set. Supervised by National Museum. This is a genuine hand-printed woodblock print. Ukiyoe by Hokusai Katsushika. Hokusai was the only Japanese selected when “LIFE” magazine in the United States created a special feature “100 people in the world who have made the greatest achievements in the last 1000 years”. His novel work surprised impressionist painters such as Van Gogh, Monet, and Degas, and had a great influence on the “Japonismu” that swept the West in the 19th century. It has all the works. Paper size: 34 cm x 25 cm (13,38 in x 9.84 in). Please Enjoy viewing 36 beautiful Mt, Fuji by Hokusai. Used items are one-of-a-kind items, so please find your favorite item.
This design was originally published in 1955 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 15 x 9 3/4 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.
Woodblock Tokuriki Tomikichiro Jugyuzu ZEN The Ten Oxherding Showa 26 Years Rare. International Buyers – Please Note. Thank you for your understanding.
For sale is a matted & framed 12″ x 16″ Tsuchiya Rakusan woodblock print titled “Grasshopper and Chinese Hibiscus”. Note the age and discoloration in the corners; this is not visible with the matting and frame. This is one sheet from a series of 36 titled ” Koshisei Gasen “. It has the Seal Code “B” of the 36 Series Seal Distributions. Is embossed in the lower margin and is shown in the photos. The print also has the signature. Raku-zan Kou-shi-sei above the Seal Code “B”. The print is matted and has a wood bamboo style frame with a glass cover. The print is 12″ x 16″ and the framed work is 17″ x 23″ and weighs 5 pounds. Additional detailed photos are available upon request.
This set of two woodblock prints by Iku Nagai is a beautiful addition to any collection. The intricate details and vibrant colors make these prints a stunning representation of Japanese art. The frames add a touch of elegance, making them perfect for display in any room.
Toshi Yoshida original woodblock print in framed with signature and certificate. This woodblock print is a surimono produced by Toshi Yoshida, commissioned by the Franklin Gallery. This is an original piece that he carved and rubbed on woodblocks himself. This work is the only limited edition from the Franklin Gallery. The author’s seal is hand-printed. Titlle: Bunting perched on a Hibiscus tree. Condition : very good? Photo reference. Age: published in 1982. MATERIAL : Japanese paper? Frame: front Acrylic plate. Size: woodblock print: 6.10x 8.66 inch apprix. Frame: 9.57x 12.51x 0.79 inch approx. Please check photos for item description and condition we do our very best to take photos that show the true colors of the items we sell but colors will always very slightly from one computer to another. DHL express or EMS japanpost. About other area, please ask me. We provide products that can be exposed to the Japanese culture and tradition. We would be happy if you would be interested in Japan. International Buyers – Please Note. We do not mark merchandise values below value or mark items as “gifts” – US and International government regulations prohibit such behavior.
This beautiful woodblock print by Kaoru Kawano depicts a touching scene of a mother and child, with a cross in the background adding a religious touch. The print is an original Japanese woodblock and is framed with a wood frame, mat, and glass. The visible woodblock print in the mat measures 14.5 inches in height and 10 inches in width. The print is stamped by Kawano and is from the 1950s, during the post-war period in Japan. The print measures 16.5 inches x 11.8 inches and the matted frame with glass weighs 3 pounds and 2 ounces. This piece would make a wonderful addition to any art lover’s collection. The paper size is the standard woodblock Dai-Oban size of 42 x 30.5 cm. Additional detailed photos are available upon request. Please visit our store, Hidden Meadows Emporium, for many other great items. Kaoru Kawano was born in Hokkaido in 1916 and studied at the Kawabata Art School beginning in 1934. He had his first prints accepted by the Japan Print Association in 1944. By the 1950s, he began to exhibit more frequently in shows around the world. None of his prints, not even his early limited edition prints, are dated.
