Toshi Yoshida original woodblock print in framed “Japanese garden” signed. Size Work 51.0 x 25.8 cm (length and width) (frame size per side) Frame 63.0 x 94.0 cm (length and width). EMS(tracked & insured)(5-10 days). About Importer’s Obligation. We do not mark merchandise values below value or mark items as “gifts” – US and International government regulations prohibit such behavior.
This design was originally published in 1946 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 14 1/2 x 9 1/2 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.
This is an original block print by. The rank is [B], but there is no major damage. Frames and mats are not evaluated. S:: Same quality as new. A: Excellent condition with no noticeable damage. B: Sense of use, but not bothersome. C: Normal, with scratches, stains, and other signs of use. D: Used item, may have scratches, stains, or other damage. E: Used item with use and damage. W: Items that are junk and badly damaged. V: Items belonging to vintage or antique and may be damaged in some way. The gradation of the sky, characteristic of YOSHIDA TOSHI, is beautiful in this work. The title is based on the Izu Peninsula in Shizuoka Prefecture. There is a brown stain in the margin of the work. There is also a light brown stain in the upper right corner of the work itself. The Japanese paper itself is in good condition. The work is signed by the artist in pencil. All are shown in the images. Please be sure to check the details in the image. 38cm X 27.6cm. 14.9 inc X 10.9in. Environmentally friendly and hygienic recycled materials may be used. Thank you for your understanding. You may think it is a little expensive. It is not included in the product price. What you need to know about Japanese sellers? As if they are the ones who are having their inventory. This is very unfortunate and very hig high price. But we are different. We keep our inventory well and properly. Stocked in our own warehouse, and we are waiting for your order. We can answer questions by holding the actual product in our hands. Where there are many of the most demanding (and nervous) buyers in the world. We have the ability to meet the expectations of the U. And other countries around the world. However, it is impossible to deliver next day. It will take a little time, but we will deliver from Japan with Japanese quality.
This is an original block print by. The rank is [A], but there is no major damage. Frames and mats are not evaluated. S:: Same quality as new. A: Excellent condition with no noticeable damage. B: Sense of use, but not bothersome. C: Normal, with scratches, stains, and other signs of use. D: Used item, may have scratches, stains, or other damage. E: Used item with use and damage. W: Items that are junk and badly damaged. V: Items belonging to vintage or antique and may be damaged in some way. There are no stains or yellowing on the prints. It is in very clean condition. The wooden picture frame also shows no noticeable damage. The work has his signature. The signature is included in the print. It’s acrylic instead of glass, so you don’t have to worry about it breaking. A certificate seal by the Franklin Gallery is pasted on the back. All are shown in the images. Please be sure to check the details in the image. 22cm (length) X 15.5cm (width). 8.8inX 6.1in. 32cm (length) X 24.5cm (width). 12.6inX 9.6in. Environmentally friendly and hygienic recycled materials may be used. Thank you for your understanding. You may think it is a little expensive. It is not included in the product price. What you need to know about Japanese sellers? As if they are the ones who are having their inventory. This is very unfortunate and very hig high price. But we are different. We keep our inventory well and properly. Stocked in our own warehouse, and we are waiting for your order. We can answer questions by holding the actual product in our hands. Where there are many of the most demanding (and nervous) buyers in the world. We have the ability to meet the expectations of the U. And other countries around the world. However, it is impossible to deliver next day. It will take a little time, but we will deliver from Japan with Japanese quality.
SAVE ME AS YOUR FAVORITE ART AND ANTIQUES DEALER. LIFETIME COLLECTOR LISTING NEW ITEMS EVERYDAY. Overview : TONING AND A BIT OF FOXING DOTS AS SHOWN. UNFRAMED SHEET SIZE 9.2 BY 13.7 INCHES (BFe). MY PRICE IS BASED ON MANY THINGS TO BE CONSIDERED. HOW MUCH I LIKE IT. ITEMS SIMILAR BY THE ARTIST CURRENTLY FOR SALE BY A REPUTABLE DEALER IF ANY. MY TIME AND WHAT I PAID TO OWN IT. I WRAP THINGS WITH BOARD LAYERS AND BUBBLE WRAP. THEN CUT TO FIT BOX.
This design was originally published in 1940 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 6 3/4 x 9 3/8 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.
Toshi Yoshida Japanese Woodblock “Nikko”. As you can see from the photos, the paper has toned with age to a brownish color. It is framed under antiglare glass and measures approximately 17 x 15 1/2″ framed, and the viewable image size is approximately 10 x 7 1/2″. The frame is in overall good condition, and the back paper does have a couple of tears and stains, but it does not effect the artwork. It is double signed on the front as you can see in the lower margin one of them I believe is a plate signature and one is pencil signed. I believe this is an early piece, but I have not examined it out of the frame. Thanks for your interest.
This is a hand signed Japanese woodblock print by Toshi Yoshida, featuring the Birds of Winter Season in beautiful multi-color. The print is made on paper and is a vintage original, adding to its value and uniqueness. The artist, Toshi Yoshida, is a renowned figure in Japanese art and his work is highly sought after by collectors. This piece is a must-have for any lover of Asian antiques and prints. The region of origin is Japan and the maker is Toshi Yoshida himself. Don’t miss this opportunity to own a piece of exquisite Japanese art. 21 1/2″ HIGH X 13 1/4″ WIDE ARTWORK BORDER. 26 3/4″ HIGH X 18 3/4″ WIDE VINTAGE ORIGINAL FRAME WITH PLEXIGLASS.
This design was originally published in 1995 by the Yoshida Hanga Studio. We are offering a posthumously printed image, made from the original blocks, and acquired directly from the Yoshida family. While it is signed in the block, it still looks like it is pencil signed to an untrained eye. To avoid any misunderstanding, the Yoshida Hanga Studio also included the seal of the printer on the reverse. The image measures 9 5/8 x 6 3/4 inches, plus full margins. The condition is excellent. Up until his father passed away in 1950, Toshi Yoshida primarily produced works that were reminiscent of his father’s landscape prints. His later works include a wide assortment of subjects, styles and techniques. Don’t settle for a giclee or other mechanical reproduction. These woodblock prints are made using the same printing process as the original pencil signed run, under the supervision of the artist’s family and meeting their exacting standards.
