Antique Hiroshige II Japanese Woodblock Edo Enoshima Sagami Bay circa 1860 Frame. Original Antique Hiroshige II Japanese Woodblock Enoshima Beach Sagami Bay circa 1860, Framed and matted, Woodblock Print Framed Edo Era, ukiyo-e. This is a lovely antique original print by Utagawa Hiroshige II of a man seated in on an ox, with a peasant and the beach and Sagani bay with waves in the background. 1 Enoshima Seen from the Beach – Beach of Sagami Bay. 2 Elegantly dressed man sitting on black ox, watching running woman in kimono barefoot with pattern of shells; on beach with rough surf; Enoshima Island on achtergrond. 3 Prince Genji riding an oxen being led by an abalone diver along the sea shore with Endoshima Island in the distance. Hiroshige II (Utagawa Hiroshige, 1826 – 17 September 1869) was a Japanese designer of ukiyo-e art. He inherited the name Hiroshige II following the death in 1858 of his master Hiroshige, whose daughter he married. In 1865 he moved from Edo to Yokohama after dissolving his marriage and began using the name Kisai Rissho. His work so resembles that of his master that scholars have often confused them. Condition: Very good condition. Colors are fresh, mild fading and rubbing commensurate with age and use. There is a small water? Stain at the top joining area between the tow sheets. Framed under acrylic with black and gold wood frame. Please note that the acrylic is very reflective and the photos show some shadows due to this. Measurements: Frame: 23 1/4 x 28 1/2 x 1 Work: 14 x 19 1/2. Weight: 6 lbs 13 oz. Unless described as being new, the items for sale are vintage or used and it may show evidence of wear. The description refers to the overall condition and details. We try to describe the items to the best of our ability. All listings are described as to the best of my knowledge, through careful research and price and description comparison. With tracking and careful, sturdy packing, we try to recycle when possible. We welcome all reasonable offers! We appreciate your business! Please check out my other items. Thank you for looking and good luck!
Archive for the ‘ original ’ Category
Original ca. 1860 Hiroshige II Japanese Diptych Woodblock Enoshima Beach Framed
Author: adminDec 18
Original Bertha Lum 1908 Woodblock Junks on Inland Sea (faded) Vtg California
Author: adminDec 16
An original early Bertha Lum woodblock, lovely though faded. The image is Junks on the Inland Sea from 1908, just a few years after she began to learn the woodblock technique in Japan. This very rare print was created in soft colors to begin with, now faded to a ghostlike beauty. Junks on the Inland Sea. STYLE: Japonisme, Arts and Crafts. PERIOD: Arts and Crafts. MATERIALS AND TECHNIQUES: Ink on paper, float-mounted and framed under glass. SIGNATURE: “Bertha Lum” lower center. Print is faded, slightly wrinkled, otherwise good. DIMENSIONS: 6 3/8″ by 11 3/8″ framed to 10″ by 15 3/4″. Bertha Boynton Lum (1869 – 1954) was an American artist known for helping popularize the Japanese and Chinese woodblock print outside of Asia. In May 1869, Lum was born as Bertha Boynton Bull in Tipton, Iowa. Lum’s father was Joseph W. Both of Lum’s parents were amateur artists. Lum had a sister and two brothers, Clara, Carlton, and Emerson. In 1890 she lived in Duluth and listed her occupation as artist. She enrolled in the design department of the Art Institute of Chicago in 1895. A few years later she studied stained glass with Anne Weston and attended the Frank Holme School of Illustration. From November 1901 to March 1902, she studied figure drawing at the Art Institute of Chicago and was influenced by the Japanese techniques of Arthur Wesley Dow in his book Composition, which was published in 1899. Lum married Burt F. Lum, a corporate lawyer from Minneapolis, Minnesota, in 1903. They spent their seven-week honeymoon in Japan, where she searched for a print maker who could teach her the traditional ukiyo-e method. Toward the end of her stay in Japan, she found a shop that reproduced old prints. On January 23, 1907, she went to Japan for a 14-week stay. Lum worked with Bonkutsu for two months. After she learned how to cut blocks, Bonkutsu introduced her to the printer Nishimura Kamakichi, with whom she worked for another four weeks. For three years in the U. Lum cut blocks and colored and printed her work herself. The Society of Arts and Crafts in Boston named Lum a master craftsman in 1908. After returning to Japan in 1911 for six months, she began to hire cutters and printers who worked in her winter home in Tokyo. In 1912 Lum was the only female artist to exhibit at the Tokyo International Exhibition. She was awarded a silver medal at the 1915 Panama-Pacific International Exposition for her color woodcuts. Between 1915 and 1919 she made two more trips to Japan and made an extensive number of prints. She also exhibited at the Los Angeles County Museum of Art in 1920 and at the Art Institute of Chicago and the Chicago Society of Etchers, as well as the New York Public Library. Her first illustrated book, Gods, Goblins, and Ghosts, based on her travels in Japan, was published in 1922. The same year, she moved to China and began learning Chinese woodcut methods. She made her last known print in 1935; her print of the god Daïkoku was published in The Peking Chronicle in December 1937. In 1936 she published Gangplanks to the East, a collection of Asian folk tales and stories of her travels. She had her last exhibition in 1941. Her works are held at the Library of Congress, the Fine Arts Museums of San Francisco, the Smithsonian Museum of American Art, and in private collections. Lum was a member of the Asiatic Society of Japan, California Society of Etchers (now California Society of Printmakers), and PrintMakers Society of California. Lum lived in California (San Francisco and Hollywood) from 1917 until 1922 when she moved to Peking, China. For the next thirty years she divided her time between California, China, and Japan. She divorced Burt Lum in the 1920s. Her younger daughter Eleanor “Peter” Lum married the diplomat Sir Colin Tradescant Crowe and became an author. In 1936 her elder daughter Catherine married Antonio Riva, an Italian pilot during World War I who was executed in 1951 in Beijing for an alleged plot to assassinate Mao Zedong. Lum had been staying with Catherine at the time of Riva’s arrest and was herself placed under house arrest. In 1953 Lum left China and moved with Catherine to Genoa, Italy. She died in Genoa, Italy in February 1954. P e n c i l p o i n t e r >. Usually available; please inquire. Please contact me with any questions.
Original Antique Japanese Woodblock Print Edo Artist Hironobu Utagawa 1865 Japa
Author: adminDec 8
Right 18.3 x 23.5 cm. Left 17.8 x 23.6 cm. Please see pictures for condition. Edo Artist: Hironobu Utagawa? Original Japanese Woodblock Prints.
Original Utagawa Toyokuni I Japanese Woodblock (Pub. By Shimizu 1807-1808)
Author: adminDec 7
Original rare early 19th century woodblock print by Utagawa Toyokuni I, of the actor Iwai Hanshiro V in a female role holding a lantern. Published by Shimizu between 1807 – 1808. “Oban Tate-E” is a common print format for Japanese woodblock prints from the 19th and early 20th centuries. The term is made up of three parts. Oban: The most common size for Japanese woodblock prints, measuring roughly 10 inches by 15 inches. Tate: The Japanese word for an image in portrait format. Condition: Print is in fair condition overall considering age. Honest wear and mild loss of detail in some areas, including the face and center of print. Frame has imperfections and pieces missing / damage in almost every corner and on the top center (please see all photos). Total Dimensions: 12.75″ x 16.5625″ x 0.5. Art Dimensions: 9.875″ x 13.625″.
Original woodblock print framed Gizan Izuno Mountain and Valley Uchida Art Co
Author: adminDec 2
This stunning framed print after Gizan Izuno showcases the beauty of nature in Japan. Original woodblock print on handmade rice paper. Image is after a painting by Gizan Izuno. Silver tone wooden, faux bamboo frame is 14 1/2 x 20 1/2 inches. Print image is approximately 11 x 16, in original folio, under glass. All is in excellent condition, some minor toning of paper. The label translates, roughly, as: “Handmade Woodblock Print”, “Southern Style Painting Landscape”, “Out of Wild Ant Mountain”, concluding with the first line of the “About the Artist” and publisher information. Studied the Southern School of Chinese Paintings and later the Northern School. He is the only known Japanese artist to work in the Northern School style.
Original 19th c Japanese SUMO Color Woodblock Toyokuni III, (1786-1865) COA
Author: adminNov 29
13 3/4 x 9. 1/4 x 16 1.
Original Japanese Woodblock Print/ Kiyochika/samurai
Author: adminNov 23
TITLE; AKECHI SAMANOSUKE MITSUHARU SWIMMING WITH HORSE. CONDITION; GOOD IMPRESSION, CREASED, TONED, BACKED, FADED. SIZE; EACH 14.5.
Original Antique Japanese Woodblock Print Edo Artist Hironobu Utagawa 1865 Japa
Author: adminNov 10
Right 18.3 x 23.5 cm. Left 17.8 x 23.6 cm. Please see pictures for condition. Edo Artist: Hironobu Utagawa? Original Japanese Woodblock Prints.
Original Japanese Shunga Art, Antique Erotic Woodblock print, Ukiyo-e, Bijinga
Author: adminSep 11
Stunning romantic series of prints with very fine detail and vibrant colors. Quite a rare work of art. Age: Antique (circa 1900), Meiji period. Original woodblock print, woodcut. 19 x 13 cm. Shunga is a type of Japanese erotic art typically executed as a kind of ukiyo-e, often in woodblock print format. While rare, there are also extant erotic painted handscrolls which predate ukiyo-e. Translated literally, the Japanese word shunga means picture of spring; “spring” is a common euphemism for sex. The Japanese term Ukiyo-e translates as picture of the floating world. Bijin-ga is a portrait of a beautiful woman. Please note that antique and vintage artworks may have traces of time, so please review all photos.
ORIGINAL WAR JAPANESE WOODBLOCK PRINT YOSHITOSHI SCHOOL 1870s
Author: adminSep 1
This Japanese woodblock print, created in the 1870s by the Yoshitoshi School, is a true antique. The intricate design features a variety of colors and is printed on high-quality paper. The piece depicts a war scene from Japanese history and is a unique addition to any collection. The region of origin for this print is Japan and it is in excellent condition for its age. The craftsmanship of the piece is evident in the fine details of the design. This antique woodblock print is a rare find and would make a great addition to any collection of Asian antiques or prints. ARTIST: YOSHITOSHI SCHOOL (TOSHINOBU, TOSHIKATA, YOSHIIKU, TOSHIMOTO). SIZE: OBAN 14 BY 9 INCHES. AGE: 175 YEARS OLD. MEDIUM: JAPANESE WOODBLOCK PRINT/ NISHIKI-E (INK ON PAPER WOODCUT). GENRE: UKIYO-E / MEIJI. TOPIC: KAGOSHIMA WAR / DRAMATIC BATTLE.