Vintage Otsu-e Woodblock Print Japanese Otsu Folk Art Framed Mat Under Glass

Vintage Otsu-e Woodblock Print Japanese Otsu Folk Art Framed Mat Under Glass

Vintage Otsu-e Woodblock Print Japanese Otsu Folk Art Framed Mat Under Glass

Vintage Otsu-e Woodblock Print Japanese Otsu Folk Art Framed Mat Under Glass

Vintage Otsu-e Woodblock Print Japanese Otsu Folk Art Framed Mat Under Glass

Vintage Otsu-e Woodblock Print Japanese Otsu Folk Art Framed Mat Under Glass

Vintage Otsu-e Woodblock Print Japanese Otsu Folk Art Framed Mat Under Glass

Vintage Otsu-e Woodblock Print Japanese Otsu Folk Art Framed Mat Under Glass

Vintage Otsu-e Woodblock Print Japanese Otsu Folk Art Framed Mat Under Glass

Vintage Otsu-e Woodblock Print Japanese Otsu Folk Art Framed Mat Under Glass

Vintage Otsu-e Woodblock Print Japanese Otsu Folk Art Framed Mat Under Glass

Vintage Otsu-e Woodblock Print Japanese Otsu Folk Art Framed Mat Under Glass

Vintage Otsu-e Woodblock Print Japanese Otsu Folk Art Framed Mat Under Glass

2 Vintage Otsu-e Handcrafted Woodblock Prints. Travel back in time to the charming city of Otsu with these exquisite vintage Otsu-e woodblock prints! Handcrafted with Japanese pigments on brown paper, these souvenirs were created for travelers passing through the city and are now a rare gem to add to your collection. The first print, “The ladder-shaving of Goho and Daikoku, ” is a satirical picture with the effect of “obtaining long life, ” while the second print, “Gourd Catfish, ” brings together the peaceful interaction of fish and water. Both prints come professionally framed, matted, and under conservation glass, preserving their beauty and ensuring they remain in excellent vintage condition. Own a piece of history with these incredible Otsu-e prints! Measures: 14″ x 19″. Both prints are in excellent vintage condition. The glass is conservation grade. Please see the pictures for additional details. Artwork #1 detailed description. Title: “The ladder-shaving of Goho and Daikoku”???????? Goho refers to the character of Jurojin in this picture. When it comes to representative motifs of Otsu-e, nowadays “Kokeshi of Frosty Incantation” and “Fuji Musume” readily come to mind. However, originally this “The ladder-shaving of Goho and Daikoku (Jurojin)” was also quite a popular subject. The figure of Daikoku, who sets a ladder on the head of Jurojin, the elder with a long, bald head, and shaves his bald head, may have been a simple caricature at first, but from around the middle period of the Edo era, it began to be drawn as a satirical picture and was accompanied by the teachings of a Kokugaku scholar set to a children’s song. “Jurojin, the year of the fawn, has also come to an end” “Both Fukurokuju (fukunokami) and Jurojin (shoukokushin) have climbed to the top and are almost naked and about to slip”. “Prideful, high heads are shaved with a ladder, and hair falls like snow”. It can be interpreted as meaning that pursuing wealth (Daikoku) alone is harmful to longevity (Jurojin), but it can also be understood as the importance of controlling desire in moderation (shaving). In any case, it is a representative motif selected among the ten kinds of Otsu-e and is said to have the effect of obtaining long life. Artwork #2 detailed description. In Otsu-e paintings, demons often appear, but monkeys are also a common subject. The oldest painting with a monkey is the Blue-Faced Vajra, a god of Koshin belief, but the most famous is the Gourd Catfish picture. Once upon a time, the shogun Ashikaga Yoshimochi had the Zen painter Nyozekyo draw a Zen painting of a gourd catfish (a national treasure), which is now at Myoshin-ji Temple in Kyoto. In that picture, an old Buddhist monk in a short coat is holding a gourd and trying to catch a catfish, and there is no monkey. The reason Otsu-e replaced the catfish with a monkey was to get a laugh. The original meaning of the picture is not clear, but it is said to satirize the fickle nature of human beings with the phrase even the hateful heart is like a catfish. Humans have often compared those with a bit less wisdom to monkeys and teased them, but in today’s world, there are many aspects of human wisdom and behavior that are similar to monkey wisdom, and this picture makes us think about that. The technique of satire by substituting the image of a demon or monkey for a human figure is the same, and “Gourd Catfish” was chosen as one of the ten representative Otsu-e pictures due to its popularity. This topic has been conveyed in various styles, and the above picture is currently the most beloved. It is said that it has the power to resolve all matters peacefully and bring together the peaceful interaction of fish and water. This item is in the category “Art\Art Prints”. The seller is “vitaliy1997″ and is located in this country: US. This item can be shipped to United States, New Zealand, Fiji, Papua New Guinea, Wallis and Futuna, Gambia, Malaysia, Taiwan, Poland, Oman, Suriname, United Arab Emirates, Kenya, Argentina, Guinea-Bissau, Armenia, Uzbekistan, Bhutan, Senegal, Togo, Ireland, Qatar, Burundi, Netherlands, Slovakia, Slovenia, Equatorial Guinea, Thailand, Aruba, Sweden, Iceland, Macedonia, Belgium, Israel, Liechtenstein, Kuwait, Benin, Algeria, Antigua and Barbuda, Swaziland, Italy, Tanzania, Pakistan, Burkina Faso, Panama, Kyrgyzstan, Switzerland, Djibouti, Chile, China, Mali, Botswana, Republic of Croatia, Cambodia, Indonesia, Portugal, Tajikistan, Vietnam, Malta, Cayman Islands, Paraguay, Saint Helena, Cyprus, Seychelles, Rwanda, Bangladesh, Australia, Austria, Sri Lanka, Gabon Republic, Zimbabwe, Bulgaria, Czech Republic, Norway, Côte d’Ivoire (Ivory Coast), Kiribati, Turkmenistan, Grenada, Greece, Haiti, Greenland, Yemen, Afghanistan, Montenegro, Mongolia, Nepal, Bahamas, Bahrain, United Kingdom, Bosnia and Herzegovina, Hungary, Angola, Western Samoa, France, Mozambique, Namibia, Peru, Denmark, Guatemala, Solomon Islands, Vatican City State, Sierra Leone, Nauru, Anguilla, El Salvador, Dominican Republic, Cameroon, Guyana, Azerbaijan Republic, Macau, Georgia, Tonga, San Marino, Eritrea, Saint Kitts-Nevis, Morocco, Saint Vincent and the Grenadines, Mauritania, Belize, Philippines, Democratic Republic of the Congo, Republic of the Congo, Colombia, Spain, Estonia, Bermuda, Montserrat, Zambia, South Korea, Vanuatu, Ecuador, Albania, Ethiopia, Monaco, Niger, Laos, Ghana, Cape Verde Islands, Moldova, Madagascar, Saint Pierre and Miquelon, Lebanon, Liberia, Bolivia, Maldives, Gibraltar, Hong Kong, Central African Republic, Lesotho, Nigeria, Mauritius, Saint Lucia, Jordan, Guinea, Canada, Turks and Caicos Islands, Chad, Andorra, Romania, Costa Rica, India, Mexico, Serbia, Kazakhstan, Saudi Arabia, Japan, Lithuania, Trinidad and Tobago, Malawi, Nicaragua, Finland, Tunisia, Uganda, Luxembourg, Brazil, Turkey, Germany, Egypt, Latvia, Jamaica, South Africa, Brunei Darussalam, Honduras.
  • Artist: Otsu-e
  • Unit of Sale: Set
  • Image Orientation: Landscape
  • Size: Medium
  • Signed: Yes
  • Title: 外法と大黒の梯子剃, 大津絵 瓢箪鯰
  • Period: Art Deco (1920-1940)
  • Framing: Matted & Framed
  • Original/Licensed Reprint: Original
  • Region of Origin: Japan
  • Subject: Humor
  • Personalize: No
  • Type: Print
  • Year of Production: 1936
  • Item Height: 14 in
  • Style: Folk Art
  • Theme: Art Print
  • Production Technique: Woodcut Printing
  • Country/Region of Manufacture: Japan
  • Culture: Japan
  • Item Width: 19
  • Handmade: Yes
  • Time Period Produced: 1925-1949
Utagawa Hiroshige (1797-1858) Otsu WOODBLOCK PRINT

Utagawa Hiroshige (1797-1858) Otsu WOODBLOCK PRINT

Utagawa Hiroshige (1797-1858) Otsu WOODBLOCK PRINT

Utagawa Hiroshige (1797-1858) Otsu WOODBLOCK PRINT

Utagawa Hiroshige (1797-1858) Otsu WOODBLOCK PRINT

Utagawa Hiroshige (1797-1858) Otsu WOODBLOCK PRINT

From the series: The Tokaido Road-Fifty-tree stations. Print framed under glass. He is particularly known for his scenes featuring snow and rain, which feauture in many of his best and most famous images, and which has led to his becoming know as “the artist of rain, snow and mist”. He was born (with the name Ando Tokutaro) in Edo (the name of Tokyo at that point in time), and originally was intended to follow the career of his father, a fire-watchman. After his parents’ death in 1809, the orphan Hiroshige gravitated toward the art world, an inclination which had been encouraged by his father. In 1811, he became a pupil of the woodblock artist Toyohiro, who had been a fellow-pupil with the great woodblock master Tokokuni under Toyoharu (all of the Utagawa school, the latter being the founder). In 1812 he was formally adopted into the Utagawa school, with the name Utagawa Hiroshige. He continued to hold his post as a fire-watchman, though, until 1823. In the early 1830′s, he started to discover himself as an artist, starting on the landscapes which became his forte, and changing his signature to Ichiyusai (sometimes Ichiryusai). His first landscape series was in 1829 or 1830, entitled “Eight Famous Views of Omi”, followed by a ten-print series “Famous Places of the Eastern Capital”, which in addition to showing the influence of Hokusai, also marked the first revelations of Hiroshige’s true genius. In 1832 he made his first journey down the Tokaido highway, which resulting in his first great artistic success, the original “Fifty-Three Stations of the Tokaido”, a series which catapulted him to contemporary fame and success. This series is is now also universally held among the greatest of all Japanese landscape prints, and one of the two best series he ever did. For the next twenty years, he continued to produce large numbers of landscape and other series, but principally landscapes, on a large number of different themes. Chief among them are a large number of other Tokaido series, among them so-called “Gyosho Tokaido”, the “Reisho Tokaido”, and the “Upright Tokaido” (the original, above, being commonly known as the “Hoeido Tokaido”, after the publisher). Also found fairly often, and of some artistic note, is the so-called “Upright Tokaido” 1855, in which the print is oriented in portrait mode (or tateban), not landscape (or yokoban), as are the other three series above. Other notable landscape series included “Famous Places of Kyoto”; a large number of different series on famous places in Edo; the “Sixty-Nine Stages of the Kisokaido” (the inland mountain road from Edo to Kyoto, as opposed to the Tokaido, which ran along the shore); “Famous Places in the Sixty-Odd Provinces”; “Eight Views of Lake Biwa”; and “Thirty-Six Views of Mount Fuji”. His last great landscape series, the “Famous Places of Edo: A Hundred Views” (often called the “Hundred Views of Edo”) was produced right up until Hiroshige’s death, and is now considered one of his two best series, along with the original “Fifty-Three Stations of the Tokaido”. It is approximately : 6 1/2 x 8 3/4 (16,5 cm x 22,5 cm) v. 10 x 12 1/2. (25 cm x 31,5 cm) Framed. Verall good condition considering the age. Please look at pictures. The item “Utagawa Hiroshige (1797-1858) Otsu WOODBLOCK PRINT” is in sale since Tuesday, January 3, 2017. This item is in the category “Antiques\Asian Antiques\Japan\Prints”. The seller is “hourestate” and is located in Pikesville, Maryland. This item can be shipped worldwide.
  • Type: Paintings, Scrolls & Prints
  • Primary Material: Paper
  • Region of Origin: Japan
  • Original/Reproduction: Original
  • Age: 1850-1899
  • Maker: Utagawa Hiroshige
  • Color: Blue