Toshi Yoshida original woodblock print in framed The Friendly Garden signed

Toshi Yoshida original woodblock print in framed The Friendly Garden signed

Toshi Yoshida original woodblock print in framed The Friendly Garden signed

Toshi Yoshida original woodblock print in framed The Friendly Garden signed

Toshi Yoshida original woodblock print in framed The Friendly Garden signed

Toshi Yoshida original woodblock print in framed The Friendly Garden signed

Toshi Yoshida original woodblock print in framed The Friendly Garden signed

Toshi Yoshida original woodblock print in framed The Friendly Garden signed

Toshi Yoshida original woodblock print in framed The Friendly Garden signed

Toshi Yoshida original woodblock print in framed The Friendly Garden signed

Toshi Yoshida original woodblock print in framed The Friendly Garden signed

Toshi Yoshida original woodblock print in framed The Friendly Garden signed

Toshi Yoshida original woodblock print in framed The Friendly Garden signed

Toshi Yoshida original woodblock print in framed The Friendly Garden signed

Toshi Yoshida original woodblock print in framed The Friendly Garden signed

Toshi Yoshida original woodblock print in framed The Friendly Garden signed

Toshi Yoshida original woodblock print in framed The Friendly Garden signed

Toshi Yoshida original woodblock print in framed The Friendly Garden signed

Toshi Yoshida original woodblock print in framed The Friendly Garden signed

If you are considering purchasing this piece, please read a few sentences below. Those Japanese sellers do not own this piece. That act is a crime. It is also a problem in Japan. A series of three paintings depicting perhaps the most Japanese landscapes in Toshi’s oeuvre. Pine, bamboo, and plum trees, with a Japanese house at the center, make for a wonderful and spectacular work. This is an original block print by. Title:The Friendly Garden-Triptych. The rank is [B], but there is no major damage. Frames and mats are not evaluated. S:: Same quality as new. A: Excellent condition with no noticeable damage. B: Sense of use, but not bothersome. C: Normal, with scratches, stains, and other signs of use. D: Used item, may have scratches, stains, or other damage. E: Used item with use and damage. W: Items that are junk and badly damaged. V: Items belonging to vintage or antique and may be damaged in some way. All three pieces are signed by the artist. There is foxing throughout. There is darker foxing and spotting about the rightmost plum. Regarding the bamboo in the center, there is a dot stain at the top. Please check the details in the pictures. This is a good quality wooden frame with a calm, almost black color. There is no reduction for removing the frame. All are shown in the images. Please be sure to check the details in the image. 94 × 62.5 cm. 37 x 24.6 inc. Environmentally friendly and hygienic recycled materials may be used. Thank you for your understanding. You may think it is a little expensive. It is not included in the product price. VAT is different from duty. If there is a double bill. What you need to know about Japanese sellers? As if they are the ones who are having their inventory. This is very unfortunate and very hig high price. But we are different. We keep our inventory well and properly. Stocked in our own warehouse, and we are waiting for your order. We can answer questions by holding the actual product in our hands. Where there are many of the most demanding (and nervous) buyers in the world. We have the ability to meet the expectations of the U. And other countries around the world. However, it is impossible to deliver next day. It will take a little time, but we will deliver from Japan with Japanese quality.
TOSHI YOSHIDA Japanese Woodblock Print TSUBAKURODAKE, MORNING

ARTIST: TOSHI YOSHIDA (1911 – 1995). SIZE: The print image measures 9 5/8 X 14 5/8 inches. CONDITION: The print is in excellent, never framed condition. COMMENT: This is a later printing authorized by the artist’s family. It has a stamped signature and the artist’s seal. The printer Komatsu Heihachi is stamped on the verso.
Toshi Yoshida Woodblock Village of Plums

Toshi Yoshida Woodblock Village of Plums

This design was originally published in 1951 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 9 3/8 x 14 1/2 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.
Toshi Yoshida Woodblock Hikone Castle in Spring

Toshi Yoshida Woodblock Hikone Castle in Spring

This design was originally published in 1951 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 9 1/2 x 14 1/2 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.
Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

Kura in Tomonoura Japanese Block Print (Hiroshi Yoshida 1876-1950) Signed READ

This item is in used condition. There are signs of wear and discoloration throughout due to use and aging. The frame measures approximately 20 – 1/2 inches x 15 – 1/2 inches. The print itself measures approximately 14 – 5/8 inches x 9 – 5/8 inches. This item is approximately from 1930. The pencil signature and piece name were cut off from the print and put onto the back of the frame in a see through piece (not sure why they would do this). There is scratching/scuffing throughout the item. There is discoloration/wear throughout. There is water damage/staining all throughout the print (as shown in the photos). There is some warping on the print. There is a small indentation on the print by the persons head on the right side of the print. The fabric border underneath the glass has loose threads throughout. The frame has damage/wear throughout due to storage/display. Please use the photos of the item to determine the type, condition, and value. If you have any questions please message me before purchasing.

Toshi Yoshida Woodblock Elephants

Toshi Yoshida Woodblock Elephants

Toshi Yoshida Woodblock Elephants

This design was originally published in 1987 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 7 1/2 x 10 1/4 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.

Toshi Yoshida Woodblock Bruges

Toshi Yoshida Woodblock Bruges

Toshi Yoshida Woodblock Bruges

This design was originally published in 1955 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 15 x 9 3/4 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.
Toshi Yoshida original woodblock print in framed with signature and certificate

Toshi Yoshida original woodblock print in framed with signature and certificate

Toshi Yoshida original woodblock print in framed with signature and certificate

Toshi Yoshida original woodblock print in framed with signature and certificate

Toshi Yoshida original woodblock print in framed with signature and certificate

Toshi Yoshida original woodblock print in framed with signature and certificate

Toshi Yoshida original woodblock print in framed with signature and certificate

Toshi Yoshida original woodblock print in framed with signature and certificate

Toshi Yoshida original woodblock print in framed with signature and certificate. This woodblock print is a surimono produced by Toshi Yoshida, commissioned by the Franklin Gallery. This is an original piece that he carved and rubbed on woodblocks himself. This work is the only limited edition from the Franklin Gallery. The author’s seal is hand-printed. Titlle: Bunting perched on a Hibiscus tree. Condition : very good? Photo reference. Age: published in 1982. MATERIAL : Japanese paper? Frame: front Acrylic plate. Size: woodblock print: 6.10x 8.66 inch apprix. Frame: 9.57x 12.51x 0.79 inch approx. Please check photos for item description and condition we do our very best to take photos that show the true colors of the items we sell but colors will always very slightly from one computer to another. DHL express or EMS japanpost. About other area, please ask me. We provide products that can be exposed to the Japanese culture and tradition. We would be happy if you would be interested in Japan. International Buyers – Please Note. We do not mark merchandise values below value or mark items as “gifts” – US and International government regulations prohibit such behavior.
Orig MASAKI YOSHIDA Signed JAPANESE Woodblock Print Purple Clematis

Orig MASAKI YOSHIDA Signed JAPANESE Woodblock Print Purple Clematis

Orig MASAKI YOSHIDA Signed JAPANESE Woodblock Print Purple Clematis

Orig MASAKI YOSHIDA Signed JAPANESE Woodblock Print Purple Clematis

Orig MASAKI YOSHIDA Signed JAPANESE Woodblock Print Purple Clematis

Orig MASAKI YOSHIDA Signed JAPANESE Woodblock Print Purple Clematis

MASAKI YOSHIDA Orig Signed JAPANESE Woodblock Print Limited ed. Purple Clematis From the series ; Album of One Hundred Flowers. HAND SIGNED, TITLED AND NUMBERED BY THE ARTIST IN PENCIL IN THE BOTTOM MARGIN. From the series Album of One Hundred Flowers. Japanese Woodblock Print, 2010, 1st edition, self-published, pencil signed, titled and numbered 24/100 in the lower margin. SIZE IN INCHES: 15.75 x 9.5 inches. Masaki Yoshida (1947 – 2019). He had continued to create as a woodblock print artist for many years, and his warm style was loved by many fans, but unfortunately he passed away suddenly in January of 2019. Yoshida apparently took photographs of butterflies and birds himself to serve as models for making woodblocks. He traveled not only within Japan but also overseas in search of rare ones. He successfully photographed ones that are rarely seen, from familiar butterflies to various types of birds. Various types of butterflies and birds were accurately and meticulously rendered, and he made them sparkled on the papers. Condition : A few light creases on the edge. Please read before ordering. We are off on Saturday, Sunday (Japan time) and National holidays in Japan. So we’ll be late for the answering questions. Thank you for your understanding. International Buyers Please Note.