This design was originally published in 1951 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 9 3/8 x 14 1/2 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.
This design was originally published in 1951 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 9 1/2 x 14 1/2 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.
This design was originally published in 1987 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 7 1/2 x 10 1/4 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.
This design was originally published in 1955 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 15 x 9 3/4 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.
Toshi Yoshida original woodblock print in framed with signature and certificate. This woodblock print is a surimono produced by Toshi Yoshida, commissioned by the Franklin Gallery. This is an original piece that he carved and rubbed on woodblocks himself. This work is the only limited edition from the Franklin Gallery. The author’s seal is hand-printed. Titlle: Bunting perched on a Hibiscus tree. Condition : very good? Photo reference. Age: published in 1982. MATERIAL : Japanese paper? Frame: front Acrylic plate. Size: woodblock print: 6.10x 8.66 inch apprix. Frame: 9.57x 12.51x 0.79 inch approx. Please check photos for item description and condition we do our very best to take photos that show the true colors of the items we sell but colors will always very slightly from one computer to another. DHL express or EMS japanpost. About other area, please ask me. We provide products that can be exposed to the Japanese culture and tradition. We would be happy if you would be interested in Japan. International Buyers – Please Note. We do not mark merchandise values below value or mark items as “gifts” – US and International government regulations prohibit such behavior.
Toshi Yoshida original woodblock print in framed “Japanese garden” signed. Size Work 51.0 x 25.8 cm (length and width) (frame size per side) Frame 63.0 x 94.0 cm (length and width). EMS(tracked & insured)(5-10 days). About Importer’s Obligation. We do not mark merchandise values below value or mark items as “gifts” – US and International government regulations prohibit such behavior.
This design was originally published in 1946 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 14 1/2 x 9 1/2 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.
This is an original block print by. The rank is [B], but there is no major damage. Frames and mats are not evaluated. S:: Same quality as new. A: Excellent condition with no noticeable damage. B: Sense of use, but not bothersome. C: Normal, with scratches, stains, and other signs of use. D: Used item, may have scratches, stains, or other damage. E: Used item with use and damage. W: Items that are junk and badly damaged. V: Items belonging to vintage or antique and may be damaged in some way. The gradation of the sky, characteristic of YOSHIDA TOSHI, is beautiful in this work. The title is based on the Izu Peninsula in Shizuoka Prefecture. There is a brown stain in the margin of the work. There is also a light brown stain in the upper right corner of the work itself. The Japanese paper itself is in good condition. The work is signed by the artist in pencil. All are shown in the images. Please be sure to check the details in the image. 38cm X 27.6cm. 14.9 inc X 10.9in. Environmentally friendly and hygienic recycled materials may be used. Thank you for your understanding. You may think it is a little expensive. It is not included in the product price. What you need to know about Japanese sellers? As if they are the ones who are having their inventory. This is very unfortunate and very hig high price. But we are different. We keep our inventory well and properly. Stocked in our own warehouse, and we are waiting for your order. We can answer questions by holding the actual product in our hands. Where there are many of the most demanding (and nervous) buyers in the world. We have the ability to meet the expectations of the U. And other countries around the world. However, it is impossible to deliver next day. It will take a little time, but we will deliver from Japan with Japanese quality.
This is an original block print by. The rank is [A], but there is no major damage. Frames and mats are not evaluated. S:: Same quality as new. A: Excellent condition with no noticeable damage. B: Sense of use, but not bothersome. C: Normal, with scratches, stains, and other signs of use. D: Used item, may have scratches, stains, or other damage. E: Used item with use and damage. W: Items that are junk and badly damaged. V: Items belonging to vintage or antique and may be damaged in some way. There are no stains or yellowing on the prints. It is in very clean condition. The wooden picture frame also shows no noticeable damage. The work has his signature. The signature is included in the print. It’s acrylic instead of glass, so you don’t have to worry about it breaking. A certificate seal by the Franklin Gallery is pasted on the back. All are shown in the images. Please be sure to check the details in the image. 22cm (length) X 15.5cm (width). 8.8inX 6.1in. 32cm (length) X 24.5cm (width). 12.6inX 9.6in. Environmentally friendly and hygienic recycled materials may be used. Thank you for your understanding. You may think it is a little expensive. It is not included in the product price. What you need to know about Japanese sellers? As if they are the ones who are having their inventory. This is very unfortunate and very hig high price. But we are different. We keep our inventory well and properly. Stocked in our own warehouse, and we are waiting for your order. We can answer questions by holding the actual product in our hands. Where there are many of the most demanding (and nervous) buyers in the world. We have the ability to meet the expectations of the U. And other countries around the world. However, it is impossible to deliver next day. It will take a little time, but we will deliver from Japan with Japanese quality.
SAVE ME AS YOUR FAVORITE ART AND ANTIQUES DEALER. LIFETIME COLLECTOR LISTING NEW ITEMS EVERYDAY. Overview : TONING AND A BIT OF FOXING DOTS AS SHOWN. UNFRAMED SHEET SIZE 9.2 BY 13.7 INCHES (BFe). MY PRICE IS BASED ON MANY THINGS TO BE CONSIDERED. HOW MUCH I LIKE IT. ITEMS SIMILAR BY THE ARTIST CURRENTLY FOR SALE BY A REPUTABLE DEALER IF ANY. MY TIME AND WHAT I PAID TO OWN IT. I WRAP THINGS WITH BOARD LAYERS AND BUBBLE WRAP. THEN CUT TO FIT BOX.
