Pair of Kiyoshi Saito Japanese Woodblock Prints Geisha 1960 Modern Master

Pair of Kiyoshi Saito Japanese Woodblock Prints Geisha 1960 Modern Master

Pair of Kiyoshi Saito Japanese Woodblock Prints Geisha 1960 Modern Master

Pair of Kiyoshi Saito Japanese Woodblock Prints Geisha 1960 Modern Master

Pair of Kiyoshi Saito Japanese Woodblock Prints Geisha 1960 Modern Master

Pair of Kiyoshi Saito Japanese Woodblock Prints Geisha 1960 Modern Master

Pair of Kiyoshi Saito Japanese Woodblock Prints Geisha 1960 Modern Master

Pair of Kiyoshi Saito Japanese Woodblock Prints Geisha 1960 Modern Master

Pair of Kiyoshi Saito Japanese Woodblock Prints Geisha 1960 Modern Master

Pair of smaller woodblock prints of a geisha in pose by Japanese modern master Kiyoshi Saito. Professionally framed, matted and protected under glass. One of the prints is signed in a silver ink below his seal, other one is in black but not sure if hand signed. Hard to take photographs due to reflection. Frames measure 13 1/4 x 11 inches. Woodblock print shown measures 6 1/4 x 4 3/4 inches. Kiyoshi Saito was born on April 27, 1907 in Aizubange, Fukushima, Japan on the main island of Honshu. When he was five years old, his father lost his business in Fukushima and the family moved further north to the island of Hokkaido, where his father worked in the coal mines in Otaru. When he was thirteen years old, his mother died and he was sent away to become the guardian of a buddhist temple. He tried to escape but failed. Nevertheless the priests allowed him to return home. Saito then went to Hokkaido, where he took on a sign painting apprenticeship. At that time he dreamed of becoming a painter and he began to sketch on gypsum casts at night. He founded his first sign painting business before his twentieth birthday and ensured himself a living and modest financial success. He reluctantly abandoned it, however, to study art in Tokyo. For the time being he was content with studying illustrations in western newspapers. In 1932 Kiyoshi Saito moved to Tokyo. He first worked as a sign painter and then later from 1944 until 1954 as an employee of the Asahi Newspaper Company. The job however was a secondary matter. More importantly, Saito came into close contact with the printmaker Shiko Munakata. He continued to paint with oils and taught himself the technques of color woodblock printing. In 1937 he exhibited both oils and woodcuts for the first time in the famous Kokugakai Exhibition and was highly motivated when he met Ono Tadashige at the Ginza Exhibition in 1939. The acquaintance with the artist Koshiro Onchi himself and mentor of the sosaku hanga movement soon opened doors to galleries, where most notably American purchasers took an interest in Saito’s work. He became best known as a sosaku hanga printmaker in mid 20th century. Saito’s early works depicted villages that were populated by local Japanese men and women with a great degree of realism and three-dimensionality. He became most famous for his “Winter in Aizu” series of woodcuts, and he was one of the first Japanese printmaking artists to have won a prize at the Sao Paulo Biennale in 1951, opening up new doors for sosaku hanga printmakers, who had been dismissed as too western in Japan. After the Biennale his career took off, both in Japan and internationally. His later work merged modern elements of modernism, cubism, abstraction, and impressionism with Japanese tradition, after having been influenced by famous modern artists such as Piet Mondrian, Pablo Picasso, Henri Matisse, Wassily Kandinsky, Paul Gauguin, and Edvard Munch. Kiyoshi Saito died in Japan on November 14, 1997. The item “Pair of Kiyoshi Saito Japanese Woodblock Prints Geisha 1960 Modern Master” is in sale since Monday, October 14, 2019. This item is in the category “Art\Art Prints”. The seller is “apogee-perigee” and is located in Seattle, Washington. This item can be shipped worldwide.
  • Size: Medium (up to 36in.)
  • Artist: Kiyoshi Saito
  • Style: Asian
  • Listed By: Dealer or Reseller
  • Printing Technique: Woodblock Printing
  • Medium: Woodcut & Block
  • Date of Creation: 1950-1969
  • Features: Framed
  • Width (Inches): 11
  • Subject: Figures
  • Originality: Original
  • Height (Inches): 13 1/4
Ansei Uchima woodblock American Japanese Master Winter Vista shop Studio TORNO

Ansei Uchima woodblock American Japanese Master Winter Vista shop Studio TORNO

Ansei Uchima woodblock American Japanese Master Winter Vista shop Studio TORNO

Ansei Uchima woodblock American Japanese Master Winter Vista shop Studio TORNO

Ansei Uchima woodblock American Japanese Master Winter Vista shop Studio TORNO

Ansei Uchima woodblock American Japanese Master Winter Vista shop Studio TORNO

Ansei Uchima woodblock American Japanese Master Winter Vista shop Studio TORNO

Ansei Uchima woodblock American Japanese Master Winter Vista shop Studio TORNO

Ansei Uchima woodblock American Japanese Master Winter Vista shop Studio TORNO

Ansei Uchima woodblock American Japanese Master Winter Vista shop Studio TORNO

Ansei Uchima woodblock American Japanese Master Winter Vista shop Studio TORNO

Ansei Uchima woodblock American Japanese Master Winter Vista shop Studio TORNO

Artist original Ansei Uchima fine art woodblock print “Winter Vista” #113/210, dated 1965. Ansei Uchima born 1921 died 2000. Sublime atmospheric Modernist fine art print. East meets West, Conservative Tradition dovetails with Mid Century Modern abstract expressionism. Highly regarded and collected American born Master artist. Born 1921 in Stockton, California. Childhood in Los Angeles. Moved to Tokyo, Japan to study Architecture at Waseda University just before WWII. When Japan entered World War II one year later, Uchima was cut off from home. He soon gravitated to the study of painting, which he pursued under the tutelage of Japanese masters and later on his own. His paintings won awards at the Jiyo Bijutsu Art Association annual exhibitions in 1953 and 1954. Uchima began to experiment with printmaking in Japan in 1957, and his work was immediately successful with collectors in Japan and abroad. That same year he shared an exhibition at the Yoseido Gallery in Tokyo with the sculptor Masayuki Nagare and showed his woodcuts in the Tokyo International Print Triennials in 1957 and 1960. After twenty years of teaching, he was named professor emeritus in 1988. In 1967 he became an adjunct professor of printmaking at Columbia University. Besides having over forty one-person exhibitions in the United States and Japan, he has also been included in numerous group exhibitions worldwide. Printed on handmade paper by Japanese National Treasure artist Ichibei Iwano. See thorough Ansei Uchima Biography on www dot myjapanesehanga dot com website for The Lavenberg Collection of Japanese Prints. Similar print, same title, in collection of the Smithsonian Institute of American Art, Google Smithsonian collection website. Many major museum collections including The Art Institute of Chicago, British Museum, Brooklyn Museum, National Gallery of Art, Metropolitan Museum of Art NY, National Museum of Modern Art Tokyo, Philadelphia Museum of Art, Rijksmuseum Amsterdam, Whitney Museum of American Art, and so on. “As Is” “As Found” framed, not examined out of frame, wrinkle to handmade paper lower center right, examine all photos with magnifier feature for condition. Frame has chips to finish overall, especially edges of frame. Faces up OK, though could be reframed. Not sure if archival materials used in framing, not examined out of frame. Seems good or better condition. Way for Hakone, 1960 I. By The Lake, 1961. Conversation of the Winds , 1961. Photo of artist (undated). The work of Ansei Uchima reflects a complex fusion of Western and Eastern artistic traditions. Through his job as translator for Oliver Statler, an American print collector, who was interviewing artists for a book on contemporary Japanese prints, he was introduced to the sosaku hanga. (creative print) movement, which incorporated a Western modernist aesthetic. Like other artists in the sosaku hanga. School, Uchima carved, inked, and printed his own wood blocks, enjoying the accidents and unexpected opportunities that arose spontaneously from interaction with the wood block. His first prints, beginning in 1957, drew from nature and the world around him. Suggested the growing influence of Abstract Expressionism. Uchima used Japanese paper made especially for him by a Japanese master papermaker and National Treasure, Ichibei Iwano. Also seen as and. 177-178 Ansei Uchima Born 1921, Stockton, California; lives in New York, New York Uchima, the son of Japanese immigrants, grew up in Los Angeles. In 1940, in accordance with his fathers wishes, he went to Tokyo to study architecture at Waseda University. Uchima studied painting in oils, but since his involvement with the traditional woodblock method of ukiyo-e while he was in Japan, using sumi and tube watercolors, he has mainly worked in woodblock printing. Due to certain circumstances of the artists life, in particular his long residence in Japan during his artistic formative years, Uchimas oeuvre represents an especially coherent example of the direct interaction of modern printmaking aesthetics in Japan and the United States. Friendship with Oliver Statler. Source: “Onchi Koshiro – Thoughts and Second Thoughts, ” Oliver Statler, Prints of Onchi Koshiro , Keishosha Ltd. Uchima was at my side during all the interviews that went into making of my book Modern Japanese Prints: An Art Reborn. Uchima had a long relationship with Oliver Statler, who had a major role in promoting and supporting Japanese artists and their prints after WWII. Ephemera from Statler’s life, including cards and letters from Uchima to Statler can be found at the website of th. Is a print very similar in feel to the print in this collection Way for Hakone. The revelatory nature of Zen thought is implied in his print Katsu! Titled after the shout of Zen monks as they urge their students to spiritual discovery. It is spontaneous in its own right, with a conglomeration of irregular forms pressed swiftly against the paper. Source: Article of May 11, 2000, New York Times UCHIMA-Ansei. On May 9, 2000, at age 79. Beloved husband of Toshiko, devoted father of Anju and Yoko, proud grandfather of Maya and Lenn, dear brother of Ansho and the late Kei, and Franklin. Esteemed woodblock print artist, painter and Fine Arts Professor. Emeritus Faculty Member at Sarah Lawrence College, where he taught from 1962 to 1982; taught also at Columbia University from 1968 to 1982. Recipient of Guggenheim Fellowships in 1962 and 1970. Work belongs to Permanent Collections of Metropolitan Museum of Art, Whitney Museum of American Art, National Gallery of Art, among many others. He was respected and cherished by all who knew him, and will be remembered in his exquisite, harmonic and vibrant prints and paintings. The item “Ansei Uchima woodblock American Japanese Master Winter Vista shop Studio TORNO” is in sale since Sunday, February 07, 2016. This item is in the category “Art\Art Prints”. The seller is “ucityxl” and is located in Saint Louis, Missouri. This item can be shipped to United States, Japan.
  • Original/Reproduction: Original Print
  • Listed By: Dealer or Reseller
  • Signed: Signed
  • Edition Type: Limited Edition
  • Edition Size: 210
  • Print Type: Woodcut Woodblock
  • Subject: Landscape
  • Style: Abstract
  • Size Type/Largest Dimension: Medium (Up to 30in.)
  • Date of Creation: 1950-1969
Complete JAPANESE master TAKESHI NISHIJIMA 1971 CALENDAR woodblock Rice Paper

Complete JAPANESE master TAKESHI NISHIJIMA 1971 CALENDAR woodblock Rice Paper

Complete JAPANESE master TAKESHI NISHIJIMA 1971 CALENDAR woodblock Rice Paper

Complete JAPANESE master TAKESHI NISHIJIMA 1971 CALENDAR woodblock Rice Paper

Complete JAPANESE master TAKESHI NISHIJIMA 1971 CALENDAR woodblock Rice Paper

Complete JAPANESE master TAKESHI NISHIJIMA 1971 CALENDAR woodblock Rice Paper

Complete JAPANESE master TAKESHI NISHIJIMA 1971 CALENDAR woodblock Rice Paper

Complete JAPANESE master TAKESHI NISHIJIMA 1971 CALENDAR woodblock Rice Paper

Complete JAPANESE master TAKESHI NISHIJIMA 1971 CALENDAR woodblock Rice Paper

Complete JAPANESE master TAKESHI NISHIJIMA 1971 CALENDAR woodblock Rice Paper

Complete JAPANESE master TAKESHI NISHIJIMA 1971 CALENDAR woodblock Rice Paper

Complete JAPANESE master TAKESHI NISHIJIMA 1971 CALENDAR woodblock Rice Paper

Please see my other pieces for more mid 20th century design furniture lighting art sculpture studio ceramics objects… From a fine old Rye, NY estate. Woodblock print – original on washi/rice paper. 1971 / Complete 12 months / framed. No damage or fade. TAKESHI NISHIJIMA – Professor of art at Kyoto University at the time of this calendars creation; a graphic + textile designer, he has exhibited in numerous one man shows and won the coveted Grand Prize at the Kyoto Art Exhibit. Please ask any and all questions. Please zoom on pics as are part of description. PLEASE examine pictures and ask any and a questions. We are here to gladly answer any questions. Please be aware that we sell used/vintage/antiques furniture that often times has had multiple decades of use and have signs of this aging. We do NOT SELL ANYTHING NEW! Patina oxidation rubs bumps surface wear scratches marks love is always present on TRUE vintage. Unless otherwise stated a reasonable amount of wear from intended normal use is expected – we sell used vintage items and should be considered as such. The item “Complete JAPANESE master TAKESHI NISHIJIMA 1971 CALENDAR woodblock Rice Paper” is in sale since Friday, January 13, 2017. This item is in the category “Antiques\Asian Antiques\Japan\Prints”. The seller is “modernboy2011″ and is located in Waterford, Connecticut. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, Sweden, South Korea, Indonesia, Taiwan, South africa, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Russian federation, Israel, Mexico, New Zealand, Philippines, Singapore, Switzerland, Norway, Saudi arabia, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Brazil, Chile, Colombia, Costa rica, Panama, Trinidad and tobago, Guatemala, Honduras, Jamaica.
  • Primary Material: Rice Paper
  • Region of Origin: Japan
  • Original/Reproduction: Original
  • Maker: TAKESHI NISHIJIMA
  • Color: Mixed
  • Type: Woodblock Print
  • Age: 1971