Authentic Hiroshige Ukiyo-e Woodblock Print -Sakanoshita: Fudesute Cliff Framed. 12×8 Like New Condition the back has minor ware. Always kept in a non-smoking or pets environment. Feel free to make me an offer we can come up with a price that we both are happy with. Thanks for checking out my shop!
It will be under my discretion to accept or not, and I will not tell you the reason why should I decide not to. I may not even offer it especially if item does not sell for more than the starting price. I will send you a message telling you what it will really cost. I won’t even charge you for my time and materials should I make that mistake, and only charge you the exact amount indicated by the post office. We would meet in a public place. Please see the package on the top right to see if I sent it insured, and leave the label on package to use for return. I could be wrong, and I’ll be happy to be corrected. Use your own judgment, research the item, and/or seek an expert(s) if needed to assess the listed item(s).
Thank you for taking a look. This is an introduction of the reprint Ukiyo-e. The Ukiyo-e is carving by craftsmen inherit the technology from the Edo period, sliding both making full use of skilled technology, it is a gem and finished by hand. What is that bright colors that people of rich texture and the Edo period saw not be able to enjoy in the printing. The number of craftsmen every year the next time a decrease is valuable you do not know what time can be introduced. Please by all means get this opportunity. Guide to product size Our medium size of the reproduction of the woodblock printed Ukiyo-e is printed on the following dimensions: about 9 inches X 13 inches on Echizen hand crafted paper excluded some products (Japanese hand crafted paper). Thirty-six Views of Mt. Fuji As the title tells, all of the paintings in this series depict Mt. This work is not only recognized as Hokusai’s masterpiece, but also the greatest masterpiece of ukiyo-e depicting sceneries. At first, thirty-six drawings were published, and ten more were added afterwards due to their popularity, totaling forty-six. The original thirty-six are called “Omote Fuji Front (of) Fuji” and the addition is called “Ura Fuji Back (of) Fuji”. Religious practice existed among people, much like today. People enthusiastically climbed up Mt. Fuji in groups as a form of worship known as “Fuji ko”. In this social background, Hokusai drew Thirty-Six Views of Mt. Fuji, and it achieved great success. Hokusai made his debut the following year. After Shunsho’s death, Hokusai left the Katsukawa School and took on the name Sori Tawaraya. Tawaraya was the name of one of the groups of the Rinpa School in Kyoto. Hokusai began his career as a town painter. He worked as Sori for three years, and then started using the name of Hokusai when he was 38 years old. During his 40s, Hokusai became famous for the illustrations in books about his unique expression and style. In his 50s, the number of his apprentices increased and he established his school – the Katsushika school. He started producing the work that earned him a place in history, Thirty-six views of Mt. Fuji, when he was over 70 years old. He died at around 90, leaving the impressive words, If I could have lived ten or even five more years, I would have become a real painter. We do not mark merchandise values below value or mark items as “gifts” – Japan, US and International government regulations prohibit such behavior. About Importer’s Obligation. Thank you for your understanding.
Authentic Katsushika Hokusai Thirty-Six Views Of Mt. Fuji Woodblock Print Japan. 12×8 Framed like new condition. Always kept in a non-smoking or pets environment. Feel free to make me an offer we can come up with a price that we both are happy with. Thanks for checking out my shop!
Authentic Hiroshige Ukiyo-e Woodblock Print -Sakanoshita: Fudesute Cliff Framed. 12×8 Like New Condition the back has minor ware. Always kept in a non-smoking or pets environment. Feel free to make me an offer we can come up with a price that we both are happy with. Thanks for checking out my shop!
Not sure if this came from an old book or album. The print and photos look to be glued/adhered to the thicker paper. Please examine all the photos, it shows some wear. The blue marks over the genitals are just to censor the image. They are not actually on the artwork. Contact me with any questions.
Authentic Kuniyoshi 69 Stations of the Kiso Highway Ukiyo-e Edo Woodblock print. Kuniyoshi’s authentic work “69 Stations of the Kiso Highway: Tarui Ennosuke / Large-format Nishikie” Ukiyo-e Edo Woodblock print Calligraphy lesson Stilts Well Returning from Terakoya Babysitter Product Description [Artist] Ichiyuusai Kuniyoshi (Utagawa Kuniyoshi) [Era] Kaei 5 (1852) [Dimensions] Approximately 24cm x approximately 34cm. [Condition] No lining, some dirt, trimming. Please see the images for details. Explanation? “Tarui” is one of a series of frame-drawn illustrations depicting the scenery at each station on the Kiso Kaido road. Set at Tarui Station, the story depicts an episode from Hideyoshi’s childhood (Hiyoshimaru), when he was also known as Saru (Sarumenkanja). The frame of the picture frame is also gourd-shaped, a reference to Hideyoshi. Also noteworthy is the similarity in the design with “The Thirty-six Battles of England: Oniwakamaru, ” which is being exhibited at the same time. This guide was created using ImageUp, which allows you to add as many large photos as you like (free of charge). Utagawa Kuniyoshi, a master of ukiyo-e art in 19th century Japan, was a visionary whose work still captivates audiences today. Born in 1798 in Edo (Tokyo), Kuniyoshi revolutionized the world of woodblock prints with his dynamic style and boundless imagination. Renowned for his warrior prints and mythological scenes, Kuniyoshi brought legends to life with unprecedented vigor. His compositions burst with energy, depicting heroes locked in fierce battles and supernatural beings that seem to leap from the page. Kuniyoshi’s technical skill allowed him to create intricate details in armor, expressive faces, and complex backgrounds that added depth to his already compelling subjects. Beyond his dramatic historical scenes, Kuniyoshi showcased his versatility in a wide range of subjects. His whimsical cat prints, combining keen observation with playful humor, remain beloved by art enthusiasts. He also excelled in landscape, beautifully integrating figures with their surroundings. Kuniyoshi’s creativity knew no bounds, even in the face of strict government censorship. He cleverly incorporated hidden meanings and social commentary into his designs, demonstrating both his wit and his courage. His influence extended far beyond his lifetime, inspiring countless artists in Japan and abroad. Today, Kuniyoshi is celebrated for his technical mastery, narrative power, and the sheer imaginative force of his art, which continues to transport viewers into the vibrant, fantastical world of Edo-period Japan. We do not mark merchandise values below value or mark items as? Japan, US and International government regulations prohibit such behavior. About Importer’s Obligation. Thank you for your understanding.
Please message us to check the condition. The items shown in the picture are the items to be sent. Please refer to the pictures for accessories. We are located in Japan. It’s our pleasure to make you happy by proposing our recommend item. If you have any questions or request about items, please feel free to ask us. International Buyers – Please Note. We do not mark merchandise values below value or mark items as. Gifts – The US and International government regulations prohibit such behavior.
Utagawa Kuniyoshi was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. This is the right panel of Oyone Magoshichi Taheiji and it is framed and matted under glass. The print is in good condition with wear commensurate with age. As represented by the pictures. Utagawa Kuniyoshi is one of the great ukiyo-e woodblock print masters of the late Edo period in the 19th century, renowned for dynamic and often violent prints of monsters, demons, ghosts, and samurai heroes. As a member of the Utagawa school, Kuniyoshi gained renown for his “warrior prints, ” or musha-e, a genre that is widely credited as a significant influence on modern-day manga comics. His breakthrough series The 108 Heroes of the Popular Suikoden, based on the 14th-century Chinese novel of the same name, catapulted Kuniyoshi to fame in 1827. Kuniyoshi worked across many pictorial genres during his career. His broad range of subjects included landscapes, courtesans, Kabuki actors, cats, and mythical animals. Kuniyoshi’s works can be found in international institutions, and his woodblock prints continue to serve as a source of inspiration for contemporary tattoo artists.
