Tsuchiya Koitsu Japanese Woodblock Print Hakozaki Hachimangu Temple Kyushu

Tsuchiya Koitsu Japanese Woodblock Print Hakozaki Hachimangu Temple Kyushu

Tsuchiya Koitsu Japanese Woodblock Print Hakozaki Hachimangu Temple Kyushu

Tsuchiya Koitsu Japanese Woodblock Print Hakozaki Hachimangu Temple Kyushu

Tsuchiya Koitsu Japanese Woodblock Print Hakozaki Hachimangu Temple Kyushu

Tsuchiya Koitsu Japanese Woodblock Print Hakozaki Hachimangu Temple Kyushu

Tsuchiya Koitsu Japanese Woodblock Print Hakozaki Hachimangu Temple Kyushu

Tsuchiya Koitsu Japanese Woodblock Print Hakozaki Hachimangu Temple Kyushu

Tsuchiya Koitsu Japanese Woodblock Print Hakozaki Hachimangu Temple Kyushu

An original antique woodblock print titled “Hakozaki Hachimangu Temple, Kyushu” by Japanese artist, Tsuchiya Koitsu. Likely printed between 1938 and 1945 according to the “Triple Offset” publisher’s seal in the lower left margin (DOI Publishers). The print depicts a classic cultural Japanese image, with two geishas walking in the courtyard in front of the Hakozaki Hachimangu Temple/Shrine. Signed at lower left corner, Koitsu, with artist’s seal Ko, the title along the margin followed by the date, Showa jusannen san gatsu saku (made in Showa 13 [1938], 3rd month)? With publisher’s seal on lower left margin, hanken shoju Doi Hangaten, followed by printer’s seal Yokoi and carver’s seal Harada. This design is an early Doi publication, as evidenced by the Harada/Yokoi carver/printer seals (Yokoi was only active as a printer through 1945). Framed in a black painted bamboo frame under light protective UV glass, overall dimensions approximately 19” x 13.75”. Size inside the mat is approximately 16” x 10.75”. Print in fair condition. Yellowing due to age. Not inspected out of frame. Some wear to frame. Please review all images. Born near Hamamatsu with the name “Koichi”, Koitsu moved to Tokyo at age of fifteen. He planned to apprentice with a woodblock carver named Matsuzaki who worked for the artist Kobayashi Kiyochika. Instead, he became Kiyochika’s student and moved into his home to study art and print design. Koitsu lived there for 19 years, working and studying with Kiyochika. Much of his skill at depicting light can be attributed to his studies with Kiyochika. During 1894-95, Koitsu designed several war prints for the Sino-Japanese war efforts. He later worked as a lithographer. In 1931, Koitsu met the publisher Watanabe at an exhibition commemorating the work of Kiyochika. The following year he designed the first of many prints for Watanabe, titled Cherry Blossom Viewing at Gion. He went on to design ten prints for Watanabe. Koitsu also designed numerous prints for the publisher Doi Teiichi, as well as several other publishers including Kawaguchi & Sakai, Baba Nobuhiko, and Takemura. Tsuchiya Koitsu designed shin hanga landscape prints during the same time as the landscape artist Ishiwata Koitsu, but the two men were not related. Their works are sometimes confused since artisans signed both works “Koitsu”. However, the styles of their woodblock prints are distinctive. This item is in the category “Antiques\Asian Antiques\Japan\Prints”. The seller is “princetonarts” and is located in this country: US. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech Republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, Korea, South, Indonesia, Taiwan, South Africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Philippines, Singapore, Switzerland, Norway, Saudi Arabia, United Arab Emirates, Qatar, Kuwait, Bahrain, Croatia, Republic of, Malaysia, Brazil, Chile, Colombia, Costa Rica, Panama, Trinidad and Tobago, Guatemala, Honduras, Jamaica, Antigua and Barbuda, Aruba, Belize, Dominica, Grenada, Saint Kitts-Nevis, Saint Lucia, Montserrat, Turks and Caicos Islands, Barbados, Bangladesh, Bermuda, Brunei Darussalam, Bolivia, Ecuador, Egypt, French Guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman Islands, Liechtenstein, Sri Lanka, Luxembourg, Monaco, Macau, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Vietnam, Uruguay.
  • Featured Refinements: Japanese Woodblock Print
  • Region of Origin: Japan
  • Age: 1938-1945
  • Primary Material: Paper
  • Maker: Tsuchiya Koitsu
  • Original/Reproduction: Antique Original
  • Color: Multi-Color
TAKAHASHI SHOTEI Japanese Moon under a Bridge at Hakozaki Woodblock Print

TAKAHASHI SHOTEI Japanese Moon under a Bridge at Hakozaki Woodblock Print

TAKAHASHI SHOTEI Japanese Moon under a Bridge at Hakozaki Woodblock Print

TAKAHASHI SHOTEI Japanese Moon under a Bridge at Hakozaki Woodblock Print

TAKAHASHI SHOTEI Japanese Moon under a Bridge at Hakozaki Woodblock Print

1920s-1930s woodblock print by Shin Hanga artist Takahashi Shotei. Very good condition, published by Watanabe. Measures 4.75″ H x 7.25″ W. The child who was later to be known as Takahashi Shtei was born, Matsumoto Katsutaro, in Mukoyanagiwara, Asakusa, Tokyo on January 2, 1871. As a child, he was adopted into the Takahashi family, becoming known as Takahashi Katsutaro. According to tradition, Fuko gave him his art name “Shotei” a variant of his own surname “Matsumoto”. The first Japanese character of their names is pronounced either “Sho” or “Matsu”. At the age of 16, he went to work at the Imperial Household Department of Foreign Affairs, where it was his job to copy designs of foreign medals, clothing, and other ceremonial objects. In 1889, along with Terazaki Kogyo, he founded the Japan Youth Painting Society (Nihon Seinen Kaiga Kyokai). During his early years, he produced and exhibited original paintings and also worked as an illustrator of scientific textbooks, magazines, and newspapers. In 1892, he designed woodblock prints for a magazine published by Okura Shoten. In 1896, he designed lithographs for the publisher Hokunkai. During this time, he placed highly in competition at various industrial exhibitions. Later, he worked for publisher Maeba Shoten (also known as Maehane Shoten) where he did line drawing and color separations for reproductions of Ukiyo-e prints. While working at Maeba Shoten, he became acquainted with Watanabe Shozaburo. In 1907, he was recruited as the first artist for Watanabe Shozaburo. He produced many original designs in the style of the Edo-era landscapes. In 1921, he started using the g “Hiroaki”, however, many of his new prints continued to display the “Shtei” seal through the 1930s. Up until the great Kanto earthquake, in September 1923, he produced as many as 500 print designs for Watanabe. Unfortunately, Watanabe’s entire publishing operation was destroyed in the fires which followed in the aftermath of the earthquake. After the disaster, he produced 250 more prints for Watanabe, some of which were reproductions of the older images lost in the fires. In the 1930s, while still working for Watanabe, he also designed some oban (and larger) prints for the publisher Fusui Gabo. It seems that he had considerably more artistic freedom working for Fusui and was allowed to explore areas which may have been off-limits under Watanabe. At Fusui, he also acted as an editor for their Ukiyo-e reproductions. Additionally, also in the 1930s, he produced almost 200 print designs for the publisher Shbid Tanaka. These included 12 mitsugiri-ban prints with approximately 180 prints in smaller sizes. The picture to the right is of Shtei and his wife Haru at Miyajima. My research has revealed different dates for his death from various sources. Roberts’ A Dictionary of Japanese Artists puts his death in 1944. The 1951 Watanabe catalog says he died in April, 1945, at Hiroshima. Still another source suggests that he died on August 6, 1945, a victim of the atomic bomb attack on Hiroshima, where he was visiting with his daughter. The truth of the matter is, according to the family records of his descendants, he died on February 11, 1945 of pneumonia. The item “TAKAHASHI SHOTEI Japanese Moon under a Bridge at Hakozaki Woodblock Print” is in sale since Tuesday, April 27, 2021. This item is in the category “Antiques\Asian Antiques\Japan\Prints”. The seller is “kylescrossroads” and is located in Glen Mills, Pennsylvania. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, South Korea, Indonesia, Taiwan, South africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Philippines, Singapore, Switzerland, Norway, Saudi arabia, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Brazil, Chile, Colombia, Costa rica, Panama, Trinidad and tobago, Guatemala, Honduras, Jamaica, Antigua and barbuda, Aruba, Belize, Dominica, Grenada, Saint kitts and nevis, Saint lucia, Montserrat, Turks and caicos islands, Barbados, Bangladesh, Bermuda, Brunei darussalam, Bolivia, Ecuador, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman islands, Liechtenstein, Sri lanka, Luxembourg, Monaco, Macao, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Viet nam, Uruguay, Russian federation.
  • Region of Origin: Japan
  • Color: Multi-Color
  • Age: 1900-1940
  • Primary Material: Paper
  • Original/Reproduction: Vintage Original
  • Featured Refinements: Japanese Woodblock Print